Max Richter: Piano Works presents, for the first time in print, 15 of Max Richter’s piano pieces, suitable for the intermediate pianist. Each piece is accompanied by notes specially written by the composer. This ground-breaking collection represents a unique drawing together of Max Richter’s varied output, embracing his work with the London Philharmonic (Memoryhouse), The Blue Notebooks, Royal Ballet-commissioned Infra and subsequent his acclaimed concept albums. Innovative and imaginative, yet at the same time accessible and easy to play, some of Max Richter's most famous Piano Works are at last available in what will surely become an instant classic collection. This volume includes: - Andras - The Blue Notebooks - Circles from the rue Simon-Crubellier - Departure - The Family - Fragment - From the rue Villin - H in New England - Horizon Variations - INFRA 3 - Leo's Journal - The Tartu Piano - The Twins (Prague) - Vladimir's Blues - Written On The Sky

(Piano Solo Songbook). "I think there is a similarity between the infinite big and the infinite smallness of everything," says Yann Tiersen. "It's the same experiment looking through a microscope as it is a telescope." Named after a chapel in a small village on the island of Ushant, Kerber marks a new chapter in critically-acclaimed composer Yann Tiersen's career. A chapter still true to Tiersen's nuanced and subtle approach but one that sets out with his most overtly electronic material to date. Beautifully textured, highly immersive and thoughtfully constructed, Tiersen creates an electronic world, providing an environment in which the piano source exists. A sense of place has often been a central theme in Tiersen's work and here that is no different. Each track is tied to a place mapping out the immediate landscape that surrounds Tiersen's home, linking back to his thoughts on the possibilities of the infinite smallness. This official, exclusive folio is beautifully printed on high-quality, uncoated paper with striking graphic artwork. All seven pieces are presented for solo piano and follow an exclusive introduction to the project.

A fascinating history of the piano explored through 100 pieces chosen by one of the UK's most renowned concert pianists "Tomes . . . casts her net widely, taking in chamber music and concertos, knotty avant-garde masterworks and (most welcome) jazz."--Richard Fairman, Financial Times, "Best Books of 2021: Classical Music" "[One of] the most beautiful books I got my hands on this year. . . . About the shaping of this maddening, glorious, unconquerable instrument."--Jenny Colgan, Spectator, "Books of the Year" An astonishingly versatile instrument, the piano allows just two hands to play music of great complexity and subtlety. For more than two hundred years, it has brought solo and collaborative music into homes and concert halls and has inspired composers in every musical genre--from classical to jazz and light music. Charting the development of the piano from the late eighteenth century to the present day, pianist and writer Susan Tomes takes the reader with her on a personal journey through 100 pieces including solo works, chamber music, concertos, and jazz. Her choices include composers such as Bach, Mozart, Beethoven, Robert Schumann, Tchaikovsky, Debussy, Gershwin, and Philip Glass. Looking at this history from a modern performer's perspective, she acknowledges neglected women composers and players including Fanny Mendelssohn, Maria Szymanowska, Clara Schumann, and Amy Beach.

(Piano). A large collection of arranged and original piano pieces by one of Italy's great film and pop composers.

Islands contains the best of composer Ludovico Einaudi's works, such as I Giorni, Nuvole Bianche and Primavera, compiled for the first time into a single collection for solo Piano. Also included here are two brand new tracks, The Earth Prelude and High Heels, as well as two remixed versions of Lady Labyrinth and Eros. Einaudi is renowned for bringing classical music back into the mainstream, with his compositions for piano and other instruments with piano accompaniment, including some electronic influences in his later work. Albums like Una Mattina, Divenire and In A Time Lapse have become hugely popular, and this collection features the cream of these stunningly atmospheric works arranged for solo Piano. These pieces would suit a player who has progressed beyond the beginner stages, but you needn't be a pro to master Einaudi, whose middle name is simplicity. Einaudi has garnered critical acclaim throughout the world for his emotionally arresting and powerful compositions that have been used in films like 'Doctor Zhivago' and Television shows like Ricky Gervais' 'Derek'. This is testament to his versatility as a composer, able to conjure a number of moods with his characteristic style of beautiful Piano composition. This Essential Einaudi is the most accurate transcription of his incredible Piano compositions available. Songlist: - I Giorni - The Earth Prelude - Le Onde - Nightbook - Divenire - Dietro Casa - Fairytale - Nuvole Bianche - Primavera - Nefeli - Berlin Song - High Heels - L'Origine Nascosta - Love Is A Mystery - Monday - Lady Labyrinth - Ancora - Andare - Indaco

(Piano Solo Songbook). This exceptional collection draws upon workds from 20 of the world's greatest piano composers. It is suitable for the intermediate level pianist and offers engaging and inspiring pieces to elevate and expand their repertoire. Selections include: Ballade Pour Adeline (Richard Clayderman) * Dawn from Pride & Prejudice (Dario Marianelli) * Fly (Ludovico Einaudi) * Game of Thrones Theme (Ramin Djawadi) * Glasgow Theme from Love Actually (Craig Armstrong) * In the Morning Light (Yanni) * Opening (Philip Glass) * Penn Ar Roc'h (Yann Tiersen) * River Flows in You (Yiruma) * The Shape of Water Theme (Alexandre Desplat) * and more.

Outlandia is an off-grid artists’ fieldstation, a treehouse imagined by artists London Fieldworks (Bruce Gilchrist & Jo Joelson) and designed by Malcolm Fraser Architects, situated in Glen Nevis, opposite Ben Nevis. It is performative architecture that immerses its occupants in a particular environment, provoking creative interaction between artists and the land. This book explores the relationship between place and forms of thought and creative activity, relating Outlandia and the artists there to the tradition of generative thinking and making structures that have included Goethe’s Gartenhaus in Weimar, Henry Thoreau's cabin at Walden Pond and Dylan Thomas’s writing shack in Laugharne. Based on a series of residencies and radio broadcasts produced by London Fieldworks in collaboration with Resonance 104.4fm, the Remote Performances project enabled twenty invited artists to consider and engage in transmissions, sound performances and dialogues on their artmaking strategies immersed in this specific rural environment of mountain, forest and river; flora and fauna. Some artists engaged in dialogue with people living and working in the area with a range of specialisms and experience in, for examples, forestry, mountain culture, wildlife, tourism, and local history. This book explores the ways in which being in the field impacts on artists and permeates through to the artworks they create. It considers the relationship between geography and contemporary art and artists’ use of maps and fieldwork. It charts these artists’ explorations of the ecological and cultural value of the natural environment, questioning our perceptions and relationships to landscape, climate and their changes. The book is an inspiring collection of ways to think differently about our relationship with the changing natural environment. The book includes essays by Jo Joelson, Francis McKee, Tracey Warr and Bruce Gilchrist, and texts, images and drawings by the artists: Bram Thomas Arn