Time is the crucial ingredient in history, and yet historians rarely talk about time as such. These essays offer new insight into the development of modern conceptions of time, from the Christian dating system (BC/AD or BCE/CE) to the idea of “modernity” as a new epoch in human history. Are the Gregorian calendar, world standard time, and modernity itself simply impositions of Western superiority? How did the idea of stages of history culminating in the modern period arise? Is time really accelerating? Can we—should we—try to move to a new chronological framework, one that reaches back to the origins of humans and forward away or beyond modernity? These questions go to the heart of what history means for us today. Time is now on the agenda.

This book focuses on the history of timekeeping and it's impact on human civilization. With detailed descriptions and illustrations, the book covers the methods used in ancient times and compares them to modern techniques. It focuses on how timekeeping devices have evolved from sundials to atomic clocks. The book also gives an insight into the importance of accurate timekeeping in various fields, including astronomy, navigation, and commerce.

Making History New explores how several British modernists (Joseph Conrad, Ford Madox Ford, and Rebecca West) applied the experimental methods of literary modernism to the writing of narrative history and historical novels.

On the many lives and mediums of a postwar Italian artist-adventurer Published on the occasion of her long-deserved retrospective at Muzeum Susch, this book testifies to the singular vision of Italian artist Laura Grisi (1939-2017) within contemporary art history. Born in Greece, educated in Paris and living between New York and Rome, where she died, Grisi spent long periods of her life in Africa, South America and Polynesia. This involvement with non-Western cultures indelibly marked her own search for a cosmic thinking. Although her work is often reduced to Pop art, Grisi always worked within the fundamental motif of the "journey"--from remote locations visited and documented, to the multiplicity of mediums used. Grisi embodied a stateless, nomadic female subject defying the politics of identity, the univocity of representation and the unidirectionality of time. Grisi's work spans from her avant-garde Variable Paintingsof the mid-1960s and her 1970s pioneering environmental installations dealing with fog, wind and rain, to her conceptual photo-works of the 1980s.

"The Oxford Handbook of the History of Terrorism presents a re-evaluation of the major narratives in the history of terrorism, exploring the emergence and the use of terrorism in world history from antiquity up to the twenty-first century. The volume presents terrorism as a historically specific form of political violence that was generated by modern Western culture and then transported around the globe, where it interacted with and was transformed in accordance with local conditions. It offers cogent arguments and well-documented case studies that support a reading of terrorism as a modern phenomenon, as well as sustained analyses of the challenges involved in the application of the theories and practices of modernity and terrorism to non-Western parts of the world, both for historical actors and academic commentators. The volume presents an overview of terrorism's antecedents in the pre-modern world, analyzes the emergence of terrorism in the West, and presents a series of case studies from non-Western parts of the world that together constitute terrorism's global reception history. Essays cover a broad range of topics from tyrannicide in ancient Greek political culture, the radical resistance movement against Roman rule in Judea, the invention of terrorism in Europe, Russia, and the United States, anarchist networks in France, Argentina, and China, imperial terror in Colonial Kenya, anti-colonial violence in India, Egypt's Muslim Brotherhood, and the German Autumn, to right-wing, religious and eco-terrorism, as well as terrorism's entanglements with science, technology, media, literature and art. Keywords: terrorism studies, terrorism, history of terrorism, history of violence, radicalism, global history, transnational history, international history, modernity, modernization, modernism"--

Coming to terms with emotions and how they influence human behaviour, seems to be of the utmost importance to societies that are obsessed with everything “neuro.” On the other hand, emotions have become an object of constant individual and social manipulation since “emotional intelligence” emerged as a buzzword of our times. Reflecting on this burgeoning interest in human emotions makes one think of how this interest developed and what fuelled it. From a historian’s point of view, it can be traced back to classical antiquity. But it has undergone shifts and changes which can in turn shed light on social concepts of the self and its relation to other human beings (and nature). The volume focuses on the historicity of emotions and explores the processes that brought them to the fore of public interest and debate.

Thirteen expert historians and philosophers address basic questions on historical time and on the distinctions between past, present and future. Their contributions are organised around four themes: the relation between time and modernity; the issue of ruptures in time and the influence of catastrophic events such as revolutions and wars on temporal distinctions; the philosophical analysis of historical time and temporal distinctions; and the construction of time outside Europe through processes of colonialism, imperialism, and globalisation.