Published in 1873-77, this two-volume work brings together a rich variety of contemporary documents illustrating the reign of Henry VII. Volume 2 covers the period between August 1486 and December 1490, with material presented in English. It provides fascinating insight into the years following the Wars of the Roses.

"In this new book, James P. Carley, a leading scholar in the emerging field of book history, describes Henry VIII's libraries and shows their key role in providing a more intimate understanding of this seemingly familiar monarch and his consorts. The books of the wives, moreover, show them to have been as independent and innovative as the king himself. The extensive illustrations allow us to examine both the bindings and the contents of the collection, and also provide us with examples of his immediate voice in the form of the marginalia that he inserted into his books."--BOOK JACKET.

This volume is made up of five volumes of books associated with Henry VIII: one (H1) undertaken by an unnamed Frenchman at Richmond Palace in 1535, the second (H2) part of a general inventory at Westminster Palace in 1542. the third (H3) an account from the King's Printer Thomas Berthelet for the years 1541-43, the fourth (H4) a select list of books in the royal library seen by John Bale c.1548, and finally (H5) book titles extracted from the post-mortem inventories of Henry VIII's palaces. Using the evidence of inventory numbers in surviving books, moreover, it has been possible to recreate a lost list of more than 500 books which were brought to Westminster (primarily from Hampton Court and Greenwich) between 1542 and 1548 and this 'list' has been appended to the Westminster inventory. Although the library at Westminster contained printed books and books deriving from Henry's ancestors, a goodly number were monastic 'loot' and the lists show the sort of material John Leland and others considered worth rescuing. A considerable number of these books have left the royal library during the succeeding centuries and Carley has traced many to their modern locations. The presentation and analysis of the Westminster lists in particular leads to a different picture of the role of Henry VIII as preserver and destroyer of the monastic past than has normally been put forth.

Originally published in Great Britain by Penguin Books Ltd., 2011.

Exploring the intersection between art and political ideology, this innovative study of art in Henrician England sheds new light on the ways in which Henry VIII and his advisers exploited visual images in order to communicate ideas to his subjects. The works analyzed include water triumphs, coronation pageants and funeral processions, printed title pages of vernacular Bibles, coins, portrait miniatures, and murals, as well as panel paintings. With her analysis of these categories of objects, and using communication theory as a starting point, String presents a new model of communication based on the concepts of magnificence, topicality, persuasiveness, and propaganda. Through this model she shows how medium, location, display, and viewership were all considered in the transmission of royal messages. Using the art of Henry VIII's reign as a case study, String enriches our understanding of the fundamental contribution of imagery to communication, and also provides a model for the study of the dissemination of ideas and the patron-artist relationship in other royal courts and historical periods.