Meet Me at the Border presents unforgettable vistas of nature that include the world's highest sand dunes just minutes away from endless beaches, the world's oldest desert, an exceptional variety of wildlife in sanctuaries that are role models in environment preservation, safaris that bond one with nature, a hotel made entirely from ice and snow, an underground hotel, service that's an effortless whisper, blazing sunsets melting into lantern-lit romance, cruises that are almost sinful in terms of what they offer, meals that are the envy of royalty, thermal springs that provide instant rejuvenation, festivals that border on the subline, people who are still living in the past, and much more a must-read.

This book is about the new Iraq, the Iraq that many say has finally after many years become a democracy, which has brought freedoms and rights, chaos and confusion. The author relates lending her skills to help Iraq progress toward a better future. She also gives an account of her feelings and experiences upon returning to her native city Baghdad, with each new encounter provoking old memories and building new foundations, and her view of the current Iraq from the perspective of someone who has lived in the United States for three decades. Finally she offers her thoughts on where Americans and Iraqis are headed together, with their lives intermingled as never before because of the recent war.

How do people and goods get in and out of Gaza? Do Gazans ever have fun? Is the Strip beautiful? And do TV reports actually reflect ordinary life inside the world's largest open-air prison? Meet Me in Gaza reveals the pleasures and pains, hopes and frustrations of Gazans going about their daily lives, witnessed and recounted by award-winning writer Louisa Waugh. Interspersed with fascinating historical, cultural and geographical detail, this is an evocative portrait of a Mediterranean land and its people.

Meet Me on the Barricades is Harrison’s most experimental work, including a series of fantasy sequences that culminate in a scene heavily indebted to the Nighttown episode in James Joyce’s Ulysses (the novel was also published a year before James Thurber’s better-known short story, “The Secret Life of Walter Mitty”). The novel is also Harrison’s only foray into satire—an especially unexpected turn given that the Spanish Civil war literary canon, and especially works of literature written in the midst of the war, tend towards earnestness rather than irony. Harrison’s novel is thus a unique book, significant for its self-consciousness as a modernist novel and a political document.

Borders - whether settled or contested, violent or calm, closed or open - may have a direct, and often acute, human impact. Those affected may be people living nearby, those attempting to cross them and even those who succeed in doing so. At the border, vulnerable refugee and migrant communities, especially women, are exposed to state-centred boundary practices, paving the way for both their alienation and exploitation. The militarization of borders subjugates the very position of women in these marginalized areas and often subjects them to further victimization, which is facilitated by patriarchal socio-cultural practice. Structural violence is endemic to these regions and gender interlocks with their perimeters to reinforce and shape violence. This book locates gender and violence along geographical edges and critically examines the gendered experiences of women as global border residents and border crossers. Broadly, it explores two questions. First, what are women's experiences of engaging with borders? Second, where are women positioned in the theory and practice of marking, remarking and demarking these margins? Offering a nuanced and thorough approach, this book suggests that research on borders and violence needs to focus on how bordered violence shapes the embodiment of gender identity and norms and how they are challenged. It examines an array of issues including forced migration, trafficking and cross-border ties to explore how gender and borders intersect.