"An annotated English translation of the fourteenth-century French prose romance Melusine, by Jean d'Arras"--Provided by publisher.

Considerable interest in faery tradition has grown up in recent years and not least in the story of Melusine of Lusignan, the subject of a prose romance by Jean d'Arras at the end of the 14th century, swiftly followed by one in verse by Couldrette. This book provides a collection of material from various sources to give an all round picture of the remarkable faery, her town, her church, her immediate family, and the great Lusignan dynasty she founded. An established authority on Melusine, Gareth Knight collects together all the best source material, which he translates from the French, and presents his own researches into the Lusignan family of the 12th century, whose dynasty included kings of Cyprus and Jerusalem, examining the possibility of a familiar spirit guiding the family in its destiny.

This volume of original essays is the first collection devoted to the monumental Roman de Melusine (1393) by Jean d'Arras. A masterwork of late fourteenth-century French prose fiction, Melusine tells of the powerful medieval dynasty of Lusignan from its founding as a city by the legendary Melusine, an enigmatic fairy-figure subject to periodic monstrous transformations, through its expansion in Europe and the Near East, to its ultimate evanescence. Melusine offers a singular blend of history and fiction as it upholds the proprietary claims to Lusignan of the work's illustrious patron, Jean, Duc de Berry. The great deeds of Melusine, her forebears, and her progeny unfold in a narrative that blends elements of myth, folklore, and popular traditions with epic, Crusade narrative, romance, and theological doctrine. Advancing a wealth of new material and fresh insight, the essays in this volume address the complex interplay of the conventions of medieval fictional, historical, and genealogical writing from a wide variety of critical perspectives. Together, they offer a new, more balanced and comprehensive understanding of one of the most significant literary works of late medieval European culture.

Jean d’Arras’s splendid prose romance of Melusine, written for Jean de Berry, the brother of King Charles V of France, is one of the most significant and complex literary works of the later Middle Ages. The author, promising to tell us “how the noble and powerful fortress of Lusignan in Poitou was founded by a fairy,” writes a ceaselessly astonishing account of the origins of the powerful feudal dynasty of the Lusignans in southwestern France, which flourished in western Europe and the Near East during the age of the Crusades. The spellbinding story of the destinies of the fairy Melusine, her mortal husband, and her extraordinary sons blends history, myth, genealogy, folklore, and popular traditions with epic, romance, and Crusade narrative. Preceded by a substantial introduction, this translation, the first in English to be amply annotated, captures the remarkable range of stylistic registers that characterizes this extravagant and captivating work.

Springing from the heart of medieval France, The Romance of the Faery Melusine tells the story of Raymondin of Poitiers who accidentally kills his uncle while out hunting, and fleeing deep into the forest, encounters a faery by a fountain. Falling deeply into a mutual soul-love, the faery Melusine agrees to help Raymondin and to become his wife, on condition that he makes no attempt to see her between dusk and dawn each Saturday. On this basis the house of Lusignan thrives and prospers, until a series of treacherous events tempt Raymondin to violate his promise and shatter the magic which holds his faery wife to the human world. First rendered into written form in a text by Jean d'Arras in 1393, the legend of the Faery Melusine is well established in France, where she is credited with having founded the family, town and castle of Lusignan. However, it is very little known in the English-speaking world, despite the fact that Melusine originally hailed from Scotland. This new retelling by Gareth Knight translated from Andre Lebey's 1920s novel Le Roman de la Melusine captures the freshness of Lebey's telling of the legend and brings the benefit of Knight's expertise both in French literature and in the esoteric faery tradition.

In Melusine’s Footprint: Tracing the Legacy of a Medieval Myth, editors Misty Urban, Deva Kemmis, and Melissa Ridley Elmes offer an invigorating international and interdisciplinary examination of the legendary fairy Melusine. Along with fresh insights into the popular French and German traditions, these essays investigate Melusine’s English, Dutch, Spanish, and Chinese counterparts and explore her roots in philosophy, folklore, and classical myth. Combining approaches from art history, history, alchemy, literature, cultural studies, and medievalism, applying rigorous critical lenses ranging from feminism and comparative literature to film and monster theory, this volume brings Melusine scholarship into the twenty-first century with twenty lively and evocative essays that reassess this powerful figure’s multiple meanings and illuminate her dynamic resonances across cultures and time. Contributors are Anna Casas Aguilar, Jennifer Alberghini, Frederika Bain, Anna-Lisa Baumeister, Albrecht Classen, Chera A. Cole, Tania M. Colwell, Zoë Enstone, Stacey L. Hahn, Deva F. Kemmis, Ana Pairet, Pit Péporté, Simone Pfleger, Caroline Prud’Homme, Melissa Ridley Elmes, Renata Schellenberg, Misty Urban, Angela Jane Weisl, Lydia Zeldenrust, and Zifeng Zhao.

Readers have long been fascinated by the enigmatic figure of M lusine - a beautiful fairy woman cursed to transform into a half-serpent once a week, whose part-monstrous sons are the ancestor of several European noble houses. This study is the first to consider how this romance developed from a local legend to European bestseller, analysing versions in French, German, Castilian, Dutch, and English. It addresses questions on how to study medieval literature from a European perspective, moving beyond national canons, and reading M lusine's bodily mutability as a metaphor for how the romance itself moves and transforms across borders. It also analyses key changes to the romance's content, form, and material presentation - including its images - and traces how the people who produced and consumed this romance shaped its international transmission and spread. The author shows how M lusine's character is adapted within each local context, while also uncovering previously unknown connections between the different branches of this multilingual tradition. Moving beyond established paradigms of separate national traditions, manuscript versus print, and medieval versus Renaissance literature, the book integrates literary analysis with art historical and book historical approaches. LYDIA ZELDENRUST is a Leverhulme Early Career Fellow at the Department of English and Related Literature at the University of York.