This book explores the rich, complex, literary tradition of the medieval go-between. Idealized going between usually leads to marriage and it develops a new dimension of the much debated question of courtly love and woman's part in it. Chaucer's Pandarus's place in this go-between tradition is a tour de force.

Chaucerotics examines the erotic language in Chaucerian literature through a unique lens, utilizing the tools of “pornographic literary theory” to open up Chaucer’s ribald poetry to fresh modes of analysis. By introducing and applying the notion of “Chaucerotics,” this study argues for a more historically-nuanced and theoretically-sophisticated understanding of the obscene content in Chaucer’s fabliaux and Troilus and Criseyde. This book demonstrates that the sexually suggestive language of this magisterial Middle English poet could stimulate and titillate various literary audiences in late medieval England, and even goes so far as to suggest that Chaucer might well be understood as the “Father of English pornography” for playing a notable, liminal role in the development of porn as a literary genre. In making this case, Geoffrey W. Gust presents an insightful account of an important intellectual issue and opens up the subject of premodern pornography to consideration in a way that is new and highly provocative.

An extremely thorough, expertly compiled and crisply annotated comprehensive bibliography of Chaucer scholarship between 1997 and 2010

This study offers a typology of the go-between across key texts from antiquity and several medieval literary traditions, analyzing the role of the third party in the poetics of love. The work provides the indispensable context for the study of the significant transformations undergone by the go-between. Legal and scientific sources are taken into account alongside Latin, French, and English literary works and literature of the medieval Islamic period for the critique of differences and intertextual links which inform the conception of the go-between. The case of the Medieval Spanish go-between is given a special attention due to the figure's complex relationship with diverse traditions. The range covered in the work provides a comprehensive view of the figure's trajectory and representation in each text.

Despite popular opinions of the ‘dark Middle Ages’ and a ‘gloomy early modern age,’ many people laughed, smiled, giggled, chuckled, entertained and ridiculed each other. This volume demonstrates how important laughter had been at times and how diverse the situations proved to be in which people laughed, and this from late antiquity to the eighteenth century. The contributions examine a wide gamut of significant cases of laughter in literary texts, historical documents, and art works where laughter determined the relationship among people. In fact, laughter emerges as a kaleidoscopic phenomenon reflecting divine joy, bitter hatred and contempt, satirical perspectives and parodic intentions. In some examples protagonists laughed out of sheer happiness and delight, in others because they felt anxiety and insecurity. It is much more difficult to detect premodern sculptures of laughing figures, but they also existed. Laughter reflected a variety of concerns, interests, and intentions, and the collective approach in this volume to laughter in the past opens many new windows to the history of mentality, social and religious conditions, gender relationships, and power structures.

Forging Boethius in Medieval Intellectual Fantasies reconsiders the influence of the thirteenth-century Pseudo-Boethian forgery De disciplina scolarium on medieval understandings of Boethius (d. 524). Tracing the medieval popularity of De disciplina’s reimagined vision of Boethius alongside the current scholarly neglect of this forged Boethian persona offers insight into how medieval schoolmen saw themselves and the past, and how modern scholars imagine the medieval past. In exploring this alternate Boethian persona through a variety of different works including texts of translatio studii et imperii, common school texts, the poetry of Geoffrey Chaucer, and humanist writings, this book reveals a new vein of medieval Boethianism that is earthy, practical, and even humorous. Forging Boethius is an essential reference book for students and researchers in the fields of medieval literature and philosophy, as well as for anyone interested in gaining a better understanding of one the most significant authors of the Middle Ages.

Relics and Writing in Late Medieval England uncovers a wide-ranging medieval discourse that had an expansive influence on English literary traditions. Drawing from Latin and vernacular hagiography, miracle stories, relic lists, and architectural history, this study demonstrates that, as the shrines of England’s major saints underwent dramatic changes from c. 1100 to c. 1538, relic discourse became important not only in constructing the meaning of objects that were often hidden, but also for canonical authors like Chaucer and Malory in exploring the function of metaphor and of dissembling language. Robyn Malo argues that relic discourse was employed in order to critique mainstream religious practice, explore the consequences of rhetorical dissimulation, and consider the effect on the socially disadvantaged of lavish expenditure on shrines. The work thus uses the literary study of relics to address issues of clerical and lay cultures, orthodoxy and heterodoxy, and writing and reform.