"The medieval churches of West Yorkshire ... remain to document the region's response to wider changes in medieval archtectural styles, liturgical requirements and social conditions. This volume, illustrated by over 200 photographs and drawings, ... draws out some of the principal themes of structural development from Anglo- Saxon times to the present ... and it provides a short discussion of each church covered by the survey."--Back cover.

The definitive work on church archaeology.

Fresh examinations of one of the most important church furnishings of the middle ages. The churches of medieval Europe contained richly carved and painted screens, placed between the altar and the congregation; they survive in particularly high numbers in England, despite being partly dismantled during the Reformation. While these screens divided "lay" from "priestly" jurisdiction, it has also been argued that they served to unify architectural space. This volume brings together the latest scholarship on the subject, exploring in detail numerous aspects of the construction and painting of screens, it aims in particular to unite perspectives from science and art history. Examples are drawn from a wide geographical range, from Scandinavia to Italy. Spike Bucklow is Director of Research at the Hamilton Kerr Institute, University of Cambridge; Richard Marks is Emeritus Professor of the History of Art at the University of York and currently a member of the History of Art Department, University of Cambridge; Lucy Wrapson is Assistant to the Director at the Hamilton Kerr Institute, University of Cambridge. Contributors: Paul Binski, Spike Bucklow, Donal Cooper, David Griffith, Hugh Harrison, JacquelineJung, Justin Kroesen, Julian Luxford, Richard Marks, Ebbe Nyborg, Eddie Sinclair, Jeffrey West, Lucy Wrapson.

'The Making of the West Yorkshire Landscape' is part of the new established 'Making of...' series by Wharncliffe Books. The book holds fascinating and beautiful illustrations that show the West Yorkshire landscape in its entirety. West Yorkshire is a land of great contrast and sudden change. Lonely upland moors rapidly pass into busy valley towns such as Bradford and Halifax. Serene farmland lies close to Huddersfield, Leeds and Wakefield. The cereal lands of the low gently sloping eastern area contrasts sharply with the grasslands of the higher Pennines. 'The Making of the West Yorkshire Landscape' is the story of how West Yorkshire's landscape has changed since the area emerged from under a sea some seventy million years ago. It reveals how, from prehistoric times onwards, people changed an initially wooded landscape into its contemporary pattern of moors, farms, villages and towns. Have a transitional journey through the landscape, from prehistoric times to the present day, as you read 'The Making of the West Yorkshire landscape'.

This is a comprehensive survey of English medieval church monuments. It examines all types of monument-cross slabs, brasses, incised slabs, and sculpted effigies. It analyzes them in an historical context to show what they reveal of the self image and religious aspirations of those they commemorate.--Summary by the editor.

All Saints’ Church, Brixworth lies 7 miles north of Northampton. The core of the church is Anglo-Saxon and the research published here provides an unprecedented account of one of the most important buildings of its period surviving in England. The building of the main body of the church was towards the end of the 8th century, with a western tower, stair turret and polygonal apse added before the end of the 9th. Major modifications were made during the early and later medieval periods. From the early 19th century the church attracted much antiquarian interest, especially by topographical draughtsmen, whose drawings are crucial to its understanding before major restoration. Reverend Charles Frederick Watkins (Vicar, 1832–1871) made a particular study of the church fabric and identified both surviving and demolished Anglo-Saxon structures. Restoration under his direction reversed most of the medieval changes he recognised within the standing fabric, leaving the church with much the same appearance as it has today. The Brixworth Archaeological Research Committee, founded in 1972, embarked on an in-depth archaeological and historical study of All Saints’. Limited excavation revealed evidence for the former extent of the cemetery and examined remains of the early structures to the north of the church, including one whose foundations cut a ditch containing 8th-century material. The later 8th-century date for the foundation of the church was confirmed by radiocarbon dates from charcoal extracted from construction mortar in the church fabric. A complete stone-by-stone survey of the standing fabric, accompanied by petrological identifications, has led to a refined appraisal of the construction sequence and the identification of ‘exotic’ stone types and Roman bricks reused from earlier buildings up to 40 km distant. The archaeological, geological and laboratory findings presented here have been amplified by contextual studies placing the church against its archaeological, architectural, liturgical and historical background, with detailed comparisons with standing and excavated buildings of similar age in north Europe and Italy.

Covering the northern half of Yorkshire, this volume is full of contrasts, from urbanized Leeds to the tight-knit mill towns and villages pushing into the Pennines.