The original publication of the May Day Manifesto in 1967 collected together the most influential radical voices of the era. Among the seventy signatories were Raymond Williams, E. P. Thompson, Stuart Hall, Iris Murdoch, Terry Eagleton, Ralph Miliband and R. D. Laing. The manifesto set out a new agenda for socialist Britain, in the aftermath of the failure of postwar labours. Urgently relevant to the current arguments about the crisis of austerity, the burden of empire and the failures to control rampant capitalism, it offers a complete road map to a brighter future. Covering the purpose of the state and how finance and empire are twinned, the importance of a planned economy for all, the role of Britain in the world, the manifesto hoped to inspire change and a fairer society. It is a bold reminder that there are alternatives to the current situation, and that alternative policies can make a difference.

Anniversary edition of the classic political manifesto Urgently relevant to current arguments about the crisis of austerity, the 1968 manifesto set out a new agenda for socialist Britain, after the failure of the postwar consensus. It sought to change the nature of the state, to drive a wedge between finance and empire, to stress the importance of a planned economy for all, and to detach Britain from the imperial goals to which it had long been committed. Today, the spirit of The May Day Manifesto offers a road map to a brighter future. The original publication brought together the most influential radical voices of the era. Among the seventy signatories were Raymond Williams, E. P. Thompson, Stuart Hall, Iris Murdoch, Terry Eagleton, Ralph Miliband, and R. D. Laing. This edition comes with an introduction from Owen Jones, who brings a sense of urgency and hope to the contemporary debate.

Brand new collection of the essential essays from one of the founders of cultural studies, Raymond Williams Raymond Williams was a pioneering scholar of cultural and society, and one of the outstanding intellectuals of the twentieth century. In this, a collection of difficult to find essays, some of which are published for the first time, Williams emerges as not only one of the great writers of materialist criticism, but also a thoroughly engaged political writer. Published to coincide with the centenary of his birth and showing the full range of his work, from his early writings on the novel and society, to later work on ecosocialism and the politics of modernism, Politics and Culture shows Williams at both his most accessible and his most penetrating.An essential book for all those interested in the politics of culture in the twentieth century, and the development of Williams's work.

Collected essays and talks from one of Britain’s great thinkers, ranging across political and cultural theory Raymond Williams possessed unique authority as Britain’s foremost cultural theorist and public intellectual. Informed by an unparalleled range of reference and the resources of deep personal experience, his life’s work represents a patient, exemplary commitment to the building of a socialist future. This book brings together important early writings including “Culture is Ordinary,” “The British Left,” “Welsh Culture” and “Why Do I Demonstrate?” with major essays and talks of the last decade. It includes work on such central themes as the nature of a democratic culture, the value of community, Green socialism, the nuclear threat, and the relation between the state and the arts. Here too, collected for the first time, are the important later political essays which undertake a thorough revaluation of the principles fundamental to the idea of socialist democracy, and confirm Williams as a shrewd and imaginative political theorist. In a sober yet constructive assessment of the possibilities for socialist advance, Williams—in the face of much recent intellectual fashion—powerfully reasserts his lifelong commitment to “making hope practical, rather than despair convincing.” This valuable collection confirms Raymond Williams as a thinker of rare versatility and one of the outstanding intellectuals of our century.

Raymond Williams’s work was always concerned with the relation between culture and society. This book focuses on specific texts and authors, exploring the historical and cultural sources of their particular forms of writing. In it, Williams examines dramatic form and language in Racine and Shakespeare; the politics of fiction in the English Jacobin novel; David Hume and Charles Dickens and the changing characteristics of English prose; Robert Tressell, The Ragged-Trousered Philanthropists, and the role of region and class in the English novel. Also included are Williams’s reflections on the rise of English studies, on their crisis as the literary traditions of Cambridge University were beset by the ‘structuralist controversy’, and on the wider implications of this redefinition of the critical field.

Classic radical feminist statement from the woman who shot Andy Warhol “Life in this society being, at best, an utter bore and no aspect of society being at all relevant to women, there remains to civic-minded, responsible, thrill-seeking females only to overthrow the government, eliminate the money system, institute complete automation and destroy the male sex.” Outrageous and violent, SCUM Manifesto was widely lambasted when it first appeared in 1968. Valerie Solanas, the woman who shot Andy Warhol, self-published the book just before she became a notorious household name and was confined to a mental institution. But for all its vitriol, it is impossible to dismiss as the mere rantings of a lesbian lunatic. In fact, the work has proved prescient, not only as a radical feminist analysis light years ahead of its time—predicting artificial insemination, ATMs, a feminist uprising against underrepresentation in the arts—but also as a stunning testament to the rage of an abused and destitute woman. In this edition, philosopher Avital Ronell’s introduction reconsiders the evocative exuberance of this infamous text.

Based on the Communist Party archives at Manchester, this book examines the decline of Marxism in Britain over the last sixty years.