One of the most extraordinary works of the human imagination and the most important text in the native languages of the Americas, Popul Vuh: The Mayan Book of the Dawn of Life was first made accessible to the public 10 years ago. This new edition retains the quality of the original translation, has been enriched, and includes 20 new illustrations, maps, drawings, and photos.

Numerous archaeological projects have found substantial evidence of the military nature of Maya society, and warfare is a frequent theme of Maya art. Maya Gods of War investigates the Classic period Maya gods who were associated with weapons of war and the flint and obsidian from which those weapons were made. Author Karen Bassie-Sweet traces the semantic markers used to distinguish flint from other types of stone, surveys various types of Chahk thunderbolt deities and their relationship to flint weapons, and explores the connection between lightning and the ruling elite. Additional chapters review these fire and solar deities and their roles in Maya warfare and examine the nature and manifestations of the Central Mexican thunderbolt god Tlaloc, his incorporation into the Maya pantheon, and his identification with meteors and obsidian weapons. Finally, Bassie-Sweet addresses the characteristics of the deity God L, his role as an obsidian merchant god, and his close association with the ancient land route between the highland Guatemalan obsidian sources and the lowlands. Through analysis of the nature of the Teotihuacán deities and exploration of the ways in which these gods were introduced into the Maya region and incorporated into the Maya worldview, Maya Gods of War offers new insights into the relationship between warfare and religious beliefs in Mesoamerica. This significant work will be of interest to scholars of Maya religion and iconography.

The myths and beliefs of the great pre-Columbian civilizations of Mesoamerica have baffled and fascinated outsiders ever since the Spanish Conquest. Yet, until now, no single-volume introduction has existed to act as a guide to this labyrinthine symbolic world. The Gods and Symbols of Ancient Mexico and the Maya is the first-ever English-language dictionary of Mesoamerican mythology and religion. Nearly 300 entries, from accession to yoke, describe the main gods and symbols of the Olmecs, Zapotecs, Maya, Teotihuacanos, Mixtecs, Toltecs, and Aztecs. Topics range from jaguar and jester gods to reptile eye and rubber, from creation accounts and sacred places to ritual practices such as bloodletting, confession, dance, and pilgrimage. In addition, two introductory essays provide succinct accounts of Mesoamerican history and religion, while a substantial bibliographical survey directs the reader to original sources and recent discussions. Dictionary entries are illustrated with photographs and specially commissioned line drawings. Mary Miller and Karl Taube draw on their research in the fast-changing field of Maya studies, and on the latest Mexican discoveries, to produce an authoritative work that will serve as a standard reference for students, scholars, and travelers.

The Mayan people were natural storytellers, and their imagination knew no bounds. They took the traditional Mesoamerican versions of creation and the gods of the universe and molded them into their own, adding and shaping their unique version of mythology and folktales. This left us with a significant pantheon of gods and goddesses, each with a memorable and captivating story. The Mayans had an image of the universe and their place in it, and they told stories of gods and heroes that rival Greek Mythology.

Mayan gods had affinities and aspects that caused them to merge with one another in ways that seem unbounded. There is a massive array of supernatural characters in the Maya religious tradition, only some of which recur with regularity. Good and evil traits are not permanent characteristics of Maya gods, nor is only "good" admirable. What is inappropriate during one season might come to pass in another since much of the Maya religious tradition is based on cycles and not permanence. Schellhas explains the Mayan gods that represent the natural elements, such as life and death, the sun and moon, giving technical and anthropological evaluation of each god image. He explains the gods worshipped by the Mayans and how they interplay into the daily lives of these spiritual, yet fierce, people. The Maya is a Mesoamerican civilization, noted for the only known fully developed written language of the pre-Columbian Americas, as well as for its art, architecture, and mathematical and astronomical systems. Initially established during the Pre-Classic period (c. 2000 BC to AD 250), according to the Mesoamerican chronology, many Maya cities reached their highest state of development during the Classic period (c. AD 250 to 900), and continued throughout the Post-Classic period until the arrival of the Spanish.

Sharing many common beliefs, deities, and rituals, the religion of the Maya, Aztec, and Inca was rooted in both the earth and the sky, the rhythms of the seasons, and the movements of the sun, moon, and stars. Readers will meet rain and sun gods, corn gods and fertility gods, earth mothers who are both creators and destroyers, and even a feathered serpent. Lavish primary-source images of arts and artifacts are paired with text that is both information-packed and enthralling. Readers who enter this pantheon are in for an awe-inspiring cultural journey through the divine mysteries of time and space.