Does women's experience matter for theological inquiry? Elizabeth Johnson's premise is that it does, and that the failure of traditional Trinitarian doctrine to account for women's relationality results in a too radical distinction between God And The world. Drawing on feminist ethics and God-talk, transcendental experience, and panentheistic Trinitarian theology, she constructs an alternative relational ontology and Trinitarian female symbol. Is her integration of these multiple systems viable? More importantly, can divine and human freedom, distinction and personhood be upheld within Johnson's framework?

This book brings together thirteen timely essays from across the globe that consider a range of 'mediated youth cultures', covering topics such as the phenomenon of dance imitations on YouTube, the circulation of zines online, the resurgence of roller derby on the social web, drinking cultures, Israeli blogs, Korean pop music, and more.

Mediated Girlhoods, Volume 2 is an anthology devoted to scholarship on girls' media culture. Taking a cultural studies approach, it includes studies of girls' media representations, girls' media consumption, and girls' media production. In an attempt to push research on girls' media culture in new directions, it responds to criticisms of previous research in this field by including studies of girls who are not white, middle-class, heterosexual, cisgender, or Western. Approaching girlhood, media, and methodology broadly, Mediated Girlhoods includes studies of such previously unexplored topics as girls' mimetic communication via Tumblr, the girlyboy in independent Filipino cinema, Qatari girls' film production, trans girlhood in advertising, Canadian girls' feminist activism, and the new girl subject imagined in Disney's Cinderella (2015). Mediated Girlhoods, Volume 2 is appropriate for undergraduate- and graduate-level courses, particularly graduate seminars exploring girlhood, media, and culture; youth media; youth cultures; and gender and media; and undergraduate courses housed within the following departments: media studies, communication studies, cultural studies, women's and gender studies, sociology, literature, history, education, and psychology.

"As an omnipresent figure of the media landscape, girls are spectacles. They are ubiquitous visual objects on display at which we are incessantly invited to look. Investigating our cultural obsession with both everyday and high-profile celebrity girls, Sarah Projanskyuses a queer, anti-racist feminist approach to explore the diversity of girlhoods in contemporary popular culture. The book addresses two key themes: simultaneous adoration and disdain for girls and the pervasiveness of whiteness and heteronormativity. While acknowledging this context, Projansky pushes past the dichotomy of the "can-do" girl who has the world at her feet and ..."--Publisher description.

This edited collection is an interdisciplinary and dialogical endeavor focused on the field of Nordic Girlhood Studies. It investigates young femininity as well as the key themes and concepts of Girlhood Studies, including girl power, feminisms, femininity, gender equality, postfeminism and sexualities in the specific cultural, historical and political context of the Nordic region. The chapters of the book consist of thematic case studies, including memories of girl power in the Finnish context, gendered harassment experienced and explained by Finnish girls, troublesome girlhood within the Swedish context and girls’ subjectification projects in Nordic welfare state. Further, the case studies are accompanied by dialogical Outlook-essays, where researchers either outside Nordic region or from adjacent research fields reflect on Nordic Girlhood Studies through comparisons and reflections form their vantage point. The book will be of scholarly interest to researchers and students working especially on the fields of Girlhood Studies, Youth Studies, Gender Studies, Sociology and Cultural Studies both within the Nordic region and outside.

This book explores the impact of globalisation and new technologies on youth cultures around the world, from the Birmingham School to the youthscapes of South Korea. In a timely reappraisal of youth cultures in contemporary times, this collection profiles the best of new research in youth studies written by leading scholars in the field.

Since the early 2000s, Disney Channel has been dominated by original live-action programming popular among tween girls. The shows’ successes rely not only on their popularity among girl audiences, but also on the development of star personae by girl performers, such as Raven-Symoné, Miley Cyrus, and Selena Gomez. In addition, these programs and their performers have spawned lucrative media and merchandising franchises for the Walt Disney Company. This book includes analyses of this Disney Channel programming, as well as Disney corporate reports and executive statements, together with Disney Channel stars’ performances, promotional appearances, media production, philanthropic efforts, and entrepreneurism. Analyzing these texts, performances, activities, and personae, it considers the ways in which they reproduce celebrity, visibility, and feminine performativity as central to successful twenty-first century girlhood.