This book comes from first hand experiences, both in word and in pictures. It offers a partial record of a community and an institution coming together to accommodate an event while deflecting its potential violence. The history of the New Haven Green bridges over four centuries. It has served as a place for worship, for grazing cattle, staging revolutions, witness to hangings, and various campaigns. On the day before and on May Day of 1970, Yale University and New Haven prepared to host an agitated congregation of young civil rights activists with a diverse list of causes, but focused mainly on freeing Bobby Seale, the Black Panther leader. This book gives a glimpse of that diversity; diverse in cause, attitude, and dress. Marked changes in mood evolved over the approximate 32 hours. Yale and New Haven could be proud of avoiding real violence and blood shed. Like an archeological record, it exhibits not only the New Haven Green on that one day, but marks a broader shift in direction for a county at large. For those who were there, it seems painfully near. For later generations, it is likely a remote abstraction.

The mysterious, highly influential hidden world of Yale’s secret societies is revealed in a definitive and scholarly history. Secret societies have fundamentally shaped America’s cultural and political landscapes. In ways that are expected but never explicit, the bonds made through the most elite of secret societies have won members Pulitzer Prizes, governorships, and even presidencies. At the apex of these institutions stands Yale University and its rumored twenty-six secret societies. Tracing a history that has intrigued and enthralled for centuries, alluring the attention of such luminaries as Ernest Hemingway, William Faulkner and F. Scott Fitzgerald, Skulls and Keys traces the history of Yale’s societies as they set the foundation for America’s future secret clubs and helped define the modern age of politics. But there is a progressive side to Yale’s secret societies that we rarely hear about, one that, in the cultural tumult of the nineteen-sixties, resulted in the election of people of color, women, and gay men, even in proportions beyond their percentages in the class. It’s a side that is often overlooked in favor of sensational legends of blood oaths and toe-curling conspiracies. Dave Richards, an alum of Yale, sheds some light on the lesser known stories of Yale’s secret societies. He takes us through the history from Phi Beta Kappa in the American Revolution (originally a social and drinking society) through Skull and Bones and its rivals in the nineteenth and twentieth centuries. While there have been articles and books on some of those societies, there has never been a scholarly history of the system as a whole.

In God’s Patience and our Work Ben Fulford argues that Hans Frei’s theology and ethics offers unheralded but valuable resources for thinking about the social and political engagement of Christian communities in pluralistic societies in light of hope in Jesus Christ. He shows how Frei’s project of recovering the conditions for and shape of a generous orthodoxy runs through his work, offering broad, flexible vision of Christian identity, ethical responsibility and humanistic witness, focused in the person and presence of Jesus Christ. In dialogue with liberation theologies, Fulford draws from Frei an account of divine patience and providence to frame hopeful, pragmatic Christian participation in work for dignity, justice and penultimate reconciliation, rooted in new and deeper contextual reading of his work.

A compelling memoir by the first woman president of a major American university Hanna Holborn Gray has lived her entire life in the world of higher education. The daughter of academics, she fled Hitler's Germany with her parents in the 1930s, emigrating to New Haven, where her father was a professor at Yale University. She has studied and taught at some of the world's most prestigious universities. She was the first woman to serve as provost of Yale. In 1978, she became the first woman president of a major research university when she was appointed to lead the University of Chicago, a position she held for fifteen years. In 1991, Gray was awarded the Presidential Medal of Freedom, the nation's highest civilian honor, in recognition of her extraordinary contributions to education. An Academic Life is a candid self-portrait by one of academia's most respected trailblazers. Gray describes what it was like to grow up as a child of refugee parents, and reflects on the changing status of women in the academic world. She discusses the migration of intellectuals from Nazi-held Europe and the transformative role these exiles played in American higher education--and how the émigré experience in America transformed their own lives and work. She sheds light on the character of university communities, how they are structured and administered, and the balance they seek between tradition and innovation, teaching and research, and undergraduate and professional learning. An Academic Life speaks to the fundamental issues of purpose, academic freedom, and governance that arise time and again in higher education, and that pose sharp challenges to the independence and scholarly integrity of each new generation.

A Distinguished and Bestselling Historian and Army Veteran Revisits the Culture War that Raged around the Selection of Maya Lin's Design for the Vietnam Memorial A Rift in the Earth tells the remarkable story of the ferocious “art war” that raged between 1979 and 1984 over what kind of memorial should be built to honor the men and women who died in the Vietnam War. The story intertwines art, politics, historical memory, patriotism, racism, and a fascinating set of characters, from those who fought in the conflict and those who resisted it to politicians at the highest level. At its center are two enduring figures: Maya Lin, a young, Asian-American architecture student at Yale whose abstract design won the international competition but triggered a fierce backlash among powerful figures; and Frederick Hart, an innovative sculptor of humble origins on the cusp of stardom. James Reston, Jr., a veteran who lost a close friend in the war and has written incisively about the conflict's bitter aftermath, explores how the debate reignited passions around Vietnam long after the war’s end and raised questions about how best to honor those who fought and sacrificed in an ill-advised war. Richly illustrated with photographs from the era and design entries from the memorial competition, A Rift in the Earth is timed to appear alongside Ken Burns's eagerly anticipated PBS documentary, The Vietnam War. “The memorial appears as a rift in the earth, a long polished black stone wall, emerging from and receding into the earth."—Maya Lin "I see the wall as a kind of ocean, a sea of sacrifice. . . . I place these figures upon the shore of that sea." —Frederick Hart

May 20, 1969: Four members of the revolutionary Black Panther Party trudge through woods along the edges of the Coginchaug River outside of New Haven, Connecticut. Gunshots shatter the silence. Three men emerge from the woods. Soon, two are in police custody. One flees across the country. Nine Panthers would be tried for crimes committed that night, including National Chairman Bobby Seale, extradited from California with the aide of Panther nemesis, California Governor Ronald Reagan. Activists of all denominations descended on the New England city -- and the campus of Yale. The Nixon administration sent 4,000 National Guardsmen. U.S. military tanks lined the streets outside of New Haven. In this white-knuckle journey through a turbulent America, Doug Rae and Paul Bass let us eavesdrop on late-night meetings between Yale President, Kingman Brewster, and radical activists, including Jerry Rubin and Abbie Hoffman, as they try to avert disaster. Meanwhile, most heartrending of all is the never-before-told story of Warren Kimbro -- star community worker turned Panther assassin -- who faces an uphill battle to turn his life around.

Using his extraordinary grasp of the theatre, Robert Brustein, Dean of the Yale Drama School and prize-winning critic, examines campus turmoil, radicalism versus liberalism, the fate of the free university, and the new revolutionary life style. Brustein sees American society as profoundly decadent, and those radicals from whom creative and rational alternatives should come as being increasingly dominated by sentimentality and false emotionalism. His observations are often controversial, always timely and interesting.