In November 2005, Sunni insurgents attacked a U.S. Marine squad en route to Haditha with an improvised explosive device (IED). One Marine died and two others were wounded. Within minutes, squad members killed 24 Iraqi civilians, including an elderly couple, four women and six children. It was the worst incident of its kind in the Iraq War. Thirteen months later, four officers and four enlisted men were accused of crimes ranging from dereliction of duty to murder. The legal proceedings dragged on for five years, longer than any in U.S. military history. The only conviction was that of an NCO who pleaded guilty to a misdemeanor. Unlike other legal actions conducted during the 60-year history of the present military justice system, these proceedings were held mostly in secret. This book investigates the tactics adopted by Marine Corps commanders and the ineptness of the proceedings, which raise serious questions about the need for reform of the Code of Military Justice.

This edited volume provides a critical and comparative discussion of the changing synergy between the military and society in the dramatically transforming global security climate, drawing on examples from the Asian, Pacific, African, Middle Eastern, European and South American regions. The book is interdisciplinary and covers wide-ranging issues relating to civil military relations, democratization, regional security, ethnicity, peace-building and peace keeping, civilian oversight, internal repression, gender, regime change and civil society.

American Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able to both reflect the defining fears and anxieties of the tumultuous era, but also shape them in compelling and resonant ways.

This book is a radical piece of counter-intuitive rethinking of the clash of civilizations theory and global politics. In this richly detailed criticism of contemporary politics, Hamid Dabashi argues that after 9/11 we have not seen a new phase in a long running confrontation between Islam and the West, but that such categories have in fact collapsed and exhausted themselves. The West is no longer a unified actor and Islam is ideologically depleted in its confrontation with colonialism. Rather we are seeing the emergence of the US as a lone superpower, and a confrontation between a form of imperial globalized capital and the rising need for a new Islamic theodicy. The combination of political salience and theoretical force makes Islamic Liberation Theology a cornerstone of a whole new generation of thinking about political Islamism and a compelling read for anyone interested in contemporary Islam, current affairs and US foreign policy. Dabashi drives his well-supported and thoroughly documented points steadily forward in an earnest and highly readable style.

M. C. Armstrong secured his embed as a journalist with the Navy SEALs in 2008. Shortly before he left for Iraq his father asked him to tell the story no one else seemed to be telling, the story of the people sometimes constructed as our friends and other times our enemies: the Iraqis. “But what about them?” he asked. “Who’s their good guy? Who’s their George Washington? That’s the story you want to find. Talk to them.” Armstrong’s searing memories about his relationship with his father, his fiancé, and his SEAL team companion take the reader on a nosedive ride from a historically black college in the American South straight into Baghdad, the burn pits, and the desert beyond the mysterious Haditha dam. Culminating in the disclosure of a devastating secret, The Mysteries of Haditha explores the lengths Armstrong was willing to go to prove himself and to witness a truth he couldn’t have prepared himself to receive. At once daring, dark, and hilarious, this memoir of M. C. Armstrong’s journey pulls no punches and lifts the veil on the lies we tell each other and the ones we tell ourselves. The Mysteries of Haditha is a coming-of-age story and an unprecedented glimpse into the heart of the war on terror.

An account of the murder of Dr. Jack Wilson describes how ambitious small-town beauty Betty Wilson snagged Jack, spent his fortune, and then, with her sister Peggy's help, hired someone to kill him. Original.