This catalog contains detailed descriptions of ninety-one items in the Armenian Manuscript Collection in the Department of Special Collections at the University Research Library of the University of California, Los Angeles. Acquired by the library in 1968 from Dr. Garo Owen Minasian, the collection includes manuscripts of ecclesiastical character as well as theological and philosophical works, medical treatises, and anthologies of poetry.

“[A] gripping, and at times unsettling, history of . . . the Zeytun Gospels, a lavishly illuminated Armenian book that miraculously survived centuries of war.” —The Wall Street Journal In 2010, the world’s wealthiest art institution, the J. Paul Getty Museum, found itself confronted by a century-old genocide. The Armenian Church was suing for the return of eight pages from the Zeytun Gospels, a manuscript illuminated by the greatest medieval Armenian artist, Toros Roslin. Protected for centuries in a remote church, the holy manuscript had followed the waves of displaced people exterminated during the Armenian genocide. Passed from hand to hand, caught in the confusion and brutality of the First World War, it was cleaved in two. Decades later, the manuscript found its way to the Republic of Armenia, while its missing eight pages came to the Getty. This is the biography of a manuscript that is at once art, sacred object, and cultural heritage. Its tale mirrors the story of its scattered community as Armenians have struggled to redefine themselves after genocide and in the absence of a homeland. Heghnar Zeitlian Watenpaugh follows in the manuscript’s footsteps through seven centuries, from medieval Armenia to the killing fields of 1915 Anatolia, the refugee camps of Aleppo, Ellis Island, and Soviet Armenia, and ultimately to a Los Angeles courtroom. Reconstructing the path of the pages, Watenpaugh uncovers the rich tapestry of an extraordinary artwork and the people touched by it. At once a story of genocide and survival, of unimaginable loss and resilience, The Missing Pages captures the human costs of war and persuasively makes the case for a human right to art. “A well-told tale of the history of the Armenian people [and] a wondrous and terrifically engrossing journey of this sacred religious object and priceless work of art.”—Michael Bazyler, author of Holocaust Justice: The Battle for Restitution in America’s Courts

The text's elaborate illumination also brings to life a vibrant artistic center, the Monastery of Gladzor, which long ago disappeared." "The Armenian Gospels of Gladzor includes sixty color reproductions of the manuscript's illuminated pages, ten black-and-white illustrations, and two maps along with an essay that explores the book's artistic richness and theological complexity."--BOOK JACKET.

Nira Stone (1938-2013) contributed to the understanding of mediaeval Armenian art and painting. Her interest ranged over a millennium of artistic expression, and over such fields of creativity as manuscript painting, frescos, and mosaics. The volume contains her published papers and one made newly public.

There are two Armenias: the current Republic of Armenia and historic Armenia. The modern state dates from the early 20th century. Historic Armenia was part of the ancient world and expired in the Middle Ages. Its people, however, survived, and from its residue recreated a new country. The history of the Armenians is the story of how an ancient people endured into modern times and how its culture evolved from one conceived under the influence of Mesopotamia to one redefined by the civilization of Europe. The second edition of the Historical Dictionary of Armenia relates the turbulent past of this persistent country through a chronology, an introductory essay, a bibliography, and over 200 cross-referenced dictionary entries on significant persons, events, places, organizations, and other aspects of Armenian history from the earliest times to the present.

The geographical region of the Southern Caucasus, the lowlands between the Black and the Caspian Sees and the Armenian and Anatolian highlands is located on the peripheries of Europe from Asia. This region shares a common pre-history, with pre-Christian and pre-Muslim cultures and beliefs. The later periods, however, starting from the pre-Christian Iranian dominations, followed by the Arab conquest and the later campaigns of Seljuks, Mongols and Ottomans, had a heavy impact on the development of the region’s various ethnic languages and cultures. Nevertheless, many similarities can be found in the languages, cultures and religious traditions of the people living in this region. Armenia has often been a bridge between various cultures. Even though Armenians have succeeded in preserving their original language and culture through the centuries, many of their traditions and myths, their linguistic peculiarities, particularly in Armenian dialects, may be explained by an often long-lasting influence of other cultures, be it occidental (Hellenistic/Roman, later Byzantine and Medieval European) or oriental (Iranian, later Arab, Turkic, Mongolian, etc.) or even Caucasian. The Armenians have also left many traces in the languages and cultures of the Occident, Orient and the Caucasus. This volume gives an impressive approach to an interdisciplinary view of the linguistic and cultural properties which Armenians share with their neighbours.