Christina McPhee's 'commonplace book' draws from a palimpsest of handwritten notes, lists, quotations, bibliographic fragments, and sketches, from an artist whose voracious reading practice is a direct feed into her life and art - all set to a visual and textual design-as-score, as prominent writers on painting, media arts, performance, video installation and poetics engage with her 'open-work' practice. Christina McPhee's images move from within a matrix of abstraction, shadowing figures and contingent effects. The tactics of living are in subterfuge, like the dazzle ships of camouflage in war. This 'commonplace book' develops a view of recent work in collaged paintings, drawings, photomontage and video installation, around themes of environmental transformation and 'post-natural' community. The book includes conversations, essays, interviews and notes by Ina Blom, Phil King, James MacDevitt, Donata Marletta, Melissa Potter, Judith Rodenbeck, Esztar Timár, and Frazer Ward. "McPhee's drawing, extended to and infiltrated with digital video, seems to outline a different and stranger project: that of creating as yet unknown material composites by aligning the rapid time-processing of our nervous systems with the emergent natures at actual sites of energy production or extraction." Ina Blom Christina McPhee's work is in museum collections, including the Whitney Museum of American Art, New York, the International Center for Photography, New York, the Kemper Museum of Contemporary Art, Kansas City, Thresholds New Media Collection, Scotland, and elsewhere. Her work has shown in solo exhibitions at American Unversity Museum, Washington, DC; Bildmuseet, Umea, Sweden, and in group exhibitions including documenta 12 and Bucharest Biennial 3. She lives and works in California, and you can see more of her work at: http: //www.christinamcphee.net/.

The library continues to add material to its files, including articles, biographies, bibliographies, photographs, reviews, small catalogs, invitations, and correspondence.

This is the first fully documented and detailed account, produced in recent times, of one of the greatest early migrations of Scots to North America. The arrival of the Hector in 1773, with nearly 200 Scottish passengers, sparked a huge influx of Scots to Nova Scotia and Cape Breton. Thousands of Scots, mainly from the Highlands and Islands, streamed into the province during the late 1700s and the first half of the nineteenth century. Lucille Campey traces the process of emigration and explains why Scots chose their different settlement locations in Nova Scotia and Cape Breton. Much detailed information has been distilled to provide new insights on how, why and when the province came to acquire its distinctive Scottish communities. Challenging the widely held assumption that this was primarily a flight from poverty, After the Hector reveals how Scots were being influenced by positive factors, such as the opportunity for greater freedoms and better livelihoods. The suffering and turmoil of the later Highland Clearances have cast a long shadow over earlier events, creating a false impression that all emigration had been forced on people. Hard facts show that most emigration was voluntary, self-financed and pursued by people expecting to improve their economic prospects. A combination of push and pull factors brought Scots to Nova Scotia, laying down a rich and deep seam of Scottish culture that continues to flourish. Extensively documented with all known passenger lists and details of over three hundred ship crossings, this book tells their story. "The saga of the Scots who found a home away from home in Nova Scotia, told in a straightforward, unembellished, no-nonsense style with some surprises along the way. This book contains much of vital interest to historians and genealogists." - Professor Edward J. Cowan, University of Glasgow "...a well-written, crisp narrative that provides a useful outline of the known Scottish settlements up to the middle of the 19th century...avoid[s] the sentimental 'victim & scapegoat approach' to the topic and instead has provided an account of the attractions and mechanisms of settlement...." - Professor Michael Vance, St. Mary's University, Halifax

Thinking through Digital Media: Transnational Environments and Locative Places speculates on animation, documentary, experimental, interactive, and narrative media that probe human-machine performances, virtual migrations, global warming, structural inequality, and critical cartographies across Brazil, Canada, China, India, USA, and elsewhere.