In 1998, the horrific murders of Matthew Shepard -- a gay man living in Laramie, Wyoming -- and James Byrd Jr. -- an African American man dragged to his death in Jasper, Texas -- provoked a passionate public outrage. The intense media coverage of the murders made moments of violence based in racism and homophobia highly visible and which eventually led to the passage of The Matthew Shepard and James Byrd Jr. Hate Crimes Prevention Act in 2009. The role the media played in cultivating, shaping, and directing the collective emotional response toward these crimes is the subject of this gripping new book by Jennifer Petersen. Tracing the emotional exchange from news stories to the creation of law, Petersen calls for an approach to media and democratic politics that takes into account the role of affect in the political and legal life of the nation.

A seminal work and examination of the psychopathology of journalism. Using a strange and unprecedented lawsuit by a convicted murder againt the journalist who wrote a book about his crime, Malcolm delves into the always uneasy, sometimes tragic relationship that exists between journalist and subject. Featuring the real-life lawsuit of Jeffrey MacDonald, a convicted murderer, against Joe McGinniss, the author of Fatal Vision. In Malcolm's view, neither journalist nor subject can avoid the moral impasse that is built into the journalistic situation. When the text first appeared, as a two-part article in The New Yorker, its thesis seemed so radical and its irony so pitiless that journalists across the country reacted as if stung. Her book is a work of journalism as well as an essay on journalism: it at once exemplifies and dissects its subject. In her interviews with the leading and subsidiary characters in the MacDonald-McGinniss case -- the principals, their lawyers, the members of the jury, and the various persons who testified as expert witnesses at the trial -- Malcolm is always aware of herself as a player in a game that, as she points out, she cannot lose. The journalist-subject encounter has always troubled journalists, but never before has it been looked at so unflinchingly and so ruefully. Hovering over the narrative -- and always on the edge of the reader's consciousness -- is the MacDonald murder case itself, which imparts to the book an atmosphere of anxiety and uncanniness. The Journalist and the Murderer derives from and reflects many of the dominant intellectual concerns of our time, and it will have a particular appeal for those who cherish the odd, the off-center, and the unsolved.

Some criminals become household names, while others--even those who seek recognition through their crimes--are forgotten. The criminal's actions are only a part of every famous true crime story. Other factors, such as the setting and circumstances of the crimes and the ways in which others take control of the narrative, ultimately drive their notoriety. Through a comparison of the tellings and retellings of two famous cases more than a century apart--the Jack the Ripper killings in 1888, and the murder trials of Steven Avery as documented in Making a Murderer--this book examines the complicated dynamics of criminal celebrity.

A shocking look at how the idea of romantic love can justify and excuse the killing of women by their partners, and lead to sympathy and reduced sentences for the killers. The author explores how stories of domestic homicide are told in the news, by the police, and in the courts, drawing from 72 cases which took place over a twelve month period.

Sonya Voumard's The Media and the Massacre is a chilling portrayal of journalism, betrayal, and storytelling surrounding the 1996 Port Arthur massacre. Inspired, in part, by renowned American author Janet Malcolm's famously controversial work The Journalist and the Murderer, Voumard's elegant new work of literary non-fiction examines the fascinating theme of 'the writer's treachery.' The author brings to bear her own journalistic experiences, ideas and practices in a riveting inquiry into her profession that is part-memoir and part ethical investigation. One of her case studies is the 2009 book Born about the perpetrator of the Port Arthur massacre, Martin Bryant, and his mother Carleen Bryant. Carleen sued, and received an undisclosed settlement, over the best-selling book's use of her personal manuscript. In the lead-up to the 20th anniversary of the Port Arthur massacre, The Media and the Massacre explores the nature of journalistic intent and many of the wider moral and social issues of the storytelling surrounding the events and their place in our cultural memory

How would you treat a murderer? If you’re from Hollywood and he’s notorious, you might turn him into a folk hero. Separate the facts from the many legends and revisions that have blossomed around these killers in this frightening look at the bloody real lives of movie’s infamous antiheroes. You’ll find a blood-curdling assortment of the “criminal elite” in American Murder: Criminals, Crime and the Media, a rogue’s gallery of our most famous killings, killers and other scoundrels (and some that ought to be more famous than they are). A collection of high-profile murderers, gangsters, assassins, psychopaths, such as O.J., Amy Fisher, Robert Blake, Susan Smith, Claus Von Bulow, the Menendez brothers, Jeffrey Dahmer, Ted Bundy, John Wayne Gacy, Richard Speck, Al Capone, Pretty Boy Floyd, Bugsy Siegel, Jesse James, John Dillinger, Charles Manson, Albert Fish, T. Cullen Davis, Ronald DeFeo, Jr., Edmund Kemper, Beulah Annan, Bonnie and Clyde, Billy the Kid, Charlie Starkweather, as well as an assortment of lesser known killers with some incredible tales! With numerous photos and illustrations, this tome is richly illustrated, and its helpful bibliography and extensive index add to its usefulness. American Murderexplores the legends as depicted in movies, stories, and songs. You’d not want to meet any of them in person – either the real or Hollywood versions!