An impressive study that prompts the reader toward philosophical reflection on the hermeneutics of melancholy in its relation to maturing theological understanding and cultivation of a profound self-consciousness. Melancholy has been interpreted as a deadly sin or demonic temptation to non-being, yet its history of interpretation reveals a progressive coming to terms with the dark mood that ultimately unveils it as the self's own ground and a trace of the abysmal nature of God. The book advances two provocative claims: that far from being a contingent condition, melancholy has been progressively acknowledged as constitutive of subjectivity as such, a trace of divine otherness and pathos, and that the effort to transcend melancholy-like Perseus vanquishing Medusa-is a necessary labor of maturing self-consciousness. Reductive attempts to eliminate it, besides being dangerously utopian, risk overcoming the labor of the soul that makes us human. This study sets forth a rigorous scholarly argument that spans several disciplines, including philosophy, theology, psychology, and literary studies.

This probing study of melancholy invites readers to view "depression" genealogically through the history of its interpretation. It plumbs interior depths where psychology, theology, philosophy, and literary creation intersect. Therapies proposed for the dark mood have included work, prayer, care of the self, and deepening awareness of its indispensable role in the development of consciousness of oneself and God. Reflecting on these historical responses and cures can prompt a personal exploration, making this a practical manual for self-knowing and self-transcending, a philosophical "guide for the depressed."

An impressive study that prompts the reader toward philosophical reflection on the hermeneutics of melancholy in its relation to maturing theological understanding and cultivation of a profound self-consciousness. Melancholy has been interpreted as a deadly sin or demonic temptation to non-being, yet its history of interpretation reveals a progressive coming to terms with the dark mood that ultimately unveils it as the self's own ground and a trace of the abysmal nature of God. The book advances two provocative claims: that far from being a contingent condition, melancholy has been progressively acknowledged as constitutive of subjectivity as such, a trace of divine otherness and pathos, and that the effort to transcend melancholy-like Perseus vanquishing Medusa-is a necessary labor of maturing self-consciousness. Reductive attempts to eliminate it, besides being dangerously utopian, risk overcoming the labor of the soul that makes us human. This study sets forth a rigorous scholarly argument that spans several disciplines, including philosophy, theology, psychology, and literary studies.

This volume offers essays on the nature of God and the fundamental tasks of philosophy and theology written by internationally recognized thinkers in the distinct fields of philosophy, religious studies, and theology. The Otherness of God traces the lineage of its theme from Plato and Aristotle through Neoplatonic, medieval, and Renaissance expression, and on through Reformation thought and German idealism to dialectical theology and deconstruction. This provocative collection, drawn primarily from an interdisciplinary conference at the University of Virginia, should attract those interested in the philosophy of religion, the history of philosophy and theology, and the theological interpretation of secular culture.

The God of classical Christian faith is radically transcendent--utterly beyond understanding and words. So if God is to be known it must be in the luminous darkness of unknowing. Drawing on a wide range of primary sources--biblical, patristic, and medieval--Barry D. Smith identifies and explores seven ways of expressing the otherness of God in classical Christian thinking. By allowing historical theologians to speak for themselves, he shows how an aversion to ontotheology long precedes postmodernism. The book first lays out the Old Testament and New Testament foundations for subsequent Christian reflections on divine transcendence. These were the teachings that the early church assumed and, with the assistance of Greek philosophy, further refined with their own set of apophatic conceptual tools. The main focus of the book is a sevenfold exposition of that theological refinement. Smith concludes by looking towards possible future theological developments within this apophatic tradition. Drawing on the theological methodology of historic Christianity, he indicates how a synthesis of the biblical teaching on the otherness of God with philosophical traditions other than those inherited from Greek philosophy is also possible.

Strangers, Gods and Monsters is a fascinating look at how human identity is shaped by three powerful but enigmatic forces. Often overlooked in accounts of how we think about ourselves and others, Richard Kearney skil lfully shows, with the help of vivid examples and illustrations, how the human outlook on the world is formed by the mysterious triumvirate of strangers, gods and monsters. In the first part of the book, he shows how the figure of stranger - the "barbarian" for ancient Greece, the 'savage' for imperial Europe - defines our own identity by the very idea that it is the Other, not we, who is unknown. He then goes on to examine the image of the monster, and with the aid of powerful examples from ancient Minotaurs to medieval demons and post-modern enemies, argues that human selfhood itself frequently contains a monstrous element. In the final part of the book Richard Kearney shows how many gods are still alive for people today testifying to the human psyche's yearning to slip the shackles of our finitude and death. Throughout, Richard Kearney shows how strangers, gods and monsters do not merely reside in myths or fantasies but constitute a central part of our cultural unconscious. Above all, he argues that until we understand better that the Other resides deep within ourselves, we can have little hope of understanding how our most basic fears and desires manifest themselves in the external world and how we can learn to live with them.

Invoking the biblical motif of Jacob's struggle with the Face of God (Genesis 32), Simon D. Podmore undertakes a constructive theological account of 'spiritual trial' (tentatio; known in German mystical and Lutheran tradition as Anfechtung) in relation to enduring questions of the otherness and hiddenness of God and the self, the problem of suffering and evil, the freedom of Spirit, and the anxious relationship between temptation and ordeal, fear and desire. This book traces a genealogy of spiritual trial from medieval German mystical theology, through Lutheran and Pietistic thought (Tauler; Luther; Arndt; Boehme), and reconstructs Kierkegaard's innovative yet under-examined recovery of the category (AnfAegtelse: a Danish cognate for Anfechtung) within the modern context of the 'spiritless' decline of Christendom. Developing the relationship between struggle (Anfechtung) and release (Gelassenheit), Podmore proposes a Kierkegaardian theology of spiritual trial which elaborates the kenosis of the self before God in terms of Spirit's restless longing to rest transparently in God. Offering an original rehabilitation of the temptation of spiritual trial, this book strives for a renewed theological hermeneutic which speaks to the enduring human struggle to realise the unchanging love of God in the face of spiritual darkness.