Scholarship on early China has traditionally focused on a core group of canonical texts. However, understudied sources have the potential to shift perspectives on fundamental aspects of Chinese intellectual, religious, and political history. Yegor Grebnev examines crucial noncanonical texts preserved in the Yi Zhou shu (Neglected Zhou Scriptures) and the Grand Duke traditions, which represent scriptural traditions influential during the Warring States period but sidelined in later history. He develops an innovative framework for the study and interpretation of these texts, focusing on their role in the mediation of royal legitimacy and their formative impact on early Daoism. Grebnev demonstrates the centrality of the Yi Zhou shu in Chinese intellectual history by highlighting its simultaneous connections to canonical traditions and esoteric Daoism. He also shows that the Daoist rituals of textual transmission embedded in the Grand Duke traditions bear an imprint of the courtly environment of the Warring States period, where early Daoists strove for prestige and power, offering legitimacy through texts ascribed to the mythical sage rulers. These rituals appear to have emerged at the same period as the core Daoist philosophical texts and not several centuries later as conventionally believed, which calls for a reassessment of the history of Daoism’s interrelated religious and philosophical strands. Offering a far-reaching reconsideration of early Chinese intellectual and religious history, Mediation of Legitimacy in Early China sheds new light on the foundations of the Chinese textual tradition.

Archaeological discoveries over the past one hundred years have resulted in repeated calls to "rewrite ancient Chinese history." This is especially true of documents written on oracle bones, bronze vessels, and bamboo strips. In Writing Early China, Edward L. Shaughnessy surveys all of these types of documents and considers what they reveal about the creation and transmission of knowledge in ancient China. Opposed to the common view that most knowledge was transmitted orally in ancient China, Shaughnessy demonstrates that by no later than the tenth century BCE scribes were writing lengthy texts like portions of the Chinese classics, and that by the fourth century BCE the primary mode of textual transmission was by way of visual copying from one manuscript to another.

The Spring and Autumn is an annals text composed of brief records covering the period 722–479 BCE and written from the perspective of the ancient Chinese state of Lu. A long neglected part of the Chinese canon, it is traditionally ascribed to Confucius, who is said to have embedded his evaluations of events within the text. However, the formulaic and impersonal records do not resemble the repository of moral judgments that they are alleged to be. Driven by her discovery that the Spring and Autumn is governed by a system of rules, Newell Ann Van Auken argues that Lu record-keepers—not a later editor—produced the formally regular core of the text. She demonstrates that the Spring and Autumn employs formulaic phrasing and selective omission to encode the priorities of Lu and to communicate the relative importance of individuals, states, and events, and that many of its records are derived from diplomatic announcements received in Lu from regional states and the Zhou court. The Spring and Autumn is fundamentally a document designed to enhance the prestige of Lu, and its records reveal a profound concern with relative rank, displaying an idealized hierarchy that positions the state of Lu and its rulers at the apex. By establishing the Spring and Autumn as a genuine Bronze Age record, this book transforms our understanding of its significance and purpose, and also offers new approaches to the study of ancient annals in early China and elsewhere.

The site of Anyang, the last capital of the Shang dynasty, dated to around 1200 to 1000 BCE, is one of the most important sources of knowledge about craft production in Bronze Age China. Excavations and research of the settlement over the past ninety years demonstrate both the advanced level of Shang craft workers and the scale and capacity of the craft industries of the time. However, materials unearthed in Anyang by different expeditions have since been stored separately in China and Taiwan, making a thorough study of this important aspect of life in Shang China challenging. Despite efforts to integrate the data based on published material, the physical evidence rarely has been considered as a single group. Through a systematic analysis of the archaeological materials available in both China and Taiwan, Yung-ti Li provides a detailed picture of craft production in Anyang and paves the way for a new understanding of how the Shang capital functioned as a metropolis. Focusing on craft-producing activities, including bronze casting, bone working, shell and marble inlay working, lithic working, and pottery production, Kingly Crafts examines the material remains, the technology, and the production organization of the craft industries. Although the level of Shang craftsmanship can be seen in the finished products, Li demonstrates that it is necessary to study workshop remains and their archaeological context to reconstruct the social and political contexts of craft production. Offering a comprehensive investigation of these remains, Kingly Crafts sheds new light on the relationships between craft industries and political authority in the late Shang period.

