Max Stirner’s The Unique and Its Property (1844) is the first ruthless critique of modern society. In All Things are Nothing to Me, Jacob Blumenfeld reconstructs the unique philosophy of Max Stirner (1806–1856), a figure that strongly influenced—for better or worse—Karl Marx, Friedrich Nietzsche, Emma Goldman as well as numerous anarchists, feminists, surrealists, illegalists, existentialists, fascists, libertarians, dadaists, situationists, insurrectionists and nihilists of the last two centuries. Misunderstood, dismissed, and defamed, Stirner’s work is considered by some to be the worst book ever written. It combines the worst elements of philosophy, politics, history, psychology, and morality, and ties it all together with simple tautologies, fancy rhetoric, and militant declarations. That is the glory of Max Stirner’s unique footprint in the history of philosophy. Jacob Blumenfeld wanted to exhume this dead tome along with its dead philosopher, but discovered instead that, rather than deceased, their spirits are alive and quite well, floating in our presence. All Things are Nothing to Me is a forensic investigation into how Stirner has stayed alive throughout time.

Max Stirner was one of the most important and seminal thinkers of the mid-nineteenth century. He exposed the religiosity behind secular humanism and rationalism, and the domination of the individual behind liberal modes of politics. This edited collection explores Stirner's radical and contemporary importance as a political theorist.

"John F. Welsh provides us with a superb distillation of the thought of Max Stirner and the dialecticalegoist paradigm he developed. Througth this brilliant study. Welsh demonstrates the power and breadth of dialectics as a radical mode of analysis and social transformation--Chris Matthew Sciabarra author of Total Freedom: Toward a Dialectical Libertarianism.

Max Stirner on the Path of Doubt examines Stirner's incisive criticism of his contemporaries during the period from the death of Hegel, in 1831, to the 1848 German Revolution. Stirner's work, mainly the Ego and His Own, considered each of the major figures within that German school known as “The Young Hegelians.” Lawrence S. Stepelevich argues that for Stirner, they were but “pious atheists,” and their common revolutionary ideology concealed an ancient religious ground – which Stirner set about to reveal. The central doctrine of this school, that Mankind was its own Savior, was initiated in 1835 by the theologian, David F. Strauss's in his Life of Jesus , and it progressed with August von Cieszkowski's mystical recasting of history, followed by Bruno Bauer's absolute atheism and Ludwig Feuerbach's statement that “Man is God.” This soon found reflection in the “Sacred History of Mankind” declared by Moses Hess. Within a decade, the result was the secular reformulation of this theological ideology into the “Scientific Socialism” of Karl Marx and Frederick Engels. Although linked to it, Max Stirner was the most relentless and feared critic of this school. His work, never out of print, but largely ignored by academics, has inspired countless “individualists” set upon rejecting any form of religious or political “causes,” and finding Stirner's assertion that he had “set his cause upon nothing” took this as their own cause.

Max Stirner's The Ego and Its Own is striking and distinctive in both style and content. First published in 1844, Stirner's distinctive and powerful polemic sounded the death-knell of left Hegelianism, with its attack on Ludwig Feuerbach, Bruno and Edgar Bauer, Moses Hess and others. It also constitutes an enduring critique of both liberalism and socialism from the perspective of an extreme eccentric individualism. Karl Marx was only one of many contemporaries provoked into a lengthy rebuttal of Stirner's argument. Stirner has been portrayed, variously, as a precursor of Nietzsche (both stylistically and substantively), a forerunner of existentialism and as an individualist anarchist. This edition of his work comprises a revised version of Steven Byington's much praised translation, together with an introduction and notes on the historical background to Stirner's text.