Matthew Looney and his crew are captured by space pirates while leading an expedition to explore the possibilities of colonizing a new planet.

Because of tense conditions between moonsters and earthlings, moon man Looney is sent to establish a peaceful colony on a new planet. Sidetracked to Earth, he discovers that a bomb will soon destroy the world and decides to try to prevent the holocaust.

Matthew Looney and his crew are captured by space pirates while leading an expedition to explore the possibilities of colonizing a new plant.

The scarecrow is spreading a fear poison to the citizens of Gotham City and only Batman can stop him.

From observations made aboard an exploratory space voyage of moonlings to Earth, a moon lad deduces that life exists on the new planet.

Expecting to become a supervillain on his 16th birthday, Damien Locke, son of one of Golden City's most notorious supervillains, is horrified to discover that he may instead be destined to become a superhero.

Professor Litman's work stands out as well-researched, doctrinally solid, and always piercingly well-written.-JANE GINSBURG, Morton L. Janklow Professor of Literary and Artistic Property, Columbia UniversityLitman's work is distinctive in several respects: in her informed historical perspective on copyright law and its legislative policy; her remarkable ability to translate complicated copyright concepts and their implications into plain English; her willingness to study, understand, and take seriously what ordinary people think copyright law means; and her creativity in formulating alternatives to the copyright quagmire. -PAMELA SAMUELSON, Professor of Law and Information Management; Director of the Berkeley Center for Law & Technology, University of California, BerkeleyIn 1998, copyright lobbyists succeeded in persuading Congress to enact laws greatly expanding copyright owners' control over individuals' private uses of their works. The efforts to enforce these new rights have resulted in highly publicized legal battles between established media and new upstarts.In this enlightening and well-argued book, law professor Jessica Litman questions whether copyright laws crafted by lawyers and their lobbyists really make sense for the vast majority of us. Should every interaction between ordinary consumers and copyright-protected works be restricted by law? Is it practical to enforce such laws, or expect consumers to obey them? What are the effects of such laws on the exchange of information in a free society?Litman's critique exposes the 1998 copyright law as an incoherent patchwork. She argues for reforms that reflect common sense and the way people actually behave in their daily digital interactions.This paperback edition includes an afterword that comments on recent developments, such as the end of the Napster story, the rise of peer-to-peer file sharing, the escalation of a full-fledged copyright war, the filing of lawsuits against thousands of individuals, and the June 2005 Supreme Court decision in the Grokster case.Jessica Litman (Ann Arbor, MI) is professor of law at Wayne State University and a widely recognized expert on copyright law.