Through an interdisciplinary analysis of literary, musical, and visual works, this book proposes a cultural and historical reconfiguration of the Mediterranean.

The cultural theorist Iain Chambers is known for his historically grounded, philosophically informed, and politically pointed inquiries into issues of identity, alterity, and migration, and the challenge postcolonial studies poses to conventional Western thought. With Mediterranean Crossings, he challenges insufficient prevailing characterizations of the Mediterranean by offering a vibrant interdisciplinary and intercultural interpretation of the region’s culture and history. The “Mediterranean” as a concept entered the European lexicon only in the early nineteenth century. As an object of study, it is the product of modern geographical, political, and historical classifications. Chambers contends that the region’s fundamentally fluid, hybrid nature has long been obscured by the categories and strictures imposed by European discourse and government. In evocative and erudite prose, Chambers renders the Mediterranean a mutable space, profoundly marked by the linguistic, literary, culinary, musical, and intellectual dissemination of Arab, Jewish, Turkish, and Latin cultures. He brings to light histories of Mediterranean crossings—of people, goods, melodies, thought—that are rarely part of orthodox understandings. Chambers writes in a style that reflects the fluidity of the exchanges that have formed the region; he segues between major historical events and local daily routines, backwards and forwards in time, and from one part of the Mediterranean to another. A sea of endlessly overlapping cultural and historical currents, the Mediterranean exceeds the immediate constraints of nationalism and inflexible identity. It offers scholars an opportunity to rethink the past and present and to imagine a future beyond the confines of Western humanistic thought.

This book examines clandestine migrant journeys across the Mediterranean Sea and into Europe. It combines ethnographic focus with macro-level analyses of EU and national migration policies and practices. It draws on the case study of Malta, and pushes the boundaries of our knowledge of the global politics of migration, asylum, and border security.

This book introduces a new approach to understanding security in the Mediterranean and explores current challenges at the European Union (EU) Mediterranean borders. It investigates the intertwined area at the South of the EU that we call the ‘Mediterranean Global South’ where common actions and strategies are required to face common security challenges. The book critically addresses the EU's capacity to manage its expanding borders and analyses the actors involved in providing security in the Mediterranean Global South. Specific attention is devoted to South to North migration, one of the most critical security issues of current times, deploying its effects well beyond states’ borders.

“Plunges the reader into a tour de force across radically divergent artistic responses to Mediterranean migration.” —Bulletin of Francophone Postcolonial Studies Ex-Centric Migrations examines cinematic, literary, and musical representations of migrants and migratory trends in the western Mediterranean. Focusing primarily on clandestine sea-crossings, Hakim Abderrezak shows that despite labor and linguistic ties with the colonizer, migrants from the Maghreb (Morocco, Algeria, and Tunisia) no longer systematically target France as a destination, but instead aspire toward other European countries, notably Spain and Italy. In addition, the author investigates other migratory patterns that entail the repatriation of émigrés. His analysis reveals that the films, novels, and songs of Mediterranean artists run contrary to mass media coverage and conservative political discourse, bringing a nuanced vision and expert analysis to the sensationalism and biased reportage of such events as the Mediterranean maritime tragedies. “Ex-Centric Migrations is crucial reading for scholars and students of contemporary Maghrebi, French, and Spanish literatures and cultures. It breaks new ground by encompassing the literature, film, and music of ‘return migration’ and examining the trajectories of Maghrebi migration outside France.” —H-France “Hakim Abderrezak convincingly illustrates how politically committed artistic practices serve to humanize the challenges of human migration, and in the process dramatically improves our understanding of the complex cultural, economic, political, and social realities that shape 21st-century existence.” —Dominic Thomas, author of Africa and France: Postcolonial Cultures, Migration, and Racism

This book investigates the interactions between Muslims and Christians in the late medieval and early modern period from the perspective of sexual and gender transgressions. The first part analyses normative discourses and literary texts in the Arabic, Turkish Ottoman and Spanish worlds, highlighting continuities and fractures. The second part explores concrete interactions between Muslim and Christians, reconstructed through the study of criminal sources from the archives of the Spanish and Portuguese inquisitions. The essays collected here reveal to what extent reflecting on sexual and gender non-conformity constitutes a vantage point for reconstructing the cross-cultural interactions between Christianity and Islam in the Mediterranean world. On the one hand, proscribed sexual behaviours and gendered performances opened the possibility for connections in semi-clandestine networks of sociability that would have been inconceivable in other settings. On the other, cross-religious sexual and emotional exchanges sometimes favoured processes of religious hybridisation or the development of skeptic attitudes towards institutionalised faiths.