A generously illustrated look at the intricate narrative threads of three of the artist's earliest works, and their continued resonance today Celebrated for works blending performance, video, and sculpture, Matthew Barney has created complex narratives that emerge across series since his earliest exhibitions. Matthew Barney: OTTO Trilogy is the first book to trace the progression of three significant early projects--Facility of INCLINE, Facility of DECLINE, and OTTOshaft-- and to reveal the narrative system that links them. Titled after former football player Jim Otto, the series explores the training, discipline, and physical limits of the body alongside questions of sexual difference and desire. Featuring an illuminating introduction by Nancy Spector; an essay by Maggie Nelson on the works' exploration of psychology, bodies, image-making, narrative, and abstraction; and a new text by the artist, this generously illustrated volume includes previously unpublished artist's sketches, behind-the-scenes photographs, research material, and video stills. It is the definitive publication on this important series, and offers a key to understanding many of the themes that thread throughout Barney's oeuvre.

Matthew Barney: Redoubt is a comprehensive catalogue of the artist's newest project, which centers on a two-hour film that creates a complex portrait of the American landscape by layering classical, cosmological, and American myths about humanity's place in the natural world. In the film, the goddess Diana and her two attendants traverse the rugged terrain of Idaho's Sawtooth Mountains in pursuit of the elusive wolf, while an Engraver (played by Barney, b. 1967) furtively documents their actions in copper engravings and provokes a series of confrontations. The publication comprises hundreds of stills that track the film's narrative, as well as essays--some lyrical, others more objective--that approach Redoubt through disciplines such as ecology, art history, and dance. Also featured are the artworks made by Barney in conjunction with the film: electroplated copper engravings based on those his character makes and sculptures created by pouring molten metal through hollowed, burned trees harvested from the Sawtooth region. Taking a cue from Redoubt's mountainous setting, the overall design of the book evokes a field guide. Distributed for the Yale University Art Gallery Exhibition Schedule: Yale University Art Gallery (03/01/19-07/16/19) UCCA, Beijing (09/28/19-12/15/19) Hayward Gallery, London (03/04/20-05/10/20)

New York Times critic Michael Kimmelman has called Matthew Barney "the most important American artist of his generation." Most known for his epic film series Cremaster Cycle (1994-2002) and Drawing Restraint (2005), a feature film made with his partner, Björk, Barney's technically and conceptually fastidious work conflates various personal and universal mythologies into narratives that are famously difficult to unravel. This volume compiles work from Barney's solo exhibitions at Turin's Fondazione Merz and National Museum of Cinema, as well as coverage of the International Festival of Philosophy of Contemporary Art, a collaboration between the Fondazione Merz and the University of Turin for which Barney was featured in conversation with Richard Flood and Arthur C. Danto.

This accompanying catalogue to the largest exhibition of Matthew Barney's extraordinary drawings to date explores this central aspect of the artist's important body of work. | Exhibition at The Morgan Library & Museum, New York, 10 May -8 September 2013.

Norman Mailer’s dazzlingly rich, deeply evocative novel of ancient Egypt breathes life into the figures of a lost era: the eighteenth-dynasty Pharaoh Rameses and his wife, Queen Nefertiti; Menenhetet, their creature, lover, and victim; and the gods and mortals that surround them in intimate and telepathic communion. Mailer’s reincarnated protagonist is carried through the exquisite gardens of the royal harem, along the majestic flow of the Nile, and into the terrifying clash of battle. An extraordinary work of inventiveness, Ancient Evenings lives on in the mind long after the last page has been turned. Praise for Ancient Evenings “Astounding, beautifully written . . . a leap of imagination that crosses three millennia to Pharaonic Egypt.”—USA Today “Mailer makes a miraculous present out of age-deep memories, bringing to life the rhythms, the images, the sensuousness of a lost time.”—The New York Times “Mailer’s Egypt is a haunting and magical place. . . . The reader wallows in the scope, depth, the sheer magnitude and—yes—the fertility of his imagination.”—The Washington Post Book World “An enormous pyramid of a novel [reminiscent of] Thomas Pynchon’s Gravity’s Rainbow and Carlos Fuentes’s Terra Nostra.”—Los Angeles Herald Examiner Praise for Norman Mailer “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times “A writer of the greatest and most reckless talent.”—The New Yorker “Mailer is indispensable, an American treasure.”—The Washington Post “A devastatingly alive and original creative mind.”—Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post

Edited by Nancy Spector. Essays by Nancy Spector and Neville Wakefield.

Text by Nancy Spector, Mark Taylor, Christian Scheidemann, Nat Trotman.