Mauri Ola: Contemporary Polynesian Poems in English is a follow-up volume to the highly acclaimed Whetu Moana, the first anthology of Polynesian poems in English edited by Polynesians. The new book includes poetry written over the last 25 years by more than 80 writers from Aotearoa, Hawai'i, Tonga, Samoa, the Cook Islands, Niue, Tokelau, Tahiti and Rotuma &– some living in these islands and some dispersed around the globe. Together with works by established and celebrated poets, the editors have introduced the fresh voices of a younger generation. The anthology includes selections from poets including Alistair Te Ariki Campbell, Sia Figiel, J. C. Sturm, Konai Helu Thaman, Haunani-Kay Trask, Hone Tuwhare and Albert Wendt. The late Hawaiian poet Wayne Kaumualii Westlake is represented here by a unique set of concrete poems and experimental verse. Tusiata Avia tells tales of Nafanua in different settings around the world; Rangi Faith imagines &‘First Landing'; Imaikalani Kalahele writes a letter to his brother; Brandy Nalani McDougall discusses &‘cooking Captain Cook'; Karlo Mila, eating chocolate, watches &‘paul holmes apologise for calling kofi annan a darkie'; Robert Sullivan writes against the grain; and Apirana Taylor follows zigzag roads. Ranging from the lyrical and sensual to the harsh and gritty, from the political to the personal, the poems in Mauri Ola are infused with vivid imagery, claims of identity, laments, rages and celebrations that confront again a colonial past and a global present.

Over the course of the last twenty years, Native American and Indigenous American literary studies has experienced a dramatic shift from a critical focus on identity and authenticity to the intellectual, cultural, political, historical, and tribal nation contexts from which these Indigenous literatures emerge. The Oxford Handbook of Indigenous American Literature reflects on these changes and provides a complete overview of the current state of the field. The Handbook's forty-three essays, organized into four sections, cover oral traditions, poetry, drama, non-fiction, fiction, and other forms of Indigenous American writing from the seventeenth through the twenty-first century. Part I attends to literary histories across a range of communities, providing, for example, analyses of Inuit, Chicana/o, Anishinaabe, and Métis literary practices. Part II draws on earlier disciplinary and historical contexts to focus on specific genres, as authors discuss Indigenous non-fiction, emergent trans-Indigenous autobiography, Mexicanoh and Spanish poetry, Native drama in the U.S. and Canada, and even a new Indigenous children's literature canon. The third section delves into contemporary modes of critical inquiry to expound on politics of place, comparative Indigenism, trans-Indigenism, Native rhetoric, and the power of Indigenous writing to communities of readers. A final section thoroughly explores the geographical breadth and expanded definition of Indigenous American through detailed accounts of literature from Indian Territory, the Red Atlantic, the far North, Yucatán, Amerika Samoa, and Francophone Quebec. Together, the volume is the most comprehensive and expansive critical handbook of Indigenous American literatures published to date. It is the first to fully take into account the last twenty years of recovery and scholarship, and the first to most significantly address the diverse range of texts, secondary archives, writing traditions, literary histories, geographic and political contexts, and critical discourses in the field.

Whetu Moana is the first anthology of contemporary Polynesian poetry in English edited by Polynesians. It collects poems written over the last twenty years from more than 60 poets in Aotearoa, Hawaii, Tonga, Samoa, the Cook Islands, Niue and Rotuma. Well-known poets like Hone Tuwhare, Alistair Campbell and Haunani-Kay Trask are joined by talented young voices, the poets appearing in alphabetical order in a way that presents both an overall Polynesian identity and a focus on individual style. Traditional laments mix with street-smart rap rhythms; images of seascapes and landscapes mingle with shots of urban slums. Political anger is a powerful force in these poems but many are personal and particular. Whetu Moana reveals an active, changing, varied, creative scene, which confronts both a complex colonial past and a fast-moving global present with energy, courage and vitality.

"Low-lying island nations are least responsible for global warming, but they are already suffering its impacts severely and disproportionately. According to the International Panel on Climate Change, island nations are responsible for 0.03% of global emissions. A weave of essays, maps, poems and illustrations, Sea Change presents the impacts of and solutions to sea level rise. An essay, drawing on interviews, scientific reports, academic scholarship and archival research, shares their histories, present-day challenges and efforts toward livable futures. A map shows the inundation zones. Poems breathe life into the analysis"--

This collection of essays and selected poetry responds to an address on Samoan religious culture given by Samoa’s Head of State, His Highness Tui Atua Tupua Tamasese Ta’isi Tupuola Tufuga Efi, to the 2009 Parliament of the World’s Religions. The address challenges some fundamental aspects of and assumptions in modern Samoan indigenous religious culture. The essays and poetry form a carefully woven critique, from within and outside Samoa, of aspects of Samoa’s religious and cultural values.

A lively, stimulating and engaging retelling of purakau - Maori myths - by contemporary Maori writers. Ka mua, ka muri . . . Ancient Maori creation myths, portrayals of larger-than-life heroes and tales of engrossing magical beings have endured through the ages. Some hail back to Hawaiki, some are firmly grounded in New Zealand and its landscape. Through countless generations, the stories have been reshaped and passed on. This new collection presents a wide range of traditional myths that have been retold by some of our best Maori wordsmiths. The writers have added their own creativity, perspectives and sometimes wonderfully unexpected twists, bringing new life and energy to these rich, spellbinding and significant taonga. Take a fresh look at Papatuanuku, a wild ride with Maui, or have a creepy encounter with Ruruhi-Kerepo, for these and many more mythical figures await you. Explore the past, from it shape the future . . . The contributors are: Jacqueline Carter, David Geary, Patricia Grace, Briar Grace-Smith, Whiti Hereaka, Keri Hulme, Witi Ihimaera, Kelly Joseph, Hemi, Kelly, Nic Low, Tina Makereti, Kelly Ana Morey, Paula Morris, Frazer Rangihuna, Renee, Robert Sullivan, Apirana Taylor, Ngahuia Te Awekotuku, Clayton Te Kohe, Hone Tuwhare, Briar Wood.

From the valleys of Hawaii to the seasons of a garden in Auckland, this extraordinary offering of poems explores a variety of themes. Though hips need replacing, poets grow older, tsunamis destroy, and friends slip away, a spirit of renewal and humor pervades the collection. Alert and full of love, this is a moving and compelling book by a celebrated Pacific writer.