No book is more associated with the city of Glasgow than No Mean City. First published in 1935, it is the story of Johnnie Stark, son of a violent father and a downtrodden mother, the 'Razor King' of Glasgow's pre-war slum underworld, the Gorbals. The savage, near-truth descriptions, the raw character portrayals, bring to life a story that is fascinating, authentic and convincing.

There cannot be many cities where crime could mean anything from singing a seditious song to stealing a ship, but nineteenth-century Glasgow was a unique place with an amazing dynamism. Immigrants poured in from Ireland and the Highlands, while the factories, shipyards and mills buzzed with innovation. However, underneath the hustle and bustle was a different world, as an incredibly diverse criminal class worked for their own profit - with a total disregard for the law. The highways and byways were infested with robbers; garrotters jumped on the unwary; drunken brawls disfigured the evening streets; prostitutes lured foolish men into dark corners; conmen connived clever schemes; and murder was nearly commonplace. This was a dark and dangerous world, with a volatile population and the constant threat of riots. Holding back the tide of lawlessness was Britain's first professional police force, established in Glasgow in 1800. Their task of policing the city was daunting as they faced everything from petty crime to murder, the notorious Paisley Union Bank robbery to a string of jewellery thefts in the city centre. Glasgow: The Real Mean City is a fascinating account of the century-long struggle of the forces of law and order as they battled to bring peace to a troubled city.

Eric Arthur fell in love with Toronto the first time he saw it. The year was 1923; he was twenty-five years old, newly arrived to teach architecture at the University of Toronto. For the next sixty years he dedicated himself to saving the great buildings of Toronto's past. Toronto, No Mean City sounded a clarion call in his crusade. First published in 1964, it sparked the preservation movement of the 1960s and 1970s and became its bible. This reprint of the third edition, prepared by Stephen Otto, updates Arthur's classic to include information and illustrations uncovered since the appearance of the first edition. Four new essays were commissioned for this reprint. Christopher Hume, architecture critic and urban affairs columnist for the Toronto Star, addresses the changes to the city since the appearance of the third edition in 1986. Architect and heritage preservation activist Catherine Nasmith assesses the current status of the city's heritage preservation movement. Susan Crean, a freelance writer in Toronto, explores Toronto's vibrant arts scene. Mark Kingwell, professor and cultural commentator, reflects on the development of professional and amateur sports in and around town. Readers will delight in these anecdotal accounts of the city's rich architectural heritage.

From the New York Times bestselling author of the Quinn Colson series comes a “noir crime classic”(Mystery Ink) about one of the most notorious towns in American history. When crime-fighting attorney Albert Patterson is gunned down in a Phenix City, Alabama, alley in the spring of 1954, the entire town seems to pause for just a moment—and when it starts up again, there is something different about it. A small group of men meet and decide they have had enough, but what that means and where it will take them is something they could not have foreseen. Over the course of the next several months, lives will change, people die, and unexpected heroes emerge—like “a Randolph Scott western,” one of them remarks, “played out not with horses and Winchesters, but with Chevys and .38s and switchblades.” Peopled by an extraordinary cast of characters, both real and fictional, Wicked City is a novel of uncommon intensity, rich with atmosphere, filled with sensuality and surprise.

The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.

In The Divided City, urban practitioner and scholar Alan Mallach presents a detailed picture of what has happened over the past 15 to 20 years in industrial cities like Pittsburgh and Baltimore, as they have undergone unprecedented, unexpected revival. He spotlights these changes while placing them in their larger economic, social and political context. Most importantly, he explores the pervasive significance of race in American cities, and looks closely at the successes and failures of city governments, nonprofit entities, and citizens as they have tried to address the challenges of change. The Divided City concludes with strategies to foster greater equality and opportunity, firmly grounding them in the cities' economic and political realities.