She employs Julia Domna as a case study to explore the creation of ideology between the emperor and its subjects.

Royal women did much more to wield power besides marrying the king and producing the heir. Subverting the dichotomies of public/private and formal/informal that gender public authority as male and informal authority as female, this book examines royal women as agents of influence. With an expansive chronological and geographic scope—from ancient to early modern and covering Egypt, Great Britain, the Ottoman Empire, and Asia Minor—these essays trace patterns of influence often disguised by narrower studies of government studies and officials. Contributors highlight the theme of dynastic loyalty by focusing on the roles and actions of individual royal women, examining patterns within dynasties, and considering what factors generated loyalty and disloyalty to a dynasty or individual ruler. Contributors show that whether serving as the font of dynastic authority or playing informal roles of child-bearer, patron, or religious promoter, royal women have been central to the issue of dynastic loyalty throughout the ancient, medieval, and modern eras.

Women in Martial is the first monograph to treat the portrayals of women in Martial's Epigrams in a systematic way. In this volume, Marchesi proposes a new method of exploring the cultural construction of femininity in the Flavian age, presenting an interplay between close readings of Martial's poems and their contextualization through legal, historiographic, rhetorical, and grammatical discussions. This book discusses the social roles assigned to women in Roman society, where they were at once called to represent their fathers and reproduce their husbands, together with the question of to what extent they are depicted as semiotic signifiers in Martial's corpus. Noting socially aberrant behavior by pointedly using the discourse of grammar and its categories to detect and address the social issues of his time, Martial—a poet who distinctively adopts the role of a surrogate censor for Domitian—constructs the women he depicts in both negative and positive ways as signs of their time. Using a wide range of examples from ancient Roman literary culture, Women in Martial models a way of using both historical and literary sources to address the intersection of social and cultural issues in the study of women in the ancient world, ultimately demonstrating the extent to which the social roles and identities of women were constructed and policed through semiotic categories.

This volume offers the first comprehensive look at the role of women in the monarchies of the ancient Mediterranean. It consistently addresses certain issues across all dynasties: title; role in succession; the situation of mothers, wives, and daughters of kings; regnant and co-regnant women; role in cult and in dynastic image; and examines a sampling of the careers of individual women while placing them within broader contexts. Written by an international group of experts, this collection is based on the assumption that women played a fundamental role in ancient monarchy, that they were part of, not apart from it, and that it is necessary to understand their role to understand ancient monarchies. This is a crucial resource for anyone interested in the role of women in antiquity.

Roman Cities, as conventionally studied, seem to be dominated by men. Yet as the contributions to this volume—which deals with the Roman cities of Italy and the western provinces in the late Republic and early Empire—show, women occupied a wide range of civic roles. Women had key roles to play in urban economies, and a few were prominent public figures, celebrated for their generosity and for their priestly eminence, and commemorated with public statues and grand inscriptions. Drawing on archaeology and epigraphy, on law and art as well as on ancient texts, this multidisciplinary study offers a new and more nuanced view of the gendering of civic life. It asks how far the experience of women of the smaller Italian and provincial cities resembled that of women in the capital, how women were represented in sculptural art as well as in inscriptions, and what kinds of power or influence they exercised in the societies of the Latin West.

The Imperial Women of Rome explores the constraints and activities of the women who were part of Rome's imperial families from 35 BCE to 235 CE, the Roman principate. Boatwright uses coins, inscriptions, papyri, material culture, and archaeology, as well as the more familiar but biased ancient authors, to depict change and continuity in imperial women's pursuits and representations over time. Focused vignettes open each thematic chapter, emphasizing imperial women as individuals and their central yet marginalized position in the principate. Evaluating historical contingency and personal agency, the book assesses its subjects in relation to distinct Roman structures rather than as a series of biographies. Rome's imperial women allow us to probe the meanings of the emperor's authority and power; Roman law; the Roman family; Roman religion and imperial cult; imperial presence in the city of Rome; statues and exemplarity; and the military and communications. The book is richly illustrated and offers detailed information in tables and appendices, including one for the life events of the imperial women discussed in the text. Considered over time and as a whole, Livia, the Agrippinas and Faustinas, Julia Domna, and others closely connected to Rome's emperors enrich our understanding of Roman history and offer glimpses of fascinating and demanding lives.

Covering a broad chronological and geographic range and a great variety of source types, this volume examines the presence and activities of ancient women in the public domain, for example as rulers, patrons, priestesses, wives, athletes and pilgrims.