This book employs textual and archaeological material to reconstruct the various features of daily life in ancient China.

Winner of the Science Fiction Research Association Book Award​ A groundbreaking, alternate history of information technology and information discourses Although the scale of the information economy and the impact of digital media on social life in China today could pale that of any other country, the story of their emergence in the post-Mao sociopolitical environment remains untold. Information Fantasies offers a revisionist account of the emergence of the “information society,” arguing that it was not determined by the technology of digitization alone but developed out of a set of techno-cultural imaginations and practices that arrived alongside postsocialism. Anticipating discussions on information surveillance, data collection, and precarious labor conditions today, Xiao Liu goes far beyond the current scholarship on internet and digital culture in China, questioning the limits of current new-media theory and history, while also salvaging postsocialism from the persistent Cold War structure of knowledge production. Ranging over forgotten science fiction, unjustly neglected films, corporeal practices such as qigong, scientific journals, advertising, and cybernetic theories, Information Fantasies constructs an alternate genealogy of digital and information imaginaries—one that will change how we look at the development of the postsocialist world and the emergence of digital technologies.

In July of 2008, Tsinghua University recovered a batch of Warring States bamboo slips from abroad. These were referred to as the Bamboo slips collected by Tsinghua University, i.e., the Tsinghua Manuscripts. A large part of the Tsinghua Manuscripts is comprised of early classical and historical texts. Among these, some can be compared with transmitted classics such as the Shang Shu or “Elevated Scriptures”, but many more are previously unseen texts that have been lost for over two-thousand years. These manuscripts have immense value for understanding the original state of pre-Qin classical texts and for reconstructing early Chinese history. A panel of experts convened to evaluate the manuscripts said of them: these Warring States bamboo slips are tremendously valuable historical artifacts, whose contents speak to the very core of traditional Chinese culture. This is an unprecedented discovery, one which will inevitably attract the attention of scholars both here and abroad. It promises to have a lasting impact in many different disciplines, including but not limited to Chinese history, archaeology, paleography and philology.In order to further develop the international impact of scholarship on the Tsinghua Manuscripts, and stimulate international academic exchange, the Tsinghua University Research and Conservation Center for Unearthed Texts and the University of Chicago Creel Center for Chinese Paleography entered into an agreement to work together on “An International Collaborative Project of Studying and Translating the Tsinghua Bamboo Manuscripts,” which had a planned scope of 18 volumes. Under the leadership of Professor Huang Dekuan of the Tsinghua University Research and Conservation Center for Unearthed Texts, a team was set up to bring together the latest research developments so as to reorganize and collate the Tsinghua Manuscripts. These collated interpretations form a solid basis for the translation work, and in close cooperation with the translation team, together the teams advance the compilation of The Tsinghua University Warring States Bamboo Manuscripts: Studies and Translations book series. Under the leadership of Professor Edward L. Shaughnessy of the University of Chicago Creel Center for Chinese Paleography, a team of scholars specializing in ancient Chinese culture trained at universities such as Harvard, Oxford, and Chicago, was set up to form an exceptional translation team and academic advisory committee, to advance the translation of the Tsinghua Manuscripts. The Tsinghua University Warring States Bamboo Manuscripts: Studies and Translations 1, The Yi Zhou Shu and Pseudo-Yi Zhou Shu Chapters, as the first volume of this series, written and translated by Edward L. Shaughnessy, provides an English translation, introduction, and study of the Tsinghua Manuscripts seen in or related to the Yi Zhou Shu or “Leftover Zhou Scriptures.” The book further provides several insights into the formation and transmission of the Yi Zhou Shu. International experts gave high praise in their review of the book, noting that the book reflects the highest standards of scholarship on ancient Chinese culture, adding that it is not just accessible to experts but presented in a format attractive to a broad readership.