Maverick's bigot father raised him to be a racist.The moment he sees me-the biracial new girl-an invisible target is placed on my back.Before the first day of school, he turns most of the senior class against me. Maverick thought I would roll over and take his abuse, never anticipating a battle.He was mistaken.I will fight until my last breath.Maverick and his friends can suck it.When I don't fold under pressure, he comes at me full force, wanting to destroy me.He never expected to be the one to fold.

In the New Hollywood Era of the 1960s and 1970s, as weakening studio control granted directors more artistic freedom, the auteur theory, which regards the director as the primary artist among all those who contribute to filmmaking, gained traction. It was embraced by both the media and by directors themselves, who were glad to see their contribution so glorified. One positive was the discovery of filmmakers whose work was under the radar but virtually all the feted directors were white and overwhelmingly heterosexual—only in recent decades have the contributions of marginalized auteur filmmakers been recognized. Mavericks: Interviews with the World's Iconoclast Filmmakers amplifies the voices of a wide-ranging group of groundbreaking filmmakers, including Samira Makhmalbaf, Roberta Findlay, Howard Alk, Ousmane Sembéne, and John Waters, whose identities, perspectives, and works are antithetical to typical Hollywood points of view. Author Gerald Peary, whose experience as a film studies professor, film critic, arts journalist, and director of documentaries culminates in a lifetime of film scholarship, presents a riveting collection of interviews with directors—including Black, queer, female, and non-Western filmmakers—whose unconventional work is marked by their unique artistic points of view and molded by their social and political consciousness. With contextualizing introductions and insightful questions, Peary reveals the brilliance of these maverick directors and offers readers a lens into the minds of these incredible and engaging artists.

Thirty-four essays and interviews with some of the greatest individuals, malcontents and free thinkers of the last 150 years - including Louise Brooks, Richard Pryor, David Bowie, Liam Gallagher and Daniel Day-Lewis - this is a collection that exonerates the maverick and celebrates the individual. It is an essential read for the left of field.

Charles Bronson is the most feared and the most notorious convict in the prison system. Renowned for serial hostage taking and his rooftop sieges, he is a legend in his own lifetime. Yet behind the crime and the craziness, there is a great deal more to Charlie. He is a man of great warmth and humour; a man of great artistic talent who exhibits his drawings around the country; and a man with an overpowering urge not to let the system get him down. "Insanity" is a look into the mind of a true individual - a wild, inspired, single-minded, fascinating man, oppressed not only by the workings of his singular mind, but also by the system that confines him.

The disconnect between knowledge and performance is a continuing debate. This book attempts to unravel the criticality of complimentary individual factors over academic credentials in determining success. An endeavour to bridge the void between formal knowledge and real-world demands on practice of management, the book exposes chinks in application of management knowledge in isolation and the need to recognise the accelerating obsolescence of management theories. The intent is to sensitise management students and practitioners on nurturing an open mind on continuous learning, challenging, and application of knowledge with contextual sensitivity. Our educational system fails to address the critical elements essential to effectively put into practice the formal knowledge from an undergraduate /graduate program. Gaps between formal education and real-world practice are filled by a mentor/coach on the job, who interprets situations in the context of theories to carve a judicious just-in-time amalgam of concepts to apply and interpret outcomes. This book is expected to be such a coach or mentornot a lecturer on theory, not a replacement for text books, but a guide and a companion. I hope readers will find value, help supplement the content, and educate the author from their own experiences and views.

Wild and Crazy Guys is the larger-than-life story of the much-loved Hollywood comedy stars that ruled the 1980s. As well as delving behind the scenes of classic movies such as Ghostbusters, Beverly Hills Cop, The Blues Brothers, Trading Places and dozens more, it chronicles the off-screen, larger-than-life antics of Bill Murray, Eddie Murphy, Chevy Chase, Steve Martin, John Candy et al. It’s got drugs, sex, punch-ups, webbed toes and Bill Murray being pushed into a swimming pool by Hunter S Thompson, while tied to a lawn chair. It’s akin to Peter Biskind’s Easy Riders, Raging Bulls, following the key players through their highs and lows, and their often turbulent relationships with each other. Nick de Semlyen has already interviewed pretty much all the big names for Empire, as well as directors such as Walter Hill, John Landis and Carl Reiner, and is sitting on lots of unseen material. Taking you on a trip through the tumultous ’80s, Wild And Crazy Guys explores the friendships, feuds, triumphs and disasters experienced by these iconic funnymen. Based on candid interviews from the stars themselves, as well as those who entered their orbit, it reveals the hidden history behind the most fertile period ever for screen comedy.

In a Victorian-era German asylum, seamstress Agnes Richter painstakingly stitched a mysterious autobiographical text into every inch of the jacket she created from her institutional uniform. Despite every attempt to silence them, hundreds of other psychiatric patients have managed to get their stories out, or to publish them on their own. Today, in a vibrant network of peer-advocacy groups all over the world, those with firsthand experience of emotional distress are working together to unravel the mysteries of madness and to help one another recover. Agnes’s Jacket tells their story, focusing especially on the Hearing Voices Network (HVN), an international collaboration of professionals, people with lived experience, and their families and friends who have been working to develop an alternative approach to coping with voices, visions, and other extreme states that is empowering and useful and does not start from the assumption that such people have a chronic illness. A vast gulf exists between the way medicine explains psychiatric conditions and the experiences of those who suffer. Hornstein’s work helps us to bridge that gulf, guiding us through the inner lives of those diagnosed with schizophrenia, bipolar illness, depression, and paranoia, and emerging with nothing less than a new model for understanding one another and ourselves.