'The Medieval World Complete' re-creates one of the great ages of European civilization through a sequence of spectacular images accompanied by a lively, informed commentary. Ingeniously organized by topic and thoroughly cross-referenced, this all-embracing book enables the reader to explore and understand every facet of the Middle Ages, an era of breathtaking artistic achievement and of religious faith in a world where life was often coarse and cruel, cut short by war, famine and disease. Framed by chapters that outline the way the Middle Ages began and ended, the book consists of six sections encompassing religion and the Church, nations and law, daily life, art and architecture, scholarship and philosophy, and the world beyond Christendom. The book is completed by biographies of key personalities, from Charlemagne to Wycliffe, and timelines, maps, a glossary, gazetteer and bibliography.

Chronicles the period between the 4th and 12th centuries, when religion became the justification for political and military action, a time that included the development of Islam, the crowning of Charlemagne, and the rise of the T'ang Dynasty.

"Friedrich Heer's incisive history describes how the buoyant, fluid society of twelfth-century Europe solidified into the medieval world - a fourteenth century of religious and intellectual intolerance, fortified frontiers, and bitterly competitive states. he discusses the Crusades; the alienation of Rome and Byzantium; the rising power of the Church and the aristocracy; the life of the peasant, the town dweller, and the tradesman."--Page i.

Forged in an age of faith and war and tempered by great statesmen, religious leaders and artists, medieval civilizations witnessed remarkable transformations. Far from being a homogeneous world of knights and castles, the era saw a multitude of contrasting and often competing cultures, many of which became the foundation stones for the emergence of modern societies. From the expansion of Islam across the Mediterranean to the appearance of centralized states and Christian monarchies, the Atlas of the Medieval World draws from new archival and archaeological evidence to reveal a period of astonishing cultural vibrancy and political diversity. Alongside stunning maps covering nearly a millennium of one of the most formative phases in history, hundreds of exquisite pictures of art and architecture accompany expertly written text edited by Rosamond McKitterick, Professor of Early Medieval History at Cambridge University to bring an extraordinary period to life as no reference has before. The Arab invasions of Europe, the empire of Charlemagne, the African kingdoms of Songhai and Mali, the Crusades, the Viking and Mongol invasions, the Delhi sultanate and the T'ang and Ming empires are just a few of the subjects explained in the Atlas of the Medieval World. What's more, cultural and economic trends such as the spread of literacy and the growth of towns receive equal attention alongside the emergence of kingdoms and the march of armies to form a comprehensive history of all major societies outside of the Americas during the Middle Ages.

A celebration of the visual contributions of the bestiary--one of the most popular types of illuminated books during the Middle Ages--and an exploration of its lasting legacy. Brimming with lively animals both real and fantastic, the bestiary was one of the great illuminated manuscript traditions of the Middle Ages. Encompassing imaginary creatures such as the unicorn, siren, and griffin; exotic beasts including the tiger, elephant, and ape; as well as animals native to Europe like the beaver, dog, and hedgehog, the bestiary is a vibrant testimony to the medieval understanding of animals and their role in the world. So iconic were the stories and images of the bestiary that its beasts essentially escaped from the pages, appearing in a wide variety of manuscripts and other objects, including tapestries, ivories, metalwork, and sculpture. With over 270 color illustrations and contributions by twenty-five leading scholars, this gorgeous volume explores the bestiary and its widespread influence on medieval art and culture as well as on modern and contemporary artists like Pablo Picasso and Damien Hirst. Published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center May 14 to August 18, 2019.

Describes the fighting techniques of soldiers in Europe and the Near East in an age before the widespread use of gunpowder.

This groundbreaking collection brings the Middle Ages to life and conveys the distinctiveness of this diverse, constantly changing period. Thirty-eight scholars bring together one medieval world from many disparate worlds, from Connacht to Constantinople and from Tynemouth to Timbuktu. This extraordinary set of reconstructions presents the reader with a vivid re-drawing of the medieval past, offering fresh appraisals of the evidence and modern historical writing. Chapters are thematically linked in four sections: identities beliefs, social values and symbolic order power and power-structures elites, organizations and groups. Packed full of original scholarship, The Medieval World is essential reading for anyone studying medieval history.