A description of the Mediterranean region using literature, artwork, photography, and narrative.

This volume explores the climates, landscapes, ecosystems and hazards that comprise the Mediterranean world. It traces the development of the Mediterranean landscape over very long timescales and examines modern processes and key environmental issues in a wide range of settings. The Mediterranean is the only region on Earth where three continents meet and this interaction has produced a very distinctive Physical Geography. This book examines the landscapes and processes at themargins of these continents and the distinctive marine environment between them. Catastrophic earthquakes, explosive volcanic eruptions and devastating storms and floods are intimately bound up within the history and mythology of the Mediterranean world. This is a key region for the study of naturalhazards because it offers unrivalled access to long records of hazard occurrence and impact through documentary, archaeological and geological archives. The Mediterranean is also a biodiversity hotspot; it has been a meeting place for plants, animals and humans from three continents throughout much of its history. The Quaternary records of these interactions are more varied and better preserved than in any other part of the world. These records have provided important new insights into thetempo of climate, landscape and ecosystem change in the Mediterranean region and beyond. The region is unique because of the very early and widespread impact of humans in landscape and ecosystem change - and the richness of the archaeological and geological archives that chronicle this impact. This bookexamines this history and these interactions and places current environmental issues in long term context. Contributors : Ramadan Husain Abu-Zied Harriet Allen Jacques Blondel Maria-Carmen Llasat James Casford Marc Castellnou Andrew Goudie Andrew Harding Angela Hayes Tom Holt Babette Hoogakker Philip Hughes Jos Lelieveld John Lewin Francisco Lloret Francisco Lopez-Bermudez Mark Macklin Jean Margat Anne Mather Frédéric Médail Christophe Morhange Clive Oppenheimer JeanPalutikof Gerassimos Papadopoulos Josep Piñol David Pyle Jane Reed Neil Roberts Eelco Rohling Iain Stewart Stathis Stiros John Thornes Chronis Tzedakis John Wainwright

This beautiful and fascinating volume follows Henri Matisse on his journeys into the South of France, where he discovered the light and color that saturate his work. Part biography, part travel guide, it explores the painter's private life, artistic evolution, and relationships with the places that inspired him. The book begins in Paris and then moves to the fashionable St. Tropez, the fishing village of Collioure, chic Nice, the medieval refuge of Vence, and luxurious Cimiez. In each location, the author visits the villas and studios where Matisse lived and worked, and explains how his art responded to the palette and ambiance of the local landscape.

Provides a collection of travel articles on the culture, cuisine, and everyday life of the Greek city, along with bibliographies and practical tips on transportation, culinary treasures, accommodations, and sights.

A landmark account of gay and lesbian creative networks and the seismic changes they brought to twentieth-century culture In a hugely ambitious study which crosses continents, languages, and almost a century, Gregory Woods identifies the ways in which homosexuality has helped shape Western culture. Extending from the trials of Oscar Wilde to the gay liberation era, this book examines a period in which increased visibility made acceptance of homosexuality one of the measures of modernity. Woods shines a revealing light on the diverse, informal networks of gay people in the arts and other creative fields. Uneasily called “the Homintern” (an echo of Lenin’s “Comintern”) by those suspicious of an international homosexual conspiracy, such networks connected gay writers, actors, artists, musicians, dancers, filmmakers, politicians, and spies. While providing some defense against dominant heterosexual exclusion, the grouping brought solidarity, celebrated talent, and, in doing so, invigorated the majority culture. Woods introduces an enormous cast of gifted and extraordinary characters, most of them operating with surprising openness; but also explores such issues as artistic influence, the coping strategies of minorities, the hypocrisies of conservatism, and the effects of positive and negative discrimination. Traveling from Harlem in the 1910s to 1920s Paris, 1930s Berlin, 1950s New York and beyond, this sharply observed, warm-spirited book presents a surpassing portrait of twentieth-century gay culture and the men and women who both redefined themselves and changed history.

Complemented by travel advice, maps, accommodation listings, and site descriptions, a collection of essays and articles on the region of southwestern France, by noted authors, travel writers, and journalists, is organized thematically under such headings as Current Events, Food and Drink, and Museums and Monuments. Original. 15,000 first printing.

In A Brief History of the Artist from God to Picasso, Paul Barolsky explores the ways in which fiction shapes history and history informs fiction. It is a playful book about artistic obsession, about art history as both tragedy and farce, and about the heroic and the mock-heroic. The book demonstrates that the modern idea of the artist has deep roots in the image of the epic poet, from Homer to Ovid to Dante. Barolsky’s major claim is that the history of the artist is inseparable from historical fiction about the artist and that fiction is essential to the reality of the artist’s imagination.