Hawiian versions of the birth and exploits of Maui, taken from the ancient creation chants.

Folktales often portray stories about the creation of certain places. Readers of this engaging play learn one tale of how the Hawaiian Islands came to be. The story of Ma-ui and his family is told with the help of captivating text and dialogue, as well as vivid illustrations that closely correlate with the textual content of the book. This exciting story is sure to get young readers excited about plays and folktales.

The twins Läieikawai and Läielohelohe are separated at birth but remain linked by their great beauty and a series of unscrupulous admirers and fickle husbands. Eventually the sisters are reunited with the help of a colorful cast of characters, including a man-eating lizard, a "cosmic" spider, and a giant bird, and find happiness at last in each other's company. This timeless kaao, or legend, of long ago is lovingly retold and illustrated here by renowned Island artist and storyteller Dietrich Varez.

It is hard to imagine life without fire. Heat, light, food—where would we be without these essentials? Although we do not rely on fire as much today as in times past, nor have as much direct contact with it, fire was often crucial to survival when the stories in this collection were first told. People often told stories about it: what their lives were like without fire, how they first acquired it and how it changed their lives. This collection of nine traditional tales, retold by Jon C. Stott, draws from eight different countries. Learn how Maui stole fire twice (New Zealand), how Coyote and his friends captured fire (United States), how Opossum brought fire back to the people (Mexico) and how Vasilisa used the Baba Yaga’s fire (Russia). The main characters of these stories differ in many aspects. Some are well-known heroes, and some are insignificant members of their groups. Some made their quests for fire alone, and some worked with others. Some were brave and unselfish, and some sought personal glory. But all knew that fire was essential for their people.

Legends of Maui (1910) is a collection of Hawaiian folktales and myths anthologized by W. D. Westervelt. Paying homage to the importance of Maui across Polynesian cultures, Westervelt introduces his groundbreaking collection of legends on Hawaii’s founding deity. Westervelt's collection connects the origin story of Hawaii to the traditions of other Polynesian cultures, providing an invaluable resource for understanding the historical and geographical scope of Hawaiian culture. Drawing on the work of David Malo, Samuel Kamakau, and Abraham Fornander, Westervelt, originally from Ohio, became a leading authority on the Hawaiian Islands, publishing extensively on their legends, religious beliefs, and folk tales. With a beautifully designed cover and professionally designed manuscript, this edition of W. D. Westervelt’s Legends of Maui is a classic of Hawaiian literature reimagined for modern readers. Add this beautiful edition to your bookshelf, or enjoy the digital edition on any e-book device.

Four brothers, each bearing the name of Maui, belong to Hawaiian legend. They accomplished little as a family, except on special occasions when the youngest of the household awakened his brothers by some unexpected trick which drew them into unwonted action. The legends of Hawaii, Tonga, Tahiti, New Zealand and the Hervey group make this youngest Maui "the discoverer of fire" or "the ensnarer of the sun" or "the fisherman who pulls up islands" or "the man endowed with magic," or "Maui with spirit power." The legends vary somewhat, of course, but not as much as might be expected when the thousands of miles between various groups of islands are taken into consideration. Maui was one of the Polynesian demi-gods. His parents belonged to the family of supernatural beings. He himself was possessed of supernatural powers and was supposed to make use of all manner of enchantments. In New Zealand antiquity a Maui was said to have assisted other gods in the creation of man. Nevertheless Maui was very human. He lived in thatched houses, had wives and children, and was scolded by the women for not properly supporting his household. The time of his sojourn among men is very indefinite. In Hawaiian genealogies Maui and his brothers were placed among the descendants of Ulu and "the sons of Kii," and Maui was one of the ancestors of Kamehameha, the first king of the united Hawaiian Islands. This would place him in the seventh or eighth century of the Christian Era. But it is more probable that Maui belongs to the mist-land of time. His mischievous pranks with the various gods would make him another Mercury living in any age from the creation to the beginning of the Christian era. The Hervey Island legends state that Maui's father was "the supporter of the heavens" and his mother "the guardian of the road to the invisible world." In the Hawaiian chant, Akalana was the name of his father. In other groups this was the name by which his mother was known. Kanaloa, the god, is sometimes known as the father of Maui. In Hawaii Hina was his mother. Elsewhere Ina, or Hina, was the grandmother, from whom he secured fire. The Hervey Island legends say that four mighty ones lived in the old world from which their ancestors came. This old world bore the name Ava-iki, which is the same as Hawa-ii, or Hawaii. The four gods were Mauike, Ra, Ru, and Bua-Taranga. It is interesting to trace the connection of these four names with Polynesian mythology. Mauike is the same as the demi-god of New Zealand, Mafuike. On other islands the name is spelled Mauika, Mafuika, Mafuia, Mafuie, and Mahuika. Ra, the sun god of Egypt, is the same as Ra in New Zealand and La (sun) in Hawaii. Ru, the supporter of the heavens, is probably the Ku of Hawaii, and the Tu of New Zealand and other islands, one of the greatest of the gods worshiped by the ancient Hawaiians. The fourth mighty one from Ava-ika was a woman, Bua-taranga, who guarded the path to the underworld. Talanga in Samoa, and Akalana in Hawaii were the same as Taranga. Pua-kalana (the Kalana flower) would probably be the same in Hawaiian as Bua-taranga in the language of the Society Islands.