Perhaps one of the most comprehensive books of its type on the market, this exhaustive and intelligent presentation of the myriad of scales and modes makes this a must have text for the guitarist who is interested in developing his skills of jazz improvisation. The highly acclaimed author/teacher and performer Vincent Bredice very carefully moves the student through all the common modes. Each mode is explored thoroughly by using chord and arpeggio studies in a variety of positions and/or inversions. This outstanding text is a wonderful resource for one's library as well as an excellent teaching and learning tool. Since a good musician must hear sounds quickly and accurately, in addition to enhancing one's technical and improvising ability, Jazz Guitar Scales and Modes, will help tremendously with ear training as well. The author emphasizes the importance of being able to play and understand modal scales in first position before moving them up the neck using pattern fingerings. Contains excellent studies lines.

This book will teach guitarists how to construct and play the scales and modes used in jazz improvisation. Through the study of these scales, students will expand their musical vocabulary for jazz improvisation. Scales are presented in standard notation, tab, linear diagrams showing the scales intervallic makeup, and fingering patterns. Recordings of the chord progressions and etudes are provided so the student can hear how these scales may be used in real life situations.

A working knowledge of scales and their applications to chord progressions is paramount for jazz guitarists. Mel Bay's Jazz Guitar Scale Chart provides fingerings diagrams, construction formulas in whole and half steps (in standard notation) and application (usage) for the most common scales used in jazz improvisation and composition. This easy to read and understand chart is packed full of scalar information. A must have for aspiring jazz guitarists.

This book and accompanying audio offer a unique, simplified approach to using arpeggios when improvising. The material is for guitarists of all levels looking to improve their technique and improvisation skills. This method makes it possible to seamlessly incorporate arpeggios into jazz improvisation. Included are over thirty arpeggio-based licks spanning major, minor, dominant, blues and ii-V-I categories. The book also presents straightforward methods for using arpeggios creatively. Most guitarists view arpeggios and scales as separate entities - this book solves this problem by illustrating the relationship between eight simple arpeggio fingerings and scales/modes. Several etudes are also included. These simple mini-arpeggios will provide the reader with an entire world of musical possibilities.