36 projects for historic benches, chairs, tables, cupboards, chests, shelves, beds, and doors, all done with simple woodworking tools.

14 projects based on medieval designs. Color photos of the original pieces.

Illuminated manuscripts are an excellent source of information about the interiors inhabited by people in the Middle Ages and the Renaissance. Artists regularly depicted the castles and palaces of the ruling classes, as well as the houses of ordinary people--merchants, craftsmen and peasants. This attractive new book is the first to study the subject in such depth, and it uncovers a wealth of little-known illuminations that help us to learn more about life at home, in workshops and elsewhere. The author presents manuscript miniatures as illustrations to an account of house interiors which includes their architectural features (such as windows, doors or fireplaces), furniture and other household objects. She concentrates on the social, cultural and stylistic aspects of Gothic domestic settings and presents them in the context of their Romanesque antecedents and Renaissance successors.

Plans for constructing 16 pieces based on careful study and measurement of rare originals from 1100-1500. Includes a bench, chair, table, chest, bed, door, wine cabinet, candlestand, and cradle.

Artists, illustrators, architectural and art historians, restorers, dealers, collectors--anyone interested in historical ironwork--will welcome this magnificent treasury of decorative designs produced between the twelfth and seventeenth centuries. Over 400 illustrations on 86 plates, reprinted from a rare nineteenth-century French volume of copperplate engravings, reveal a remarkable variety of decorative and utilitarian objects. Focusing primarily on German Gothic ironwork designs that embellished palaces, cathedrals, castles, houses, and other structures, the plates depict hinges ornamented with mythical sea creatures and dragons, door knockers decorated with female figures and human heads, keyhole plates wreathed in foliage, chests reinforced with iron bands displaying elaborate artwork, intricately laced metalwork on screens and grilles, elaborately designed keys, finials, candle stands, and a host of other architectural and ornamental elements. Notes to the plates identify the objects and provide, when available, a source and date for each. A splendid record of the inspired decorative flourishes of the past, these beautifully detailed plates will also serve as a lavish source of inspiration for today's designers. Dover (1996) republication of the plates from "Serrurerie, ou les Ouvrages en Fer Forgedu Moyen-Age et de la Renaissance, " published by Librairie Tross, Paris, 1870.

This important and beautiful book accompanies the opening of the Victoria and Albert Museum's spectacular new Medieval and Renaissance galleries. Among the textiles, paintings, sculpture, glass, metalwork, prints, manuscripts, furniture, ceramics and jewelry featured here are such renowned treasures as the Devonshire tapestries, the Leonardo Notebooks, Donatellos Ascension relief, the reliquary casket of St. Thomas Becket, and many more astonishing works. Organized thematically, the book explores the social contexts responsible for these captivating objects, both commonplace and precious, recovering the attitudes of makers and owners of the time toward artistic practice. Rather than adopting the traditional sharp distinction between the Medieval and Renaissance, the authors explore aspects of the whole of this long period in European design and manufacture: an approach that emphasizes the continuities and gradual developments that were often as significant as sudden upheaval. A general historical introduction to the social and political background is followed by chapters that explore concepts of art, workshops, and sales, the classical past, ornament, religious art, health and body, and the ways in which objects themselves express the attitudes of their owners.

From delicate jewelry to the most elaborate goblet, this book brings together gems of the applied arts from the Middle Ages right through to the Renaissance. The 216 hand-colored copperplate engravings offer the contemporary reader both a record and a sourcebook of all that can be achieved by the human hand and creative imagination.