The varied cultural functions of dress, textiles, and clothwork are used in this collection of essays to examine long-standing assumptions about the Middle Ages. At one end of the spectrum, questions of dress call up feminist theoretical investigations into the body and subjectivity, while broadening those inquiries to include theories of masculinity and queer identity as well. At the other extreme, the production and distribution of textiles carries us into the domain of economic history and the study of material commodities, trade and cultural patterns of exchange within western Europe and between east and west. Contributors to this volume represent a broad array of disciplines currently involved in rethinking medieval culture in terms of the material world.

The study of medieval clothing and textiles reveals much about the history of our material culture, as well as social, economic and cultural history as a whole. This book makes use of archaeological finds and text references in order to examine this history, providing on overview of historic fashions.

Striking cultural developments took place in the twelfth century which led to what historians have termed 'the emergence of the individual.' The Medieval Fold demonstrates how cultural developments typically associated with this twelfth-century renaissance autobiography, lyric, courtly love, romance can be traced to the Church's cultivation of individualism. However, subjects did not submit to pastoral power passively, they constructed fantasies and behaviors, redeploying or 'folding' it to create new forms of life and culture. Incorporating the work of Nietzsche, Foucault, Lacan, and Deleuze, Suzanne Verderber presents a model of the subject in which the opposition between interior self and external world is dislodged.

After establishing a feminist-historicist perspective on the tradition of biblical commentary, Tinkle develops in-depth case studies that situate scholars reading the bible in three distinct historical moments, and in so doing she exposes the cultural pressures that medieval scholars felt as they interpreted the bible.

Providing new and challenging ways of understanding the medieval in the modern and vice versa, this volume highlights how medieval aesthetic experience breathes life into contemporary cinema. Engaging with the subject of time and temporality, the essays examine the politics of adaptation and our contemporary entanglement with the medieval.

In the urban communities of medieval Germany and northern France, the beliefs, observances, and practices of Jews allowed them to create and define their communities on their own terms as well as in relation to the surrounding Christian society. Although medieval Jewish texts were written by a learned elite, the laity also observed many religious rituals as part of their everyday life. In Practicing Piety in Medieval Ashkenaz, Elisheva Baumgarten asks how Jews, especially those who were not learned, expressed their belonging to a minority community and how their convictions and deeds were made apparent to both their Jewish peers and the Christian majority. Practicing Piety in Medieval Ashkenaz provides a social history of religious practice in context, particularly with regard to the ways Jews and Christians, separately and jointly, treated their male and female members. Medieval Jews often shared practices and beliefs with their Christian neighbors, and numerous notions and norms were appropriated by one community from the other. By depicting a dynamic interfaith landscape and a diverse representation of believers, Baumgarten offers a fresh assessment of Jewish practice and the shared elements that composed the piety of Jews in relation to their Christian neighbors.

Medieval Irish texts reveal distinctive and unexpected constructions of gender. Constructing Gender in Medieval Ireland illuminates these ideas through its fresh and provocative re-readings of a wide range of texts, including saga, romance, legal texts, Fenian narrative, hagiography, and ecclesiastical verse.