The greatest western writers of the 21st century, William W. Johnstone and J.A. Johnstone, kick off a blazing new series featuring Tynan “Ty” Brannigan, a man who traded his tin star for a cattle ranch and a family. But the men he left to rot behind bars have their own hash to settle with him… Once a respected lawman in Kansas and Oklahoma, Ty Brannigan ended his career as town marshal of Warknife while he was still young enough to marry, start a family, and raise cattle. Now nearly sixty, he’s a proud husband, father of four, and proprietor of the Powderhorn Ranch on the outskirts of his old stomping grounds. It’s been close to twenty years since Brannigan hung up his six-guns. Now he’s more content wrangling cows than criminals… But for every remorseless outlaw Brannigan put in jail, noosed, or left the vultures, he made even more enemies. Thieves and killers looking to settle old scores have tracked the ex-lawdog to his ranch. They’ve made the mistake of targeting his wife and children—only to discover that Ty Brannigan enforces his own law with a lightning-fast draw and a deadshot aim.

C. Fred Alford interviewed working people, prisoners, and college students in order to discover how people experience evil—in themselves, in others, and in the world. What people meant by evil, he found, was a profound, inchoate feeling of dread so overwhelming that they tried to inflict it on others to be rid of it themselves. A leather-jacketed emergency medical technician, for example, one of the many young people for whom vampires are oddly seductive icons of evil, said he would "give anything to be a vampire." Drawing on psychoanalytic theory, Alford argues that the primary experience of evil is not moral but existential. The problems of evil are complicated by the terror it evokes, a threat to the self so profound it tends to be isolated deep in the mind. Alford suggests an alternative to this bleak vision. The exercise of imagination—in particular, imagination that takes the form of a shared narrative—offers an active and practical alternative to the contemporary experience of evil. Our society suffers from a paucity of shared narratives and the creative imagination they inspire.

The national bestselling western authors William W. Johnstone and J.A. Johnstone bring us another Ty Brannigan western with a unique and American brand of justice. JOHNSTONE COUNTRY. WHERE FAMILY COMES FIRST. Ex-lawman turned cattle rancher Ty Brannigan loves his wife and children. And may Lord have mercy on those who would harm them—because Ty Brannigan will show none. KILLER SMILE No one knows their way around a faro table, bank vault, or six shooter more than Smilin’ Doc Ford. When he’s not gambling or thieving, he’s throwing lead—or, if he’s feeling especially vicious, slitting throats with his Arkansas toothpick. Roaming the west with Doc is a band of wild outlaws including a pair of hate-filled ex-cons and the voluptuous Zenobia “Zee” Swallow, Doc’s kill-crazy lady. The gang have been on a killing spree, leaving a trail of bodies near Ty Brannigan’s Powderhorn spread in Wyoming’s Bear Paw Mountains. U.S. marshals want Ty to help them track down Smilin’ Doc’s bunch. But when the hunt puts the Brannigan clan in the outlaws’ sights, Ty and his kin take justice into their own hands—and deliver it with a furious, final vengeance. Live Free. Read Hard.

In this book, James Sias investigates the psychologies of those who have acted in ways widely regarded as evil, and uses this psychological data as a basis for developing his own theory of evil. Sometimes, he claims, an action is so horrific and despicable that a term like “wrong” seems to fall short of capturing its moral status. Likewise, occasionally a person’s character is corrupt in such a way that ordinary trait terms like “selfish” or “insensitive,” or more general labels like “bad” or “immoral,” seem inadequate. In such cases, we often resort to calling the person or action “evil.” But what does this term mean? What is it that makes a person or action morally evil? Taking a cue from Hannah Arendt, Sias argues that this sort of evil is essentially a matter of regarding others as “morally superfluous.” In other words, evil is a matter of utter moral disregard. In the course of developing and defending this view, Sias also describes and critiques a number of prominent theories of evil proposed by philosophers in recent years.

With the media bringing us constant tales of terrorism and violence, questions regarding the nature of evil are highly topical. Luke Russell explores the philosophical thinking and psychological evidence behind evil, alongside portrayals of fictional villains, considering why people are evil, and how it goes beyond the normal realms of what is bad.

THE SCHOOL FOR GOOD AND EVIL is now a major motion picture from Netflix, starring Academy Award winner Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Cate Blanchett, and many more! A dark and enchanting fantasy adventure for those who prefer fairytales with a twist. The first in the bestselling series.

The rise and fall of Value America.com.