A collection of 14 of Wes Montgomery's great jazz guitar solos transcribed directly from recorded performances. Included are such landmark solos as Work Song; Sack o' Woe; Unit 7; Fallout; Jeanine; Blue Roz; Full House; Mi Cosa; Doujie; Missile; Blues; and others. All solos are in notation and tablature. Most of the pieces can be heard on Riverside's Wes Montgomery: The Complete Riverside Recordings. The new revised edition matches the recordings much more closely than the first edition, with more detailed rhythms in several pieces. All of Wes' original solos are faithfully transcribed here in notation and tablature for your study. The book also contains general performance notes, a chronological discography, and a touching biographical essay.

(Book). Wes Montgomery was unquestionably the most significant jazz guitarist to emerge during the 1960s. By the '70s and '80s he had, like Charlie Christian and Django Reinhardt before him, become a major influence on other guitar players. Elements of his style are discernible in many of today's finest players. Although many musicians acknowledge Wes as one of the finest guitar players of the 20th century, there has been until now a lack of detailed biographical and analytical material. This definitive work is a must for all guitarists and jazz lovers alike.

The artistry exhibited by Wes Montgomery ultimately led to a redefinition of jazz guitar. These transcriptions from Wes' landmark early recorded work capture him in contrasting settings and roles as a sideman, leader and with various group configurations. All solos were carefully transcribed in notation and tablature from Wes' ori- ginal Riverside recordings. Selections include: Scrambled Eggs; Compulsion; Terrain; Ursula; Lolita; Tune Up; Says You; Delirium; and No Hard Feelings.

A collection of 14 of Wes Montgomery's great jazz guitar solos transcribed directly from recorded performances. Included are such landmark solos as Work Song; Sack o' Woe; Unit 7; Fallout; Jeanine; Blue Roz; Full House; Mi Cosa; Doujie; Missile; Blues; and others. All solos are in notation and tablature. Most of the pieces can be heard on Riverside's "Wes Montgomery: The Complete Riverside Recordings." The new revised edition matches the recordings much more closely than the first edition, with more detailed rhythms in several pieces. All of Wes' original solos are faithfully transcribed here in notation and tablature for your study. The book also contains general performance notes, a chronological discography, and a touching biographical essay.

Dave explains his approach to jazz improvisation with musical examples that he himself uses, learned from years of playing with the greats - after learning how to play jazz from listening to players such as Grant Green, Wes Montgomery and Pat Martino. Explains the minor sub approach using minor scales to play over dominant seventh chords, and then includes several solos over often-played jazz standards, using this approach. Also described are the use of the blues and pentatonic scales as well as be-bop ideas, the melodic minor scale, and whole-tone and diminished scales and patterns. Hanon-type warm up exercises and Dave's own fingerings shown in tab are also described. Perfect for intermediate-to-more advanced players, Dave's concise way of explaining his approach will open up the students to developing their own improvisational ideas. Dave plays the examples and solos on the companion audio download including tracks with a rhythm only section for student play-along.

Wes Montgomery took jazz guitar to a new level when he came to the public's attention in the late 1950's. Known for his fluid lines and his big jazz guitar sound, Wes influenced thousands of guitarists in the styles of jazz, blues, and rock. This book will present some of the soloing techniques that Wes used as well has present many melodic ideas (lines) similar to the way he played over the chord progression in many jazz standards. Because the major and minor ii-V-I progression are the most widely used chord progression in jazz standards, the lines in this text will work over these progressions. the accompanying CD contains many play-along tracks (vamps of one chord and vamps around the circle of fourths) that the student should use to practice the material in one key and then master it in all twelve keys. By learning the techniques used by Wes Montgomery, guitarists will add to their own improvising arsenal. As improvising musicians add to their collection of musical ideas, their ability to express themselves completely increases. Have fun studying these ideas and applying them in improvised solos.Also available in Japanese from ATN, Inc.

This is Mel Bay's landmark system for playing guitar solos in chord style using popular sheet music. This method is accessible to the intermediate level student and is applicable for pick or fingerstyle performance. In notation and tablature.