This volume includes a translation of four spiritual treatises of Maximus the Confessor (c. 580-662), plus an account of his trial. Included are The Four Hundred Chapters of Love, Commentary on the Lord's Prayer, Chapters on Knowledge, The Church's Mystagogy, and Trial of Maximus.

St Maximus the Confessor, the greatest of Byzantine theologians, lived through the most catastrophic period the Byzantine Empire was to experience before the Crusades. This book introduces the reader to the times and upheavals during which Maximus lived. It discusses his cosmic vision of humanity and the role of the church. The study makes available a selection of Maximus' theological treaties many of them translated for the first time. The translations are accompanied by a lucid and informed introduction.

A thoroughgoing examination of Maximus Confessor’s singular theological vision through the prism of Christ’s cosmic and historical Incarnation. Jordan Daniel Wood changes the trajectory of patristic scholarship with this comprehensive historical and systematic study of one of the most creative and profound thinkers of the patristic era: Maximus Confessor (560–662 CE). Wood's panoramic vantage on Maximus’s thought emulates the theological depth of Hans Urs von Balthasar’s Cosmic Liturgy while also serving as a corrective to that classic text. Maximus's theological vision may be summed up in his enigmatic assertion that “the Word of God, very God, wills always and in all things to actualize the mystery of his Incarnation.” The Whole Mystery of Christ sets out to explicate this claim. Attentive to the various contexts in which Maximus thought and wrote—including the wisdom of earlier church fathers, conciliar developments in Christological and Trinitarian doctrine, monastic and ascetic ways of life, and prominent contemporary philosophical traditions—the book explores the relations between God’s act of creation and the Word’s historical Incarnation, between the analogy of being and Christology, and between history and the Fall, in addition to treating such topics as grace, deification, theological predication, and the ontology of nature versus personhood. Perhaps uniquely among Christian thinkers, Wood argues, Maximus envisions creatio ex nihilo as creatio ex Deo in the event of the Word’s kenosis: the mystery of Christ is the revealed identity of the Word’s historical and cosmic Incarnation. This book will be of interest to scholars and students of patristics, historical theology, systematic theology, and Byzantine studies.

Despina D. Prassas's translation of the Quaestiones et Dubia presents for the first time in English one of the Confessor's most significant contributions to early Christian biblical interpretation. Maximus the Confessor (580–662) was a monk whose writings focused on ascetical interpretations of biblical and patristic works. For his refusal to accept the Monothelite position supported by Emperor Constans II, he was tried as a heretic, his right hand was cut off, and his tongue was cut out. In his work, Maximus the Confessor brings together the patristic exegetical aporiai tradition and the spiritual-pedagogical tradition of monastic questions and responses. The overarching theme is the importance of the ascetical life. For Maximus, askesis is a lifelong endeavor that consists of the struggle and discipline to maintain control over the passions. One engages in the ascetical life by taking part in both theoria (contemplation) and praxis (action). To convey this teaching, Maximus uses a number of pedagogical tools including allegory, etymology, number symbolism, and military terminology. Prassas provides a rich historical and contextual background in her introduction to help ground and familiarize the reader with this work.

St. Maximus the Confessor (580-662), was a major Byzantine thinker, a theologian and philosopher. He developed a philosophical theology in which the doctrine of God, creation, the cosmic order, and salvation is integrated in a unified conception of reality. Christ, the divine Logos, is the centre of the principles (the logoi ) according to which the cosmos is created, and in accordance with which it shall convert to its divine source. Torstein Tollefsen treats Maximus' thought from a philosophical point of view, and discusses similar thought patterns in pagan Neoplatonism. The study focuses on Maximus' doctrine of creation, in which he denies the possibility of eternal coexistence of uncreated divinity and created and limited being. Tollefsen shows that by the logoi God institutes an ordered cosmos in which separate entities of different species are ontologically interrelated, with man as the centre of the created world. The book also investigates Maximus' teaching of God's activities or energies, and shows how participation in these energies is conceived according to the divine principles of the logoi. An extensive discussion of the complex topic of participation is provided.

This study contextualizes the achievement of a strategically crucial figure in Byzantium's turbulent seventh century, the monk and theologian Maximus the Confessor (580-662). Building on newer biographical research and a growing international body of scholarship, as well as on fresh examination of his diverse literary corpus, Paul Blowers develops a profile integrating the two principal initiatives of Maximus's career: first, his reinterpretation of the christocentric economy of creation and salvation as a framework for expounding the spiritual and ascetical life of monastic and non-monastic Christians; and second, his intensifying public involvement in the last phase of the ancient christological debates, the monothelete controversy, wherein Maximus helped lead an East-West coalition against Byzantine imperial attempts doctrinally to limit Jesus Christ to a single (divine) activity and will devoid of properly human volition. Blowers identifies what he terms Maximus's "cosmo-politeian" worldview, a contemplative and ascetical vision of the participation of all created beings in the novel politeia, or reordered existence, inaugurated by Christ's "new theandric energy". Maximus ultimately insinuated his teaching on the christoformity and cruciformity of the human vocation with his rigorous explication of the precise constitution of Christ's own composite person. In outlining this cosmo-politeian theory, Blowers additionally sets forth a "theo-dramatic" reading of Maximus, inspired by Hans Urs von Balthasar, which depicts the motion of creation and history according to the christocentric "plot" or interplay of divine and creaturely freedoms. Blowers also amplifies how Maximus's cumulative achievement challenged imperial ideology in the seventh century--the repercussions of which cost him his life-and how it generated multiple recontextualizations in the later history of theology.

Long overlooked by scholars, this seventh-century "Life of the Virgin," attributed to Maximus the Confessor, is the earliest complete Marian biography. Originally written in Greek and now surviving only in Old Georgian, it is now translated for the first time into English. It is a work that holds profound significance for understanding the history of late ancient and medieval Christianity, providing a rich source for understanding the history of Christian piety.This "Life "is especially remarkable for its representation of Mary's prominent involvement in her son's ministry and her leadership of the early Christian community. In particular, it reveals highly developed devotion to Mary's compassionate suffering at the Crucifixion, anticipating by several centuries an influential medieval style of devotion known as "affective piety" whose origins generally have been confined to the Western High Middle Ages.