The author takes us on a journey of discovery as the protagonist discovers that she possesses the astonishing gift of sight but also an abundance of compassion and love for humanity that is unmatched by any God. The author in her adoring portrayal so eloquently and intimately engages with and unravels the infamous Grecian Myth of the great and powerful Medusa. This myth denied Medusa her voice forever condemning her fragmented monstrous form whereas this wonderful story celebrates and gives Medusa back what she had lost for centuries. However, evil has many faces as Medusa unveils the horrid guises of "the righteous" and guides us through the difference between truth and verisimilitude. Condemned to live a half-life in the shadows, her deadly stare forbids any hope of any human contact, she is made to be the repulsive monster that everyone fears they too could become. But her story does not end there. She rewrites history as this so called "monster" holds a mirror up defiantly to the gods and to us.

Medusa, the Gorgon, who turns those who gaze upon her to stone, is one of the most popular and enduring figures of Greek mythology. Long after many other figures from Greek myth have been forgotten, she continues to live in popular culture. In this fascinating study of the legend of Medusa, Stephen R. Wilk begins by refamiliarizing readers with the story through ancient authors and classical artwork, then looks at the interpretations that have been given of the meaning of the myth through the years. A new and original interpretation of the myth is offered, based upon astronomical phenomena. The use of the gorgoneion, the Face of the Gorgon, on shields and on roofing tiles is examined in light of parallels from around the world, and a unique interpretation of the reality behind the gorgoneion is suggested. Finally, the history of the Gorgon since tlassical times is explored, culminating in the modern use of Medusa as a symbol of Female Rage and Female Creativity.

With her repulsive face and head full of living, venomous snakes, Medusa is petrifying—quite literally, since looking directly at her turned people to stone. Ever since Perseus cut off her head and presented it to Athena, she has been a woman of many forms: a dangerous female monster that had to be destroyed, an erotic power that could annihilate men, and, thanks to Freud, a woman whose hair was a nest of terrifying penises that signaled castration. She has been immortalized by artists from Leonardo da Vinci to Salvador Dalí and was the emblem of the Jacobins after the French Revolution. Today, she’s viewed by feminists as a noble victim of patriarchy and used by Versace in the designer’s logo for men’s underwear, haute couture, and exotic dinnerware. She even gives her name to a sushi roll on a Disney resort menu. Why does Medusa continue to have this power to transfix us? David Leeming seeks to answer this question in Medusa, a biography of the mythical creature. Searching for the origins of Medusa’s myth in cultures that predate ancient Greece, Leeming explores how and why the mythical figure of the gorgon has become one of the most important and enduring ideas in human history. From an oil painting by Caravaggio to Clash of the Titans and Dungeons and Dragons, he delves into the many depictions of Medusa, ultimately revealing that her story is a cultural dream that continues to change and develop with each new era. Asking what the evolution of the Medusa myth discloses about our culture and ourselves, this book paints an illuminating portrait of a woman who has never ceased to enthrall.

Ferrus Manus, primarch of the Iron Hands, employs his brutal methods of war to bring a world to heel in the Emperor's name. The Great Crusade has swept across half the galaxy, a million human worlds now embracing the truth and reason that comes with allegiance to the rule of Terra. But even such unparalleled success comes at a cost. Rumours abound that the Emperor plans to step back from the Crusade and raise one of his primarch sons to lead in his stead. Faced with the bitterly non-compliant human empire of Gardinaal and a leaderless host of Ultramarines, Thousand Sons and Emperor’s Children at his Legion’s command, the Iron Hands primarch Ferrus Manus decides to make an example that even the Emperor cannot ignore.

Meet Grace, who just moved to San Francisco. It's a tiny bit scary starting over, but it gets scarier when a minotaur walks in the door. And even more shocking when a girl who looks exactly like Grace turns up to fight it. . . Gretchen is fed up of monsters pulling her out into the small hours, especially on a school night. Getting rid of a minotaur is just another notch on her combat belt, but she never expected to run into a girl who could be her double in the process. . . Greer has her life pretty well put together, thank you very much. But everything tilts sideways when two girls who look eerily like her appear on her doorstep and claim they're all sisters. . . These three teen descendants of Medusa must reunite and embrace their fates!

Gorgon. Killer. Monster. Victim. Survivor. Protector. Medusa breathes new life into an ancient story and echoes the battle that women throughout millennia have continued to wage.

Jean-Pierre Vernant has profoundly transformed our perceptions of ancient Greece. Published in 1991, this collection of nineteen essays probes deeply into themes of enduring interest--death, the body, the soul, the individual, and relations between mortals and immortals; the mask, the mirror, the image, and the imagination; the self and the other, and, more broadly, the concept of otherness itself, or "alterity."