With tremendous new stories from Steven Millhauser and Roddy Doyle, an epic, genre-shattering novella from Hilton Als, and a really excellent special section on Norway's finest writers (featuring not just Per Petterson but also Kid Icarus and a woman named Blind Margjit)--along with, probably, correspondence from a man we can't yet name and an unbelievable disappearing-ink cover done by Jordan Crane--Issue 35 is a full-to-bursting edition in the tradition of the best ones we've ever done. For several hundred pages of unrivaled summer reading, this is your book.

Featuring new work by Wells Tower, Michael Cera, and Etgar Keret, along with as always a bevy of lesser-known but nonetheless excellent writers investigating everything from mental hospitals to sentient mists, and possibly some kind of poster, Issue 30 warrants every ounce of attention and industry you'll give it, even if you are very important and your time is valuable--even if the fate of nations rests on your weary shoulders. You should still read Issue 30.

In the wise and beautiful second collection from the acclaimed, Pulitzer Prize-winning #1 New York Times bestselling author of All the Light We Cannot See, and Cloud Cuckoo Land, "Doerr writes about the big questions, the imponderables, the major metaphysical dreads, and he does it fearlessly" (The New York Times Book Review). Set on four continents, Anthony Doerr's new stories are about memory, the source of meaning and coherence in our lives, the fragile thread that connects us to ourselves and to others. Every hour, says Doerr, all over the globe, an infinite number of memories disappear. Yet at the same time children, surveying territory that is entirely new to them, push back the darkness, form fresh memories, and remake the world. In the luminous and beautiful title story, a young boy in South Africa comes to possess an old woman's secret, a piece of the past with the power to redeem a life. In "The River Nemunas," a teenage orphan moves from Kansas to Lithuania to live with her grandfather, and discovers a world in which myth becomes real. "Village 113," winner of an O'Henry Prize, is about the building of the Three Gorges Dam and the seed keeper who guards the history of a village soon to be submerged. And in "Afterworld," the radiant, cathartic final story, a woman who escaped the Holocaust is haunted by visions of her childhood friends in Germany, yet finds solace in the tender ministrations of her grandson. Every story in Memory Wall is a reminder of the grandeur of life--of the mysterious beauty of seeds, of fossils, of sturgeon, of clouds, of radios, of leaves, of the breathtaking fortune of living in this universe. Doerr's language, his witness, his imagination, and his humanity are unparalleled in fiction today.

Presents a collection of stories from around the world, including five stories set in Kenya.

Items in container: Main book -- Aleatory fiction [booklet] -- Voicemails to the editor -- Crypto acoustic auditory non-hallucatination -- Audio tours of your home -- Get on board -- KidzWorks! -- Douteflower -- ClearVoice -- Speculation, N. -- Clinical judgment.

A latest quarterly anthology by the two-time National Magazine Award-winning literary journal features entries by forefront and up-and-coming writers, as well as an eccentric design.

There Is a Country collects eight engrossing pieces by South Sudanese authors--the first collection of its kind, from the youngest country in the world. Wrestling with a history marked by war and displacement, the work here presents a fresh and necessary account of an emerging nation, past and present. In vivid, gripping prose, There Is a Country's stories explore youth and love, life and death: a first glimpse of what South Sudanese literature has to offer.