Who controls the media today? There are many media systems across the globe that claim to be free yet whose independence has been eroded. As demagogues rise, independent voices have been squeezed out. Corporate-owned media companies that act in the service of power increasingly exercise soft censorship. Tech giants such as Facebook and Google have dramatically changed how people access information, with consequences that are only beginning to be felt. This book features pathbreaking analysis from journalists and academics of the changing nature and peril of media capture—how formerly independent institutions fall under the sway of governments, plutocrats, and corporations. Contributors including Emily Bell, Felix Salmon, Joshua Marshall, Joel Simon, and Nikki Usher analyze diverse cases of media capture worldwide—from the United Kingdom to Turkey to India and beyond—many drawn from firsthand experience. They examine the role played by new media companies and funders, showing how the confluence of the growth of big tech and falling revenues for legacy media has led to new forms of control. Contributions also shed light on how the rise of right-wing populists has catalyzed the crisis of global media. They also chart a way forward, exploring the growing need for a policy response and sustainable models for public-interest investigative journalism. Providing valuable insight into today’s urgent threats to media independence, Media Capture is essential reading for anyone concerned with defending press freedom in the digital age.

"Today, threats to independent journalism no longer come only from direct forms of state control. Where advocates of a vibrant public sphere once mobilized against the suppression and censorship of news, they now must also contend with the more complex challenge of media capture, the topic of a new book published by the Center for International Media Assistance and Columbia University’s School of International and Public Affairs. In this volume of essays edited by Anya Schiffrin, media capture is shown to be a growing phenomenon linked both to the resurgence of authoritarian governments as well as to the structural weaknesses presently afflicting media markets. In this environment, political figures and economic elites are colluding to undermine the independence of privately-owned media, and efforts to stop this collusion by activists, regulators, and the international community have proven to be ineffective. CIMA is proud to present this collection and hopes it will inspire further research and thoughtful responses to this growing threat to democracies around the world." --back page.

One of the 20th century's most beloved novels is still winning hearts, Dodie Smith's I Capture the Castle! “This book has one of the most charismatic narrators I've ever met.” -- J.K. Rowling, author of the Harry Potter series Adapted to a feature film in 2003, I Capture the Castle tells the story of seventeen-year-old Cassandra and her family, who live in not-so-genteel poverty in a ramshackle old English castle. Here she strives, over six turbulent months, to hone her writing skills. She fills three notebooks with sharply funny yet poignant entries. Her journals candidly chronicle the great changes that take place within the castle's walls, and her own first descent into love. By the time she pens her final entry, she has "captured the castle"-- and the heart of the reader-- in one of literature's most enchanting entertainments.

Handbook on Networked Multipoint Multimedia Conferencing and Multistream Immsersive Telepresence using SIP: Scalable Distributed Applications and Media Control over Internet is the first book to put together all IETF request for comments (RFCs), and the internet drafts standards related to the multipoint conferencing and immersive telepresence. This book includes mandatory and optional texts of all standards in a chronological and systematic way almost with one-to-one integrity from the beginning to end, allowing the reader to understand all aspects of the highly complex real-time applications. It is a book that network designers, software developers, product manufacturers, implementers, interoperability testers, professionals, professors, and researchers will find to be immensely useful. Practitioners and engineers in all spectrums who are concentrating on building the real-time, scalable, interoperable multipoint applications, can use this book to make informed choices based on technical standards in the market place, on all proprietary non-scalable and non-interposable products. This book will provide focus and foundation for these decision makers.

Natalya Ryabinska calls into question the commonly held opinion that the problems with media reform and press freedom in former Soviet states merely stem from the cultural heritage of their communist (and pre-communist) past. Focusing on Ukraine, she argues that, in the period after the fall of communism, peculiar new obstacles to media independence have arisen. They include the telltale structure of media ownership, with news reporting being concentrated in the hands of politically engaged business tycoons, the fuzzy and contradictory legislation of the media realm, and the informal institutions of political interference in mass media. The book analyzes interrelationships between politics, the economy, and media in Ukraine, especially their shadowy sides guided by private interests and informal institutions. Being embedded in comparative politics and post-communist media studies, it helps to understand the nature and workings of the Ukrainian media system situated in-between democracy and authoritarianism. It offers insights into the inner logic of Ukraine’s political system and institutional arrangement in the post-Soviet period. Based on empirical data of 1994–2013, this study also highlights many of the barriers to democratic reforms that have been persisting in Ukraine since the Revolution of Dignity of 2013–2014.

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Handbook of Media Economics provides valuable information on a unique field that has its own theories, evidence, and policies. Understanding the media is important for society, and while new technologies are altering the media, they are also affecting our understanding of their economics. Chapters span the large scope of media economics, simultaneously offering in-depth analysis of particular topics, including the economics of why media are important, how media work (including financing sources, institutional settings, and regulation), what determines media content (including media bias), and the effects of new technologies. The volumes provide a powerful introduction for those interested in starting research in media economics. - Helps academic and non-academic economists understand recent rapid changes in theoretical and empirical advances, in structural empirical methods, and in the media industry's connection with the democratic process - Presents the only detailed summary of media economics that emphasizes political economy, merger policy, and competition policy - Pays special attention to the economic influences of the Internet, including developments in social media, user-generated content, and advertising, as well as the Internet's effects on newspapers, radio, and television