This volume contains seven papers relating to Norse history and literature. Two cover issues of saga genre, two explore the relationship between sagas and medieval hagiography, and three consider aspects of the Norse settlement in Scotland from an interdisciplinary perspective. With contributions by Svanhildur Óskarsdóttir, Phil Cardew, Haki Antonsson, Gareth Williams, Barbara Crawford and Simon Taylor.

An essential new history of Central Europe, the contested lands so often at the heart of world history Central Europe has long been infamous as a region beset by war, a place where empires clashed and world wars began. In The Middle Kingdoms, Martyn Rady offers the definitive history of the region, demonstrating that Central Europe has always been more than merely the fault line between West and East. Even as Central European powers warred with their neighbors, the region developed its own cohesive identity and produced tremendous accomplishments in politics, society, and culture. Central Europeans launched the Reformation and Romanticism, developed the philosophy of the Renaissance and the Enlightenment, and advanced some of the twentieth century’s most important artistic movements. Drawing on a lifetime of research and scholarship, The Middle Kingdoms tells as never before the captivating story of two thousand years of Central Europe’s history and its enduring significance in world affairs.

An examination of literary works spanning more than seven centuries, this volume studies the ascetic hero and asceticism, exploring the elusive interplay between religion, politics, and belles lettres in Russia. The first part places works including the thirteenth-century Kievan Crypt Patericon and Life of Avraamii Smolenskii, Epifanii’s Life of Sergii Radonezhskii, and other lives written in the north of Russia, in the context of crucial religious doctrines such as apocalypticism and deification. The author shows how Old Russian literature plays a major cultural role in the continuing development of these doctrines on Russian soil. The second part traces a revival of the Russian fascination with themes of apocalypse and perfectibility to the nineteenth and early twentieth centuries. Morris also documents the development of a divergence in ideological approach between Russian writers who continued to view apocalypticism and deification as religious phenomena and those who used them as tools of social and political struggle. Works by Gogol, Tolstoy, Dostoevsky, Chernyshevsky, and Gorky, as well as classic novels of the socialist realist tradition are analyzed as evidence of the underlying unity of the literary manifestations of this ostensibly bifurcated intellectual tradition.

A study of medieval Hungarian and central European royal saints.

The focus of this book is on the cult of St Magnús, Earl of Orkney, who was killed in 1116/1117 in an inter-dynastic dispute. More specifically, it looks at the emergence of the Magnús’ cult in the twelfth century and the hagiographical corpus that was composed in his honour by Icelandic and English men of letters. These aspects of the Orcadian cult are not, however, examined in isolation but are rather placed within broader Scandinavian and European contexts. Moreover, they provide points of departure for the examination of important topics relating to religious life and literature in early Christian Scandinavia, such as the earliest cults of native saints and the perception of martyrdom.