Cheetahs and ostriches can definitely fend for themselves in their native Africa. Cheetahs have incredible speed; they're the fastest land animals. Ostriches are the largest birds, but they also have a kick so deadly it's been known to kill lions. What might happen if these two beasts squared off is anyone's guess. Both are equipped to do some damage. Readers can decide which they think would be the victor using the exciting information and vivid action photographs they'll find on each page of this engaging volume.

After brain surgery to stop his seizures, a brilliant twelve-year-old boy, enlisting the help of a female classmate, investigates why everyone around him, including his parents and hamster, are acting oddly.

Raphael’s Ostrich begins with a little-studied aspect of Raphael’s painting—the ostrich, which appears as an attribute of Justice, painted in the Sala di Costantino in the Vatican. Una Roman D’Elia traces the cultural and artistic history of the ostrich from its appearances in ancient Egyptian hieroglyphs to the menageries and grotesque ornaments of sixteenth-century Italy. Following the complex history of shifting interpretations given to the ostrich in scientific, literary, religious, poetic, and satirical texts and images, D’Elia demonstrates the rich variety of ways in which people made sense of this living “monster,” which was depicted as the embodiment of heresy, stupidity, perseverance, justice, fortune, gluttony, and other virtues and vices. Because Raphael was revered as a god of art, artists imitated and competed with his ostrich, while religious and cultural critics complained about the potential for misinterpreting such obscure imagery. This book not only considers the history of the ostrich but also explores how Raphael’s painting forced viewers to question how meaning is attributed to the natural world, a debate of central importance in early modern Europe at a time when the disciplines of modern art history and natural history were developing. The strangeness of Raphael’s ostrich, situated at the crossroads of art, religion, myth, and natural history, both reveals lesser-known sides of Raphael’s painting and illuminates major cultural shifts in attitudes toward nature and images in the Renaissance. More than simply an examination of a single artist or a single subject, Raphael’s Ostrich offers an accessible, erudite, and charming alternative to Vasari’s pervasive model of the history of sixteenth-century Italian art.

"This book covers information (life cycle, appearance, habitat) about the ostrich. Each chapter discusses an aspect of the ostrich's life, comparing the bird to a similar bird and to a very different bird."--

"Developed by literacy experts for students in kindergarten through grade three, this book introduces ostriches to young readers through leveled text and related photos"--

What bird has a large body and a long neck, but cannot fly? It is an emu! Or is it an ostrich? These birds may seem similar, but they are unique in many ways. Lively images, simple text, and a side-by-side comparison feature help young readers learn how emus and ostriches have different appearances and behaviors. Readers will soon identify these flightless birds with ease!

Magic and mayhem abound in this fantasy adventure from the author of The Scandalous Sisterhood of Prickwillow Place. Young dairymaid Begonia has lost her cow Alfalfa. So she has set off on a search across the countryside even though she has nothing but a magical map to guide her. Along the way she meets a mother and baby, a woodcutter, a very dirty young man, and an eight-foot ostrich. Meanwhile, the emperor has gone missing from the royal palace in a most mysterious manner. Was it murder? Was it magic? It will take all of Begonia's wits to save the empire and get Alfalfa home safely.