Discover the untold stories and unbreakable bond between country music icon Willie Nelson and his longtime drummer, Paul English. Immortalized in Willie Nelson’s road song "Me and Paul," Paul English was the towering figure who for 70 years acted as Willie’s drummer, bodyguard, accountant, partner in crime, and right-hand man. Together, the two men roamed the country by: putting on shows, getting into a few scrapes, raising money for good causes, and bringing the joy of their music to fans worldwide. Stories of Willie and Paul’s misadventures became legendary, but many have gone untold--until now. Set against the backdrop of the exploding Americana music scene and told in Willie’s inimitable, colorful style, Me and Paul follows the two performers through their decades-long careers.

Bestselling author A. E. Hotchner's intimate account of his 53-year friendship with his pal Paul Newman. A. E. Hotchner first met Paul Newman in 1955 when the virtually unknown actor assumed the lead role in Hotchner’s first television play, based on an Ernest Hemingway story. The project elevated both men from relative obscurity to recognition and began a close and trusted friendship that lasted until Newman’s death in 2008. In Paul and Me, Hotchner depicts a complicated, unpredictable, fun-loving, talented man, and takes the reader along on their adventures. The pair traveled extensively, skippered a succession of bizarre boats, confounded the business world, scored triumphs on the stage, and sustained their friendship through good times and bad. Most notably, they started Newman’s Own as a prank and watched it morph into a major enterprise that so far has donated all its $300 million in profit to charities including the Hole in the Wall Camps worldwide, dedicated to helping thousands of children with life-threatening illnesses. Paul and Me, complete with personal photographs, is the story of a freewheeling friendship and a tribute to the acclaimed actor who gave to the world as much as the world gave him.

Paul Dean overcame abject poverty to become one of the most famous men in America. He went from picking cotton alongside poor blacks and other migrant workers to dining with Hollywood stars, politicians, and Captains of Industry. Baseball in the 1930’s was rife with racism, brawling, boozing, cursing, and gambling. In that turbulent decade Paul Dean played with and against some of the greatest players in history, both white and black. White players - Babe Ruth, Lou Gehrig, Pepper Martin, Frankie Frisch on Major League diamonds. Black players - Satchel Paige, Josh Gibson, “Cool Papa” Bell on barnstorming tours. By age 21 Paul had pitched a no-hitter and won a World Series Championship as a member of the 1934 St. Louis Cardinals, forever after known as the Gashouse Gang. This book tells his story.

In Roll Me Up and Smoke Me When I Die, Willie Nelson muses about his greatest influences and the things that are most important to him, and celebrates the family, friends, and colleagues who have blessed his remarkable journey. Willie riffs on everything, from music to poker, Texas to Nashville, and more. He shares the outlaw wisdom he has acquired over the course of eight decades, along with favorite jokes and insights from family, bandmates, and close friends. Rare family pictures, beautiful artwork created by his son, Micah Nelson, and lyrics to classic songs punctuate these charming and poignant memories. A road journal written in Willie Nelson's inimitable, homespun voice and a fitting tribute to America’s greatest traveling bard, Roll Me Up and Smoke Me When I Die—introduced by another favorite son of Texas, Kinky Friedman—is a deeply personal look into the heart and soul of a unique man and one of the greatest artists of our time, a songwriter and performer whose legacy will endure for generations to come.

"Abandoned by their parents as toddlers, Willie and Bobbie Nelson found their love of music almost immediately through their grandparents, who raised them in a dusty small town in east Texas. Their close relationship ... is the longest-lasting bond in either of their lives. In alternating chapters, this ... dual memoir weaves together their lives as they experienced them both side-by-side and apart with powerful, emotional stories from growing up, playing music in public for the first time, and the trials they each faced in adulthood as Willie pursued a songwriting career and Bobbie faced a series of challenging relationships and a musical career that only took off when attitudes about women began to change in Texas"--

What happened to Paul Nelson? In the '60s, he pioneered rock & roll criticism with a first-person style of writing that would later be popularized by the likes of Tom Wolfe and Norman Mailer as “New Journalism.” As co-founding editor of The Little Sandy Review and managing editor of Sing Out!, he’d already established himself, to use his friend Bob Dylan’s words, as “a folk-music scholar”; but when Dylan went electric in 1965, Nelson went with him. During a five-year detour at Mercury Records in the early 1970s, Nelson signed the New York Dolls to their first recording contract, then settled back down to writing criticism at Rolling Stone as the last in a great tradition of record-review editors that included Jon Landau, Dave Marsh, and Greil Marcus. Famously championing the early careers of artists like Bruce Springsteen, Jackson Browne, Rod Stewart, Neil Young, and Warren Zevon, Nelson not only wrote about them but often befriended them. Never one to be pigeonholed, he was also one of punk rock’s first stateside mainstream proponents, embracing the Sex Pistols and the Ramones. But in 1982, he walked away from it all — Rolling Stone, his friends, and rock & roll. By the time he died in his New York City apartment in 2006 at the age of seventy — a week passing before anybody discovered his body — almost everything he’d written had been relegated to back issues of old music magazines. How could a man whose writing had been so highly regarded have fallen so quickly from our collective memory? With Paul Nelson’s posthumous blessing, Kevin Avery spent four years researching and writing Everything Is an Afterthought: The Life and Writing of Paul Nelson. This unique anthology-biography compiles Nelson’s best works (some of it previously unpublished) while also providing a vivid account of his private and public lives. Avery interviewed almost 100 of Paul Nelson’s friends, family, and colleagues, including several of the artists about whom he’d written.

Collier Schorr met Paul Hameline, a young French artist and model, in New York in 2015. A friend of friend, he came to her home for a "go-see", which is when a photographer gets to see how a model looks in front of the camera. Paul's family lives in the Marais section of Paris around the corner from the hotel Collier stays at while in Paris, so they began to meet and to make a project that lasted two years in which Collier would visit Paul at his parents' house and take pictures and talk. The idea was for Paul and Collier to experience photography as a social space, a conversation in which his body and her eyes could try and understand each other's fascinations and fantasies. Many of the pictures were published in 'Re Edition' magazine. 'Paul's Book' expands that magazine story to form a larger piece about the way in which a photographer and model can search for some greater revelations with the simplest movements and various states of undress. --