Cats were illustrated in medieval manuscripts throughout the Middle Ages, often in exquisite detail and frequently accompanied by their natural prey, mice. Medieval cats were viewed as treasured pets, as fearsome mousers, as canny characters in fables, as associates of the Devil, and as magical creatures. Featuring an array of fascinating illustrations from the British Library's rich medieval collection, Cats in Medieval Manuscripts includes anecdotes about cats--both real and imaginary--to provide a fascinating picture of the life of the cat and its relationship with humans during the Medieval period. A great gift for all cat-lovers.

From ancient Egypt to the modern day, cats have been one of the most beloved pets. In fact, images of cats appear extensively in medieval manuscripts, where they are depicted as pets and mousers, appear in bestiaries and marginalia, and are even depicted in religious iconography. This delightful and informative gift book presents a wealth of cat imagery from a variety of medieval sources and is peppered with fascinating facts about the medieval view of cats and many stories of people and their pets in the Middle Ages. Among the amusing anecdotes are tales of cats having free rein of dining halls, prompting books of manners to admonish owners for petting cats while they sat on the dining table; instructions to anchoresses to not keep any animal as a pet except a cat; and examples of leases that also specify the number and age of a home's feline inhabitants. Sure to charm cat lovers and medievalists alike, Medieval Cats is a whimsical compendium of illustrations and tales.

A world of art inhabited entirely by cats is introduced in this book. From the feline Mona Lisa to the white-tailed Botticelli Venus, Susan Herbert is known for her cat characters - her humorous versions of well-known paintings. In this book she explores the art of the Middle Ages. It features resplendent cats dining in medieval banqueting halls; aristocratic cats at a jousting ceremony; and humble cats huddled around a kitchen fire. These costumed cats appear against a backdrop of castles and scenery, and among the medieval illuminations and Book of Hours. The paintings are all based on authentic works of the 13th to the 16th centuries. Other titles by Susan Herbert are: The Cats Gallery of Art, The Cats History of Western Art, Impressionist Cats, and Diary of a Victorian Cat.

An engaging and informative survey of medieval pet keeping which also examines their representation in art and literature.

The landmark history of France and French culture in the eighteenth-century, a winner of the Los Angeles Times Book Prize When the apprentices of a Paris printing shop in the 1730s held a series of mock trials and then hanged all the cats they could lay their hands on, why did they find it so hilariously funny that they choked with laughter when they reenacted it in pantomime some twenty times? Why in the eighteenth-century version of Little Red Riding Hood did the wolf eat the child at the end? What did the anonymous townsman of Montpelier have in mind when he kept an exhaustive dossier on all the activities of his native city? These are some of the provocative questions the distinguished Harvard historian Robert Darnton answers The Great Cat Massacre, a kaleidoscopic view of European culture during in what we like to call "The Age of Enlightenment." A classic of European history, it is an essential starting point for understanding Enlightenment France.

This is the definitive book on classical cats. The cat has played a significant role in history from the earliest times. Well known is its role in the religion and art of ancient Egypt, no less than its association with witchcraft in the Middle Ages. But when did the cat become a domestic companion and worker as well? There has been much debate about the position of the cat in ancient Greece and Rome. Artistic representations are sometimes ambiguous, and its role as a mouse-catcher seems often to have been carried out by weasels. Yet other evidence clearly suggests that the cat was as important to Greeks and Romans as it is to many modern people. This book is the first comprehensive survey of the evidence for cats in Greece and Rome, and of their functions and representations in art. Donald Engels draws on authors from Aesop to Aristotle; on vase-painting, inscriptions and the plastic arts; and on a thorough knowledge of zoology of the cat. He also sets the ancient evidence in the wider context of the Egyptian period that preceded it, as well as the views of the Church fathers who ushered antiquity into the Middle Ages.

Perhaps at no other time in Western history have animals played such a dominant role in the visual and literary arts as they did during the Middle Ages. Animals were prevalent and essential in all aspects of medieval life, and as a result, they were employed by artists for a variety of purposes: to illustrate saint's lives, populate farm scenes, act as characters in fables, and even crawl among the very letters forming the text. And while artists used a host of animals, both real and fantastic, for these purposes, one of the most popular animals was man's best friend. Dogs were as important to humans during the Middle Ages as they are today, and this new book celebrates that association through their appearance in medieval manuscripts. A follow-up book to Kathleen Walker-Meikle's Medieval Cats, published by the British Library in 2011, Medieval Dogs presents a wealth of dog imagery from a variety of medieval sources and is peppered with fascinating facts about the medieval view of dogs and many stories of people and their pets in the Middle Ages. Among the themes explored in the accompanying text are the roles of the medieval dog, dog breeds, dogs and saints, the names of dogs, canine faithfulness, veterinary care of dogs, dog feeding, the mourning of dogs and burial practices, and medieval poetry about dogs, with translations of some short poems included here. Medieval Dogs is sure to charm dog lovers and medievalists alike.