Materialist Feminism and the Politics of Discourse confronts the impasses in materialist feminist work on rethinking ‘woman’ as a discursively constructed subject. The book looks at the problem of examining critically the social dimensions on which theories of discourse are premised: how such theories understand ‘materiality’; the relation between ‘women’s experience’ and feminist politics, and that between history and discourse. Rosemary Hennessy considers the work of Kristeva, Foucault, Laclau and Mouffe, and argues for a materialist feminist re-articulation of discourse as ideology. Concerns over identity and difference are incorporated into a rewriting of materialist feminism's analysis of women's oppression across capitalist and patriarchal structures. In adapting postmodernist theories in this way, Hennessy develops a project of social change, where feminism, while maintaining its specificity, is necessarily aligned with other emancipatory movements.

Materialist Feminism and the Politics of Discourseconfronts the impasses in materialist feminist work on rethinking ‘woman’ as a discursively constructed subject. The book looks at the problem of examining critically the social dimensions on which theories of discourse are premised: how such theories understand ‘materiality’; the relation between ‘women’s experience’ and feminist politics, and that between history and discourse. Rosemary Hennessy considers the work of Kristeva, Foucault, Laclau and Mouffe, and argues for a materialist feminist re-articulation of discourse as ideology. Concerns over identity and difference are incorporated into a rewriting of materialist feminism's analysis of women's oppression across capitalist and patriarchal structures. In adapting postmodernist theories in this way, Hennessy develops a project of social change, where feminism, while maintaining its specificity, is necessarily aligned with other emancipatory movements.

During the 1980s, capitalism triumphantly secured its global reach, anti-communist ideologies hammered home socialism's inherent failure, the New Left increasingly moved into the professional middle class--and many of feminism's earlier priorities were marginalized. "Identity politics", often formulated in terms of social reconstructionism or multiculturalism, has increasingly suppressed materialist feminism's systematic perspective, replacing it with discourse analysis or cultural politics. Materialist Feminism: A Reader argues against the retreat to multiculturalism for keeping invisible the material links among the explosion of meaning-making practices in highly industrialized social sectors, the exploitation of women's labor, and the appropriation of women's bodies that continues to undergird the scramble for profits and state power in multinational capitalism.

For over a decade, feminist studies have occupied an extraordinary position in the United States. On the one hand, they have contributed to the development of a strong ‘identity’ politics; on the other, they have been part of the post-structuralist critique of the unified subject – its experience, truth and presence – and of the massive challenge to Western metaphysics and humanism. Along with race and ethnic studies, feminist enquiry has moved beyond the fiction of a unitary feminism to address the differences within the study of difference. The essays in this volume all address feminism’s relationships to theory and politics at the level of the criticism and production of knowledge. Readers and students of politics, history, literature, philosophy, sociology and the sciences – anyone with a stake in theory and politics – will benefit from this powerful book.

For more than a decade Judith Newton has been at the forefront of defining and promoting materialist feminist criticism. Starting Over brings together a selection of her essays that chart the establishment of feminist literary criticism in the academy and its relation to other forms of cultural criticism, including Marxist, post-Marxist, new historicist, and cultural materialist approaches, as well as cultural studies. The essays in Starting Over have functioned as exemplars of interdisciplinary thinking, mapping out the ways in which reading strategies and the constructions of history, culture, identity, change, and agency in various materialist theories overlap, and the ways in which feminist-materialist work both draws upon, revises, and complicates the vision of nonfeminist materialist critiques. They are shaped by an awareness that public knowledge is always informed by the so-called private realm of familial and sexual relations and that cultural criticism must bring together investigations of daily behaviors, economic and social relations, and the dynamics of race, class, gender, and sexual struggle. Starting Over is a brilliant synthesis of literature, history, anthropology, the many influential trends in contemporary theory, and the politics of feminism.

The Oppositional Imagination draws together elements from Marxism, analytical philosophy, post-structuralism, and post-colonial criticism to analyse the elusive interplay of culture and power. It focuses its attention on cultural domination, opposition and evasion in the realm of sex and gender. Joan Cocks reflects on questions crucial to both political theorists and feminists: the relationship between political theory and practical life; the possibility of bringing together a philosophical and a literary language to comprehend and evoke concrete experience; and the reconciliation of radical political commitment with an appreciation of shades of grey in the social world. She explores the variety of ways in which power and eroticism intersect; the liberating and tyrannical impulses of marginal cultures; and the place of the loyalist, the eccentric, the critic, the traitor, and the rebel in the sexual struggle. The Oppositional Imagination reaffirms the centrality of political theory and feminist practice while at the same time challenging certain of their key principles in thought-provoking ways.

Feminists have recently begun to challenge the powerful influence of the law on the social and cultural construction of women’s roles, identities, and rights. At the Boundaries of Law is a timely and path-breaking work that provides a series of non-technical, interdisciplinary explorations into the nature and effects of legal regulation on women’s lives. Together the essays examine the fertile – and radically revisionary – links between feminism and legal theory. But At the Boundaries of Law rejects the abstract ‘grand theorizing’ of traditional feminist legal theory, focusing instead on the concrete and material implications of the legal injustices endured by women. These essays emphasise the complex diversity of female experience, collectively arguing for legal theory and practice that both recognises and accommodates the concept of ‘difference’ – in gender, class, race and sexual orientation. At the Boundaries of Law also raises provocative questions about the methodology and future of feminist legal theory itself. In its rich variety of issues and approaches, this volume will command the interest not only of legal theorists, but of those interested in women’s studies, philosophy, politics, sociology and history. It is sure to set the future agenda for scholars, policymakers and anyone concerned with the role of law in society.