Measured and Drawn sets out to show how, through working closely with historians, conservators and archaeologists, optimum documentation can be achieved by metric survey. It explains how the balance between precision, cost and time when applying metric technologies to heritage documentation can be achieved by choosing an appropriate method and making sure project information requirements are understood by all from the start.Measured and Drawn examines control, detail and procurement, and concludes with case studies of metric survey projects undertaken on historic buildings and structures ranging from Battle Abbey Courthouse to the nave ceiling at Peterborough Cathedral. It is prepared in sequence with Where on Earth Are We? The Global Positioning System in archaeological field survey (2003), Understanding Historic Buildings: a guide to good recording practice (2006) and 3D Laser scanning for Heritage: advice and guidance to users on laser scanning in archaeology and architecture (2007) as part of an ongoing series of technical guides on heritage documentation.The second edition is prepared in response to the publication of English Heritage’s Conservation Principles: policies and guidance for the sustainable management of the historic environment (2008) which has placed documenting and learning from decisions as a core principle, with accessible records recognised as essential to the conservation process. The principles outline the need for adequate records in managing change to significant places.

A revised and updated second edition of Metric Survey Specifications for English Heritage - the standard specification that English Heritage has successfully used to procure metric survey for the last 9 years.

George Saumarez Smith is one of Britain's foremost classical architects. His sketchbooks display a supreme mastery that goes beyond technique and assumes the status of art.

This unique collection of architectural plans, elevations, sections, and details of Monticello (the home of Thomas Jefferson in Albemarle County, Virginia) from the Historic American Buildings Survey (HABS), reveals the house's complex facade and details the relationship of individual floors and the fascinating array of architectural elements found throughout the house. Each drawing is accompanied by insightful commentary from William L. Beiswanger, Monticello's Robert H. Smith Director of Restoration. Jefferson began Monticello in 1768 at the age of twenty-five and continued altering his "essay in Architecture" until his death in 1826. This work outlines the changes Jefferson made to his residence, which evolved from six to twenty-one rooms.

Make the world your studio! Capture the bustle and beauty of life in your town. Experience life as only an artist can! Join the rapidly growing, international movement of artists united by a passion for drawing on location in the cities, towns and villages where they live and travel. Packed with art and advice from Marc Taro Holmes, artist and co-founder of Urbansketchers.org, this self-directed workshop shows you how to draw inspiration from real life and bring that same excitement into your sketchbook. Inside you'll find everything you need to tackle subjects ranging from still lifes and architecture to people and busy street scenes. • 15 step-by-step demonstrations cover techniques for creating expressive drawings using pencil, pen and ink, and watercolor. • Expert tips for achieving a balance of accuracy, spontaneity and speed. • Practical advice for working in the field, choosing subjects, coping with onlookers, capturing people in motion and more. • Daily exercises and creative prompts for everything from improving essential skills to diverse approaches, such as montages, storytelling portraits and one-page graphic novels. Whether you are a habitual doodler or a seasoned artist, The Urban Sketcher will have you out in the world sketching from the very first page. By completing drawings on the spot, in one session, you achieve a fresh impression of not just what you see, but also what it feels like to be there . . . visual life stories as only you can experience them.