He lived in the shadow of kings. One trusted him with his empire; the other feared his every move. Memnon of Rhodes (375-333 BC) walked in the footsteps of giants. As a soldier, sailor, statesman and general, he was, in the words of Diodorus of Sicily, "outstanding in courage and strategic grasp." A contemporary of Demosthenes and Aristotle, Memnon rose from humble origins to command the whole of western Asia in a time of strife and slaughter. To his own people, he was a traitor, to his rivals, a mercenary. But, to the King of Kings, his majesty Darius III of Persia, Memnon was the one man capable of defending Asia Minor from the rising power of the barbaric Macedonians. In a war pitting Greek against Greek, Memnon proved his quality beyond measure. His enemies fought for glory and gold; Memnon fought for something more: for loyalty, for honour, and for duty. He fought for the love of Barsine, a woman of remarkable beauty and grace, but most of all, he fought for the promise of peace. Through the deathbed recollections of a mysterious woman, the life of Memnon unfolds with brilliant clarity. It is a record of his triumphs and tragedies, his loves and losses, and of the determination that drove him to stand against the most renowned figure of the ancient world - an ambitious and brilliant young conqueror called Alexander the Great.

He lived in the shadow of kings. One trusted him with his empire; the other feared his every move...Memnon of Rhodes (375-333 BCE) walked in the footsteps of giants. As a soldier, sailor, statesman, and general, he was, in the words of Diodorus of Sicily, "outstanding in courage and strategic grasp." A contemporary of Demosthenes and Aristotle, Memnon rose from humble origins to command the whole of western Asia in a time of strife and slaughter. To his own people, he was a traitor, to his rivals, a mercenary. But, to the King of Kings, his majesty Darius III of Persia, Memnon was one man capable of defending Asia Minor from the rising power of the barbaric Macedonians. In a war pitting Greek against Greek, Memnon proved his quality beyond measure. His enemies fought for glory and gold; Memnon fought for something more, for loyalty, for honor, and for duty. He fought for the love of Barsine, a woman of remarkable beauty and grace. Most of all, he fought for the promise of peace. Through the deathbed recollections of a mysterious woman, the life of Memnon unfolds with brilliant clarity. It is a record of his triumphs and tragedies, his loves and lossess, and of the determination that drove him to stand against the most renowned figure of the ancient world-the ambitious young conqueror called Alexander the Great.

Investigates the participation of black Africans, usually referred to as "Ethiopians," by the Greek and Romans, in classical civilization, concluding that they were accepted by pagans and Christians without prejudice.

What gives life its meaning? This question stands behind every philosophical inquiry, and philosophy itself arises from it. Confronting the problem of meaning is, as Camus says, the fundamental task of human life. Yet at bottom, meaning is an aesthetical category. Meaning hinges on interpretation. It makes sense then to turn to art—and in particular the art form which deals most explicitly with meaning, the novel—if we are to attempt to address it. Inspired by but critical of Roland Barthes’s “death of the author” literary theory, The Mask of Memnon seeks to reconcile opposing philosophical approaches to the question of meaning by examining the death of the author from the perspective of the character, not the reader. In this work, the traditional dichotomy between external/objective meaning and internal/subjective meaning is upended and a new paradigm is proposed.

A colossal statue, originally built to honor an ancient pharaoh, still stands today in Egyptian Thebes, with more than a hundred Greek and Latin inscriptions covering its lower surfaces. Partially damaged by an earthquake, and later re-identified as the Homeric hero Memnon, it was believed to "speak" regularly at daybreak. By the middle of the first century CE, tourists flocked to the colossus of Memnon to hear the miraculous sound, and left behind their marks of devotion (proskynemata): brief acknowledgments of having heard Memnon's cry; longer lists by Roman administrators; and more elaborate elegiac verses by both amateur and professional poets. The inscribed names left behind reveal the presence of emperors and soldiers, provincial governors and businessmen, elite women and military wives, and families with children. While recent studies of imperial literature acknowledge the colossus, few address the inscriptions themselves. This book is the first critical assessment of all the inscriptions considered in their social, cultural, and historical context. The Memnon colossus functioned as a powerful site of engagement with the Greek past, and appealed to a broad segment of society. The inscriptions shed light on contemporary attitudes toward sacred tourism, the role of Egypt in the Greco-Roman imagination, and the cultural legacy of Homeric epic. Memnon is a ghost from the Homeric past anchored in the Egyptian present, and visitors yearned for a "close encounter" that would connect them with that distant past. The inscriptions thus idealize Greece by echoing archaic literature in their verses at the same time as they reflect their own historical horizon. These and other subjects are expertly explored in the book, including a fascinating chapter on the colossus's post-classical life when the statue finds new worshippers among Romantic artists and poets in nineteenth-century Europe.