Offering fresh readings of numerous Neo-Latin texts, Medical Analogy in Latin Satire provides an introduction to medical issues in the tradition of Latin satire. The book explores what functions physical diseases and peculiarities had in early modern satires and how satire was considered as a form of healing instruction.

Selfhood and the Soul is a collection of original essays in honor of Christopher Gill, Emeritus Professor of Ancient Thought at the University of Exeter. The contributions cover a wide range of approaches and topics, but all are committed to examining central issues about the experience of being a person and the question of how best to live.

From the dawn of the early modern period around 1400 until the eighteenth century, Latin was still the European language and its influence extended as far as Asia and the Americas. At the same time, the production of Latin writing exploded thanks to book printing and new literary and cultural dynamics. Latin also entered into a complex interplay with the rising vernacular languages. This Handbook gives an accessible survey of the main genres, contexts, and regions of Neo-Latin, as we have come to call Latin writing composed in the wake of Petrarch (1304-74). Its emphasis is on the period of Neo-Latin's greatest cultural relevance, from the fifteenth to the eighteenth centuries. Its chapters, written by specialists in the field, present individual methodologies and focuses while retaining an introductory character. The Handbook will be valuable to all readers wanting to orientate themselves in the immense ocean of Neo-Latin literature and culture. It will be particularly helpful for those working on early modern languages and literatures as well as to classicists working on the culture of ancient Rome, its early modern reception and the shifting characteristics of post-classical Latin language and literature. Political, social, cultural and intellectual historians will find much relevant material in the Handbook, and it will provide a rich range of material to scholars researching the history of their respective geographical areas of interest.

This innovative volume spans the early modern period and ranges across literary genres, confessional divides and European borders. It brings together twenty-three scholars from thirteen different countries to explore the dynamic and profound ways in which polemical theology, its discourses and codes, interacted with non-theological literary genres in this era. Offering depth as well as breadth, the contributions chart a myriad of intersections between Catholic, Orthodox, Lutheran and Reformed polemics and a range of literary types composed in Latin and the vernacular across Europe. Individual essays discuss how genres such as history and poetry often represented a vehicle to promote and validate a particular confessional standpoint. Authors also address the complex relationship between humanism and polemical theology which tends to be radically oversimplified in early modern studies. A number of essays demonstrate the extent to which certain literary productions harnessed religious polemics in order to induce conversion or promote toleration, and might even engage with supranational issues, such as the divide between Eastern and Western churches. As such, this visionary book constructively bridges the world of religious controversy and the literary space.

This volume offers a wide-ranging overview of the 16th-18th century disputation culture in various European regions. Its focus is on printed disputations as a polyvalent media form which brings together many of the elements that contributed to the cultural and scientific changes during the early modern period.

Latin was for many centuries the common literary language of Europe, and Latin literature of immense range, stylistic power and social and political significance was produced throughout Europe and beyond from the time of Petrarch (c.1400) well into the eighteenth century. This is the first available work devoted specifically to the enormous wealth and variety of neo-Latin literature, and offers both essential background to the understanding of this material and sixteen chapters by leading scholars which are devoted to individual forms. Each contributor relates a wide range of fascinating but now little-known texts to the handful of more familiar Latin works of the period, such as Thomas More's Utopia, Milton's Latin poetry and the works of Petrarch and Erasmus. All Latin is translated throughout the volume.