An exploration of how the Middle Ages are manipulated ideologically in today's communication.

This book sheds light on the world of the Internet and social media and their relationship with surveillance and control, through a historical prism drawn from the Medieval Age.

Since the end of the Cold War, the Middle Ages has returned to debates about history, culture, and politics in Northern and Eastern Europe. This volume explores political medievalism in two language areas that are crucial to understanding global medievalism but are, due to language barriers, often inaccessible to the majority of Western scholars and students. The importance of Russian medievalism has been acknowledged, but little analysed until now. Medievalism in Finland and Russia offers a selection of chapters by Russian, Finnish and American scholars covering historiography, presidential speeches, participatory online discussions and the neo-pagan revival in Russia. Finland is currently even more poorly understood than Russia in the discussions about global medievalism. It is usually mentioned only as of the birthplace of the Soldiers of Odin. The street patrol is, however, a marginal phenomenon in Finnish medievalism as this volume demonstrates. Instead of merely adopting the medievalist interpretation of the international alt-right, even the right-wing populists in Finland refer more to the nationalistic medievalist tradition, where crusades do not mark a Western Christian victory over the Muslim East, but a Swedish occupation of Finnish lands. In addition to presenting particular cases of medievalism, the chapters here on Finland challenge and diversify today's prevailing interpretation of shared online medievalism of European and American right-wing populists. This book reveals that while medievalisms in Finland and Russia share many features with the contemporary Anglo-American medievalist imaginations, they also display many original characteristics due to particular political situations and indigenous medievalist traditions. They have their own meta-medievalisms, cumulative core ideas and interpretations about the medieval past that are thoroughly examined here in English for the very first time.

‘Communication’ has become one of the most vibrant areas of current research on medieval and early modern Europe, almost paralleling the heightened popularity of conflict study since the 1980s. However, the nature of this concept seems to be ambiguous and has been defined with multiple nuances. Needless to say, communication in the Middle Ages was usually accomplished by personal presence, contact, and interaction, including conflict and its settlement. In this sense, the process of communication often comprised symbolic and ritual action. In response to concerns about the study of political communication, it should be emphasised that communication may confirm and spread certain fundamental ideas, social values and norms, bringing about certain patterns of behaviour and mentality that can be shared by members of the political body and community. The authors of these essays discuss the characteristics of political communication in medieval and early modern Europe by highlighting two aspects: ‘ritual and symbolic communication’, and ‘conflict, feuds and communication’.

From early modern times rulers and politicians have sought to ground their legitimacy in ancient tradition - which they have often invented or rewritten for their own purposes. This issue of Studies in Medievalism presents a number of such cases.

A useful collection of sources, now reprinted, which document and commentate on the formation of medieval political culture between the 12th and 14th centuries. Aimed at a non-specialist readership fifteen texts are presented in English translation and in chronological order supported by suggestions for further reading. These include letters and treatises by Bernard of Clairvaux, Marie de France, John of Salisbury, Thomas Aquinas, John of Paris, Dante Alighieri, William of Ockham, John Wyclif and Christine de Pizan.

One of the biggest attractions of George R.R. Martin's high fantasy series A Song of Ice and Fire, and by extension its HBO television adaptation, Game of Thrones, is its claim to historical realism. The author, thedirectors and producers of the adaptation, and indeed the fans of the books and show, all lay claim to Westeros, its setting, as representative of an authentic medieval world. But how true are these claims? Is it possible to faithfully represent a time so far removed from our own in time and culture? And what does an authentic medieval fantasy world look like? This book explores Martin's and HBO's approaches to and beliefs about the Middle Ages and how those beliefs fall into traditional medievalist and fantastic literary patterns. Examining both books and programme from a range of critical approaches - medievalism theory, gender theory, queer theory, postcolonial theory, andrace theory - Dr Carroll analyzes how the drive for historical realism affects the books' and show's treatment of men, women, people of colour, sexuality, and imperialism, as well as how the author and showrunners discuss these effects outside the texts themselves. SHILOH CARROLL teaches in the writing center at Tennessee State University.