It seems a long way from Moliere to Ray Cooney. There are immense distances between the worlds of Aristophanes, Plautus, Georges Feydeau, Ben Travers, Joe Orton and Basil Fawlty. But as one of the oldest genres in the history of the theatre, farce bridges the gaps by generating gales of helpless belly laughter across the generations. Inspired by John Mortimer’s observation that farce is 'tragedy played at a thousand revolutions a minute', theatre critic Roger Foss embarks on a lightning tour of the rib-tickling world of confused characters, absurd situations, ruined reputations, sexual innuendo and bravura comic acting and finds out if farce really is a force to be reckoned with in the 21st century. The latest addition to the Oberon Masters series, May The Farce Be With You celebrates the great creators and performers of farce, notably master farceur Ray Cooney, who celebrates his 80th birthday in 2012, in essays that will inform and entertain both the aficionado and anyone with a sense of humour.

The book traces the rise and fall of Harvey Matusow, a wise-guy, professional informer-witness of the McCarthy era, whose dramatic recantation led to his own imprisonment but hastened the end of the era. No issue so possessed the nation in the first half of the 1950s as alleged Communist subversion in the United States. Communist Party member, an undercover FBI informer inside the Party, and then a leading witness for the government during the McCarthy era--until he recanted his testimony. His story illuminates a disturbing time in American history, one with renewed relevance today. Matusow was easily the most flamboyant of the professional ex-Communists, a celebrity informer who considered himself booked by Congressional committees not just to testify, but to entertain. He testified that Communists fostered loose sex, taught politicized Mother Goose rhymes to small children, and tried to infiltrate the Boy Scouts. He also named more than 200 people as Communists and was a prosecution witness in major criminal cases. transcripts, personal interviews, private papers, and other primary sources, most never before utilized, to describe the unusual role of ex-Communist informer-witnesses during the McCarthy era. The Justice Department kept several dozen political informers on the government's payroll to testify in hundreds of deportation, sedition, and contempt of Congress cases. Some informers achieved celebrity as the result of high-profile appearances at criminal trials and before Congressional committees. But as the era continued, instances of perjury began to appear. Harvey Matusow's sensational recantation in 1955 gave him his biggest audience yet. It led to the dissolution of the Justice Department's informer stable and ended the public's infatuation with the group. Matusow's unrepentant and at times vaudevillian appearances before the Senate red-hunting committee investigating his recantation, followed by his prosecution for perjury--for the recantation, not his original testimony--and prison sentence, mark the climax of Deadly Farce . McCarran, and Elizabeth Bentley, among many others, offers an inside, entertaining, and closely documented view of a largely untold part of McCarthy-era history. The columnist Murray Kempton described Matusow as a truly remarkable witness in the opera bouffe sense demanded by inquisitions of the 1950s.