An excellent beginner's book that teaches simple chord strumming. A companion CD and DVD are currently available and the use of one of these is highly recommended to insure accuracy of interpretation and ease in learning.

At last, here is a method book for the upright string bass or "dog house bass" as it is affectionately known in bluegrass circles. Although bluegrass bass has a style of its own, the knowledge gained through this method is applicable to virtually any musical genre. This book addresses the elements of tuning, hand positions, essential chord theory, slap bass technique, and playing in positions 1-10. A handy chart is provided for transposing chord progressions from one key to another. Written in standard notation only.

Mel Bay's Complete Fiddling Book is a compilation of arrangements of traditional tunes by several outstanding practitioners of the art of fiddle playing: Craig Duncan, Bill Guest, Dave Reiner, Frank Zucco, and Joe Castle. From The Arkansas Traveler to The Yellow Rose of Texas, over 300 colorful fiddle tunes populated this book's 205 pages. Scant on text or historical notes, but long on musical content, the Complete Fiddling Book is a great resource for any fiddler or teacher in search of a delightful, toe-tapping repertoire. Although most of the tunes are written for solo fiddle, the last ten pieces are arranged as fiddle duets. A masterful solo collection presenting a vivid assortment of fiddling styles and repertoire. On the companion DVD, fiddler Craig Duncan and guitarist Robert Bowlin perform 34 favorite tunes which are played at a slow and medium tempo to demonstrate many fiddling techniques. Split-screen filming features close-up angles of both the left hand and the bow. This DVD is the perfect companion to the Complete Fiddling Book, bringing the teacher right into your living room. Compilation of arrangements of traditional tunes Over 300 colorful fiddle tunes populate the 205 pages Most for solo fiddle, but the last ten pieces are arranged as fiddle duets Intermediate to advanced in difficulty Split-screen companion DVD of 34 tunes performed by Craig Duncan and guitarist Robert Bowlin.

Introduces adults and school-aged beginners to the instrument and provides instruction related to the fundamental skills necessary to play the violin in a technically correct and musically satisfying way.Ideal as a partner book for students in school string programs as it provides a review of initial skills, an introduction to advanced technique ear training exercises and an anthology of repertoire.The enclosed teaching points can also supplement Suzuki Violin repertoire and provide students and parents involved in Suzuki lessons additional ear training activities and music literacy exercises.These tunes are varied stylistically and include folk tunes from various cultures and original and classic melodies chosen for their musical value and accessibility.

Evoke the traditional sounds of the Celtic lands with these instrumental arrangements of songs for solo Celtic harp. These 25 tunes are Manx, Welsh, Irish, Scottish, Cornish, Hebridean, and Bretton, including pieces by Turlough O'Carolan and Robert Burns. Notes at the end of the book give insights into the meanings of the texts of the songs, aiding interpretation and inviting you to experience the ambience of the Celtic lands through their music. Lyrics for selected songs are given in the notes in English.

A critically acclaimed book covering old-time, bluegrass, Irish, blues, Scandinavian, Cajun, Texas, swing and jazz, and twin fiddling styles. This book also covers bowing, chords, chord progressions, kickoffs and endings, and improvisation. The companion recording features David Reiner's solo performance of all the tunes in the book.

In his preface, the author reminds the reader that this is not a book for the absolute beginner. Even the experienced player may not get it on first reading a given tune, but You can expect to enjoy the process of learning... [and experience] the joy of recreating a traditional tune, of making it your own. This is the teacher/ student pact in effect throughout this marvelous book, written for the literary as much as the musical connoisseur. Although no classical violin experience is needed, you will need to know how to hold the fiddle and bow, and be able to play at least simple tunes in the first position. Having the ability to read music will enable you to follow the bowing patterns and left-hand techniques which the author feels are crucial in grasping the playing style.