2024 PNBA Award Winner "[Wong] paints her story with flourish."—The New York Times "A love letter to Atlantic City and the Asian American working class."—The Los Angeles Times "Blazing, lyrical."—The Boston Globe "Joyful. . . . Wong’s memoir invites those who have been overlooked in America to hold up their verses, accolades and solidarity in a collective rejoinder to their detractors."—The Washington Post An incandescent, exquisitely written memoir about family, food, girlhood, resistance, and growing up in a Chinese American restaurant on the Jersey shore. In the late 1980s on the Jersey shore, Jane Wong watches her mother shake ants from an MSG bin behind the family’s Chinese restaurant. She is a hungry daughter frying crab rangoon for lunch, a child sneaking naps on bags of rice, a playful sister scheming to trap her brother in the freezer before he traps her first. Jane is part of a family staking their claim to the American dream, even as this dream crumbles. Beneath Atlantic City’s promise lies her father’s gambling addiction, an addiction that causes him to disappear for days and ultimately leads to the loss of the restaurant. In her debut memoir, Jane Wong tells a new story about Atlantic City, one that resists a single identity, a single story as she writes about making do with what you have?and what you don’t. What does it mean, she asks, to be both tender and angry? What is strength without vulnerability?and humor? Filled with beauty found in unexpected places, Meet Me Tonight in Atlantic City is a resounding love song of the Asian American working class, a portrait of how we become who we are, and a story of lyric wisdom to hold and to share.

This original analysis of the representation and self-representation of women in literature and visual arts revolves around multiple early modern senses of "painting": the creation of visual art in the form of paint on canvas and the use of cosmetics to paint women's bodies. Situating her study in sixteenth- and seventeenth-century Italy, France, and England, Patricia Phillippy brings together three distinct actors: women who paint themselves with cosmetics, women who paint on canvas, and women and men who paint women—either with pigment or with words. Phillippy asserts that early modern attitudes toward painting, cosmetics, and poetry emerge from and respond to a common cultural history. Materially, she connects those who created images of women with pigment to those who applied cosmetics to their own bodies through similar mediums, tools, techniques, and exposure to toxic materials. Discursively, she illuminates historical and social issues such as gender and morality with the nexus of painting, painted women, and women painters. Teasing out the intricate relationships between these activities as carried out by women and their visual and literary representation by women and by men, Phillippy aims to reveal the delineation and transgression of women's creative roles, both artistic and biological. In Painting Women, Phillippy provides a cross-disciplinary study of women as objects and agents of painting.

Yellow Socks: Confessions of a Non-Don Juan is a fictional novel about a young man slowly growing into adulthood. From relationships with his Paranoid Schizophrenic Mother, oddball friends to emotionally unbalanced women through out his life, the book covers his hardships, successes and everything in between. He bases his self worth on how others feel about him through sexual and loving relationships. Written in diary or 'blog' form the book has a certain flow that peaks the reader's interest to see what will happen next in his adventures through life, chronicling each detailed relationship with people. Despite its classification as a novel, it can be picked up at any page and each story has a life of it's own so it can be read in pieces as well.

Bruce Springsteen might be the quintessential American rock musician but his songs have resonated with fans from all walks of life and from all over the world. This unique collection features reflections from a diverse array of writers who explain what Springsteen means to them and describe how they have been moved, shaped, and challenged by his music. Contributors to Long Walk Home include novelists like Richard Russo, rock critics like Greil Marcus and Gillian Gaar, and other noted Springsteen scholars and fans such as A. O. Scott, Peter Ames Carlin, and Paul Muldoon. They reveal how Springsteen’s albums served as the soundtrack to their lives while also exploring the meaning of his music and the lessons it offers its listeners. The stories in this collection range from the tale of how “Growin’ Up” helped a lonely Indian girl adjust to life in the American South to the saga of a group of young Australians who turned to Born to Run to cope with their country’s 1975 constitutional crisis. These essays examine the big questions at the heart of Springsteen’s music, demonstrating the ways his songs have resonated for millions of listeners for nearly five decades. Commemorating the Boss’s seventieth birthday, Long Walk Home explores Springsteen’s legacy and provides a stirring set of testimonials that illustrate why his music matters.

A-way with it! Simply put, that's what this is all about. The authors in this volume of The Journal of Experimental Fiction have demonstrated time and again that they have a way with words. Literature is ultimately driven by language, and these folks understand how to use language better than most. They prod it, ply it, tweak it, fry it, sling it, smash it, caress it, destroy it, uphold it, defend it, laugh at it, play with it, split it, spit on it, cajole it, stir it, freeze it, melt it, stomp on it, and hold it up for all to see as if it were the most precious thing in the entire world. Maybe it is.

Known as the working man's poet, the Boardwalk prophet, or simply, the Boss. If "love is a banquet at which we feed," Bruce Springsteen has provided much food for thought. In this collection of metaphysical probes, a gang of E-street philosophers will undress Bruce's deeper mysteries like irresistible Jersey girls. Can Springsteen settle the nature-nurture debate through his song "Born to Run"? What do the famous philosopher Ricuoer and Springsteen have in common in their depiction of time? These die-hard Springsteen fans, who just happen to be philosophers, compile an entertaining handbook to the field of Springsteen studies, covering topics like Springsteen's connection to Marx and the proletariat, Springsteen's concept of the soul, and his status as a poet.

Her Serene Highness, Princess Grace of Monaco, the legendary Hollywood screen siren, Grace Kelly is an American icon whose beauty is unrivalled, and whose oft-imitated aristocratic style and cool elegance has never been eclipsed. Wendy Leigh- after three years' research - has gained unprecedented access to over one hundred sources who have never talked about Grace before, including nine of her until now undisclosed romances - among them an English aristocrat, an American tennis player, and a Hollywood legend - and also including her priest friend, Father Peter Jacobs, and Bernard Combemal, the former head of the S.B.M, the consortium that runs Monaco. Wendy Leigh provides revealing new details about Grace's life, including her premarital romantic swan song which took place during her voyage to Monaco, the hitherto untold story of her troubling relationship with bridesmaid, Carolyn Reybold and the moving story of Grace's lifelong relationship with actor, David Niven. Wendy Leigh paints a compelling portrait of Grace, the ambitious young actress, Grace, the dutiful princess who transformed the principality of Monaco into a jet-set haven, Grace, the kind-hearted philanthropist, Grace, the loving mother, and Grace, the patriotic American. Wendy Leigh's book has not been written for those readers who wish to view Grace as a saint, but for those who - like Leigh herself - believes that she was a strong and wonderful woman.