"This volume departs from the debilitating deadlock via a new theory of controlled commodification. Informed by political economy, the theory goes beyond the cultural imperialism thesis and the political economy of the media developed for Western contexts. The book offers a comprehensive and nuanced explication of Singapore's print and electronic media. It also critically dissects its culture in an age when media contribute immensely to as well as influence it."--Jacket.

This book explores this inherent contradiction present in most facets of Singaporean media, cultural and political discourses, and identifies the key regulatory strategies and technologies that the ruling People Action Party (PAP) employs to regulate Singapore media and culture, and thus govern the thoughts and conduct of Singaporeans. It establishes the conceptual links between government and the practice of cultural policy, arguing that contemporary cultural policy in Singapore has been designed to shape citizens into accepting and participating in the rationales of government. Outlining the historical development of cultural policy, including the recent expansion of cultural regulatory and administrative practices into the ‘creative industries’, Terence Lee analyzes the attempts by the Singaporean authorities to engage with civil society, the ways in which the media is used to market the PAP’s policies and leadership and the implications of the internet for the practice of governmental control. Overall, The Media, Cultural Control and Government in Singapore offers an original approach towards the rethinking of the relationship between media, culture and politics in Singapore, demonstrating that the many contradictory discourses around Singapore only make sense once the politics and government of the media and culture are understood.

"This volume departs from the debilitating deadlock via a new theory of controlled commodification. Informed by political economy, the theory goes beyond the cultural imperialism thesis and the political economy of the media developed for Western contexts. The book offers a comprehensive and nuanced explication of Singapore's print and electronic media. It also critically dissects its culture in an age when media contribute immensely to as well as influence it."--Jacket.

Written by an established expert on Thailand, this is one of the first books to fully investigate the Thai media’s role during the Thaksin government’s first term. Incorporating political economy and media theory, the book provides a unique insight into globalization in Southeast Asia, analyzing the role of communications and media in regional cultural politics. Examining the period from the mid 1990s, Lewis makes a sustained comparison between Thailand and its neighbouring countries in relation to the media, business, politics and popular culture. Covering issues including business development, tourism, the Thai movie industry and the war on terror, the book argues that globalization as it relates to media, can be patterned on Thai experiences.

This volume discusses the urban history and cultural landscape of Singapore in relation to theories of textual dialogics, multiculturalism and the cultural and political unconscious. Multidisciplinary in approach, it takes as its data not only government policy and official discourses, and the more quantitative elements of population census information on religion, income, race and nationality, but also a wide range of related cultural discourses in film, literature, media texts, social behaviour and other interventions and interpretations of the city. The main parameters of Singapore’s socio-national construction—public housing, social elitism, racial and linguistic plurality and their management, colonial remnants and their transformation—are explained and analysed in terms of Singapore’s colonial past, its rapid modernization, and its current push to compete as a global city and tourist destination. This multidisciplinary book should be of interest to a correspondingly wide readership, including architects and urban planners, political scientists, cultural analysts and theorists, colonial discourse scholars, urban geographers and sociologists, Asian studies specialists, graduate and undergraduate students in the above areas, and a general readership interested in cities and cultures. “This is a remarkable book. By taking a series of readings of Singapore’s urban culture, it chronicles the emergence of a new city form which, through the coming together of quite particular narratives of modernity, nationhood and identity may well be providing a much more general spatial model for Asian cities. Simultaneously, it provides a gripping account of how to read the possibilities and tensions that this model throws up.” —Nigel J. Thrift, Oxford University “Goh’s theoretically sophisticated and creative analysis of Singapore’s society, space and culture and his brilliant critique of the city’s official policies of self-representation is a marvellous tour de force. An astute urban semiotician and interpreter of cultural signs, Goh draws on films, figures and fiction to provide a fascinating reading of a city preparing for global competition. Questions of ethnicity, class, sexuality, national identity, architecture and space are brought together in an imaginative—as well as provocative—exercise of symbolic explication and analysis. Essential for studies of Asian urbanism and a model for students of the (so-called) ‘global city’.” —Anthony King, State University of New York at Binghamton “In Contours of Culture Robbie Goh has achieved what many specialists in cultural studies have attempted only metaphorically, by successfully fusing the materiality of spatiality with the symbolic realm of cultural processes. The result is an absorbing and nuanced interpretation of the meaning of the landscapes of Singapore, where space serves as a text that reflects and reproduces the political cultures of a global city in a state of constant re-invention.” —David Ley, University of British Columbia, Canada

For several decades, the city-state of Singapore has been an international anomaly, combining an advanced, open economy with restrictions on civil liberties and press freedom. Freedom from the Pressanalyses the republic's media system, showing how it has been structured - like the rest of the political framework - to provide maximun freedom of manoeuvre for the People's Action Party (PAP) government. Cherian George assessed why the PAP's "freedom from the press" model has lasted longer than many other authoritarian systems. He suggests that one key factor has been the PAP's recognition that market forces could be harnessed as a way to tame journalism. Another counter-intuitive strategy is its self-restraint in the use of force, progressively turning to subtler means of control that are less prone to backfire. The PAP has also remained open to internal reform, even as it tries to insulate itself from political competition. Thus, although increasingly challenged by dissenting views disseminated through the internet, the PAP has so far managed to consolidate its soft-authoritarian, hegemonic form of electoral democracy. Given Singapore's unique place on the world map of press freedom and democracy, this book not only provides a constructive engagement with ongoing debates about the city-state but also makes a significant contribution to the comparative study of journalism and politics.